With the release of their self-titled debut in 2003 through renowned electronic dance music label DFA Records, somewhat mysterious British collective Factory Floor received both national and international attention for a minimalist, tweeter and woofer […]
Tag: house music
With the 2015 release of his debut effort Patterns, the now, Berlin-based electronic music artist and producer Mark Dobson and his solo recording project Ambassadeurs has received both national and international attention for a sound that draws from house music, hip-hop, dub, trip-hop, jazz and drum ‘n’ bass in a unique fashion. And as a result of his signature sound, Dobson quickly became a go-to producer, with the prolific producer and electronic music artist releasing work through a number of renowned labels including Tru Thoughts, Ninja Tune, Moshi Moshi, Fat Cat, Wah Wah 45s, Universal, and Rough Trade, while heading his own label, Lost Tribe Records and releasing a number of free singles for his rapidly growing fanbase.
Now, if you were frequenting this site towards the end of last year, you may recall that I wrote about “Halos,” a song that was written and recorded during a vacation in the country — and in some way, that vacation deeply influenced the track and its sound, as it was arguably one of the more organic singles the British producer has released to date as swirling electronics, soulful vocal samples and warm bursts of strings and twinkling keys were paired together in a song that seemed to be equally influenced by Peter Gabriel‘s “Shock the Monkey” and “Biko,” as it is by house music as the song managed to be atmospheric and melodic, while possessing a cinematic quality.
Although Dobson is reportedly in the studio working on the highly-anticipated follow-up to 2015’s Pattern, he recently released the “Higher”/”Rapture” single reveals a producer and artist who has boldly pushed his sound into new and interesting directions. “Higher” is a slick and propulsive, house music-leaning production that pairs swirling electronics, gently chopped up vocal samples ethereally floating over dense and cascading layers of synths, skittering and stuttering drum programming and wobbling, tweeter and woofer rocking beats to craft a song that feels simultaneously intimate and cinematic, gorgeous yet hauntingly eerie. “Rapture” may be the most straightforward house music song the now Berlin-based producer has released to date as dense layers arpeggio synth stabs are paired with an eerie melody reminiscent of John Carpenter and Kraftwerk, along with propulsive, cymbal clap-led drum programming and a soulful vocal sample bubbling up and through the mix. Interestingly, sonically speaking “Rapture” reminds me quite of an uptempo version of Snap!‘s “Rhythm Is A Dancer” and Octo Octa‘s “Please Don’t Leave,” “His Kiss,” and “Work Me” which I think will further cement Dobson’s reputation for crafting thoughtful, dance floor-friendly house music.
Last month, I wrote about Adult Karate, the solo recording project of Radar Cult‘s KC Maloney. Sonically, Maloney’s solo project expands upon the sound that first captured the attention of the blogosphere with his primary gig — by being much more minimalist, while still drawing from several styles of electronic music, including house, acid house, techno and ambient electronica. “So Low,” the first single off Maloney’s forthcoming LXII EP was a collaboration with Toronto, ON-based vocalist Adaline that paired the up-and-coming Canadian singer/songwriter’s sultry and smoky vocals with a sleek and hyper-modern production consisting of gentle cascades of shimmering synths, stuttering drum programming, a Nile Rodgers funky guitar line, a wobbling bass line, swirling electronics and an anthemic hook in a breezily club-friendly and radio-friendly track.
LXII‘s latest single “Chased” is an intimate and eerily chilly track that pairs Maloney’s achingly plaintive vocals with an ambient, house music leaning production consisting of skittering drum programming, clattering snares fed through reverb, horror movie-like minor piano keys, tweeter and woofer rocking boom bap beats and subtle hints of other instrumentation to craft a song that’s full of lingering regret, self-flagellation and guilt; in some way, it feels like the sort of self-examination and recurrent doubt that seems to naturally come about after a particularly bitter and heartbreaking end of a relationship.
With the 2013 release of Forget Your Future and its follow-up Real Virtual Unison Richmond, VA-born, Ridgewood, NY-based electronic music artist and producer Lindsey French and her solo recording project Negative Gemini exploded on to the national scene as she received critical praise from the likes of Gorilla vs Bear, Pigeons and Planes, KEXP and others, and she even gained recognition from FACT Magazine‘s 20 Best Bandcamp Releases of 2015. Adding to a growing profile, French released “You Never Knew,” which was was the Best Songs of 2015 lists of Pigeons and Planes and Gorilla vs. Bear and “Body Work,” which was released earlier this year received praise from NYLON, The 405, Earmilk and was adding to NPR’s “Songs We Love” playlist.
“Nu Hope,” the latest single off her forthcoming sophomore full-length release Body Work is the first completely instrumental track French has ever released and the track may arguably be the most straight-forward, club-friendly track she’s ever released as cascading layers of shimmering synths are paired with propulsive drum programming and ambient electronics to craft a sound that’s reminiscent of Octo Octa‘s Between Both Sides — or in other words, carefully crafted and moody house music that sounds as though it could have been released in 1988 as well as now.
New Video: The Trippy Postcard-Inspired Visuals for Gold Panda’s “Chiba Nights”
“Chiba Night,” Gold Panda’s latest single sounds as though it owes a major sonic debt to classic, Larry Levan-era house, The Chemical Brothers’ “Star Guitar”and Kraftwerk as the song is comprised of twinkling and cascading synths paired with thick, choppy keyboard chords, swirling electronics and skittering yet propulsive drum programming before quickly fading out.
Directed by Dan Tombs, the recently released music video for “Chiba Night” is a trippy and kaleidoscopic travelogue of Japan featuring footage shot in Tokyo and the surrounding areas of Chiba and Minowa.
New Video: The Surreal 70s and 80s Found Footage-based Visuals for DBFC’s “Automatic”
Comprised of its frontmen Manchester, UK-born and Paris-based David Shaw and Paris-born and based Dombrance, along with Guilluame Rosel (percussion) and Victor Paillet (bass), the Paris-based electronic music collective DBFC emerged onto the French electronic music scene with the release […]
Promise Keeper is a London-based producer and electronic music artist, who has started to receive attention across the blogosphere for a sound that draws from classic Chicago house, blue-eyed soul and electro pop as you’ll hear on his sleek, dance floor ready, second single “Side Decide,” which pairs breathily cooed vocals with a production consisting of twinkling and shimmering synths, staccato drum programming and swirling and ambient electronics.
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New Audio: El Dusty’s Anthemic and Club Banging, Cinco De Mayo-Inspired, New Single
Corpus Christi, TX-based producer, DJ and electronic music artist, Horacio Olivera, best known as El Dusty has a long-held reputation as the pioneer of a revolutionary, new subgenre that he’s dubbed “nu-cumbia” as it possesses elements of […]
Jean Deaux is a Chicago, IL-based electronic music artist, whose sound draws from house, R&B and hip-hop. Her latest single “Father Time” is the first single released off Downtown Records‘ newest imprint Downtown Singles Club, a carefully curated selection of singles that are sent directly to subscribers via email, and the single pairs skittering drum programming, gently undulating synths, tweeter and woofer rocking beats and industrial clang and clatter with Deaux’s sultry vocals and swaggering rhyming before ending with some soulful yet shimmering synths. The song and its production defy easy categorization — it clearly possesses elements of R&B, house, hip-hop, neo-soul, industrial house and industrial techno but it’s a slickly produced, trippy and sonically experimental work that manages to be approachable and dance-floor ready. And it does so while possesses a deeply existential bent, with its narrator exploring her complex and ambivalent relationship with time.
You can catch the up-and-coming electro pop artist when Deaux and friends play Elvis’ Guesthouse on March 26.
William Phillips is a London, UK-based electronic music artist/producer and songwriter, best known in electronic music circles best known for his solo recording project Tourist — and as the cowriter of 2015 Grammy Award winner for “Song of the Year” for Sam Smith‘s mega-hit “Stay With Me.” Adding to a breakthrough 2015, which resulted in a rapidly growing international profile, Phillips played at Coachella and Pitchfork Festival Paris, toured throughout the European Union and North America, made mixes for BBC 1‘s Diplo and Friends and i-D Magazine, as well as seeing praise from a number of major media outlets including Pitchfork, FADER and several others.
After releasing a number of EPs, Phillips will be building upon his breakthrough 2015 with the long-awaited release of his full-length debut U, slated for a May 6 release. As Phillips explains in press notes: “This is an album that reflects on a relationship I had with someone. I called it U as the word ‘You’ looks a bit accusatory, and the tone of this album certainly isn’t bitter, ‘U’ is a shape that is balanced but also incomplete, I thought it was a nice visual metaphor for a failed relationship.
I wouldn’t describe this record as mournful or sorrow filled, merely a reflection on my first relationship. I’ve always recorded a lot of my life through my phone, whilst writing the album I found a huge number of recordings that I had made whilst being in that relationship, so my ex’s voice is all over this record. Also the sounds of the places we lived and visited together form prominent backdrops to the music.
I don’t know how to describe it sonically, it’s not really body music, it’s just a story told through different tempos and sounds. I’m not channelling any specific scene or sound, just my thoughts and feelings. I don’t really understand the term ‘electronic music’ but I suppose if pressed I’d call it that.
I have zero interest in beats and scenes, I’m much more interested in stories. I feel as though this is the biggest lesson I learnt whilst writing this album, that I don’t write music to express myself but to enrich myself. It wasn’t until finishing this album that I could truly feel at peace with that chapter in my life.”
U’s second and latest single “Run” is a slickly produced track consisting of a spectral and distorted looped vocal samples paired with layers of shimmering and cascading synths, swirling and undulating ambient electronics, tweeter and woofer rocking beats that sonically draws from house music while possessing a swooning wistfulness at its core; in fact, on some level, the song feels like a bittersweet sigh. There’s a clear sadness of a relationship ending or being irrevocably altered and yet at the same time, there’s the recognition and acknowledgement that at the very least you experienced a wonderful period of sweetness — and for that you should be grateful.
Phillips will be on tour throughout major festival season — and it’ll include a set at the inaugural Panorama Festival. Check out the tour dates below.
Tour Dates:
05.07 – Dublin, Ireland – Academy Green Room
05.09 – Glasgow, Scotland – King Tut’s
05.10 – Manchester, England – Deaf Institute
05.11 – London, England – XOYO
05.12 – Brighton, England – The Haunt
05.20-22 – Gulf Shores, AL – Hangout Festival
05.25-30 – Lake San Antonio, CA – Lightning In A Bottle
06.11-12 – London, England – Field Day
06.17-20 – Dufur, OR @ What The Festival
07.02 – Amsterdam, The Netherlands @ Pitch Festival
07.15-17 – Louisville, KY @ Forecastle Festival
07.14-16 – Scranton, PA @ Camp Bisco
07.22-24 – Oro-Medonte, ON @ WayHome Festival
07.22-24 – Seattle, WA @ Capitol Hill Block Party
07.24 – New York, NY – Panorama
08.06 – Oxfordshire, UK @ Wilderness Festival
09.10 – Isle of Wight, UK @ Bestival
