Tag: Holy Wars Orphan

New Video: Holy Wars Returns with Inventive and Symbolic Visuals for “Warrior”

Now, if you’ve been frequenting this site over the past few months, you may recall that the Connecticut-born, Los Angeles, CA-based singer/songwriter Kat Leon initially developed a reputation for writing material that focused on her obsessions with death and the occult as one-half of the Los Angeles, CA-based indie electro pop act  Sad Robot, with Long Beach, CA-born, Los Angeles, CA-based multi-instrumentalist Nick Perez. With both of her parents suddenly dying within months of one another, Leon plunged into a period of profound grief, an dafter taking much needed time to grieve, Leon started her latest, solo recording project Holy Wars, which is largely influenced by what was arguably some of the darkest days of her life; in fact, the Holy Wars project in many ways is a way to extrapolate the tumultuous feelings and thoughts she had during that period, and expressing it creatively — with the result being her debut EP Mother released last month and its follow up Father slated for release later on this year. And while both EPs are dedicated to her respective parents and possess material that’s — at points — dark and foreboding, it’s not completely depressing or nihilistic; in fact, Mother’s first single “I Can’t Feel A Thing” is complete, cathartic release paired with an anthemic, arena rock/hard pop-leaning sound reminiscent of Paramore — but there’s a an adult angst at its core, full of the bitter recognition that death is an inconsolable and permanent parting. 

Mother’s second single “Orphan” was a slow-burner of a track that focuses on a rather embittering truth: that everyone you will ever know, care about and love will one day die, and that it’ll leave the survivors reeling from their losses, and trying to piece together their lives. Leon and her backing band pair that sense of reeling pain with a story and forceful, 90s alt rock-leaning song structure — quiet verses, stormy and loud choruses. And while being stormy, the song expresses a weary acceptance. 

“Warrior,” the third and most recent single continues in a similar vein as its predecessors as it’s a rousingly anthemic song inspired by and written by the underdog, the downtrodden and the disenfranchised as a proverbial call to arms, focusing on recognizing one’s inner strength and resolve to fight back, and ultimately show their own innate abilities and powers. 

Directed by Jeremy Cordy and Kat Leon, the recently released video stars Elijah Potruch as the brave, alter ego of the bullied CW Mead, and much like Chuck Palahniuk’s Fight Club in which the lines of reality and fiction become hopelessly blurred. To balance some of the dark nature of the song and the video, Leon envisioned the battle between “The Warrior” and his tormentors to be between kids that could have easily been cast in movies like The Sandlot, Stand by Me and Lord of the Flies, ending with a battle featuring confetti blood, a soccer ball mace, and cardboard swords that turn to metal. The video manages to continue Leon’s reputation for paring her music with inventive and symbolic visuals. 

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New Video: The Visceral Where the Wild Things Are-Inspired Visuals for Holy Wars’ Latest Single “Orphan”

Arguably best known as one half of  Los Angeles, CA-based indie electro pop act Sad Robot, with Long Beach, CA-born, Los Angeles, CA-based multi-instrumentalist Nick Perez, Connecticut-born, Los Angeles, CA-based singer/songwriter Kat Leon developed a reputation for material that focused on her obsessions with death and the occult. With both of her parents suddenly dying within months of one another, Leon was plunged into a period of profound and heartbreaking grief. And after taking some necessary time to grieve, Leon began her latest, solo recording project Holy Wars, influenced by what may have been some of the darkest days of her life to date; in fact, the project in many ways to her is a way to extrapolate the tumultuous feelings and thoughts she had felt and thought during that period — with the result being her Holy Wars debut, double EP Mother, which will released at the end of this month and Father, which is slated for release later on this summer. Of course, both EPs are dedicated to her respective parents and while being dark and at points foreboding, the material isn’t completely nihilistic; in fact, Mother‘s first single “I Can’t Feel A Thing”is a cathartic release, rooted around an anthemic arena rock-like sound reminiscent of Paramore —but with profoundly adult angst, from the recognition that death is a permanent and inconsolable loss, a wound that can never really be healed, and that the only thing anyone can do is figure out a way to move forward.

Mother‘s second single “Orphan” is a slower burning, mid-tempo track that focuses on what may be the darkest, saddest and yet most true aspect of life: that everyone you ever know and love will one day die, and the survivors reeling from inconsolable loss have to piece together their lives, and with her backing band, Leon pairs that sentiment with a stormy and forceful arrangement within a 90s alt rock structure — quiet verses, stormy and loud choruses; however, much like “I Can’t Feel A Thing,” the song isn’t completely negative. Yes, it’s a weary acceptance but within that acceptance is a paradoxical vulnerability and strength.

Based on a concept by Katherine Pawlak and directed by Jeremy Cordy, the recently released visuals for “Orphan” is seemingly influenced by Where The Wild Things Are, Peter Pan, and The Lost Boys as Leon leads a troupe of orphans, who she ultimately gives a voice to express themselves. And much like the video for “I Can’t Feel A Thing,” the visuals are gorgeously, cinematically shot and incredibly visceral. 

Arguably best known as one half of  Los Angeles, CA-based indie electro pop act Sad Robot, with Long Beach, CA-born, Los Angeles, CA-based multi-instrumentalist Nick Perez, Connecticut-born, Los Angeles, CA-based singer/songwriter Kat Leon developed a reputation for material that focused on her obsessions with death and the occult. With both of her parents suddenly dying within months of one another, Leon was plunged into a period of profound and heartbreaking grief. And after taking some necessary time to grieve, Leon began her latest, solo recording project Holy Wars, influenced by what may have been some of the darkest days of her life to date; in fact, the project in many ways to her is a way to extrapolate the tumultuous feelings and thoughts she had felt and thought during that period — with the result being her Holy Wars debut, double EP Mother, which will released at the end of this month and Father, which is slated for release later on this summer. Of course, both EPs are dedicated to her respective parents and while being dark and at points foreboding, the material isn’t completely nihilistic; in fact, Mother‘s first single “I Can’t Feel A Thing” is a cathartic release, rooted around an anthemic arena rock-like sound reminiscent of Paramore —but with profoundly adult angst, from the recognition that death is a permanent and inconsolable loss, a wound that can never really be healed, and that the only thing anyone can do is figure out a way to move forward.

Mother‘s second single “Orphan” is a slower burning, mid-tempo track that focuses on what may be the darkest, saddest and yet most true aspect of life: that everyone you ever know and love will one day die, and the survivors reeling from inconsolable loss have to piece together their lives, and with her backing band, Leon pairs that sentiment with a stormy and forceful arrangement within a 90s alt rock structure — quiet verses, stormy and loud choruses; however, much like “I Can’t Feel A Thing,” the song isn’t completely negative. Yes, it’s a weary acceptance but within that acceptance is a paradoxical vulnerability and strength.