Tag: house music

New Audio: JOVM Mainstay LutchamaK Releases a Swaggering Banger

Over the course of the past 13 months or so, I’ve spilled copious amounts of ink covering the frenetically prolific, French electronic music artist, producer and JOVM mainstay LutchamaK. And during that 13 month period, the French JOVM mainstay has released an incredibly array of EPs, standalone singles and albums with material that generally draws from techno, with elements of deep house and EDM among other electronic music genres, sub-genres and styles.

The French JOVM mainstay artist started off 2021 with his latest full-length album Pi. Written and recorded in an inspired three month burst, Pi finds LutchamaK crafting the darkest and heaviest material of his rapidly expanding catalog to date. So far, the French electronic music artist and producer has released one single off the album — the trance inducing and expansive, Tour de France-era Kraftwerk-like “KindaHot.”

Pi’s latest single “Gesture” is swaggering and infectious banger centered around squiggling and wobbling synth arpeggios, tweeter and woofer rocking beats, a glistening melody and a sample from the 2013 major motion picture The Family. The track manages to be deceptively faster than what it seems — but as LutchamaK explains he attempted to be craft a simpler composition that mixes techno and pop, while paired with a message that he says is close to his heart.

New Audio: JOVM Mainstay LutchamaK Releases a Trance-Inducing Banger

Over the course of the past 13 months or so, I’ve spilled copious amounts of ink covering the frenetically prolific, French electronic music artist, producer and JOVM mainstay LutchamaK. And during that 13 month period, the French JOVM mainstay has released an incredibly array of EPs, standalone singles and albums that features material that generally draws from techno, while reflecting a lifelong love of eclecticism, as his work frequently possesses elements of deep house and EDM among other electronic music genres, styles and sub-genres.

Pieter Herweijer is an emerging, 28 year-old, The Hague-based electronic music DJ and producer, who specializes in EDM, tech house and neo-disco. His latest single “But I Like It” is self-assured club friendly, deep house banger centered around layers of arpeggiated synths, skittering beats and a soulful vocal sample — and sonically, the song manages to bring Octo Octa‘s Between Two Selves to mind but with a subtly Middle Eastern vibe.

Kevin Rodrigues is a Paris-born and-based electronic music artist, producer and DJ, best known in electronic music circles as Worakls. Rodrigues, who grew up in a musical family, started to learn the piano when he had turned three. After studying in a conservatory, he started to dedicate his time to electronic music and composition.

After receiving acclaim for his remixes and his earliest solo releases, Rodrigues along with his friends N’to and Joachim Pastor founded Hungry Music in 2014. Since the formation of Hungry Records, Rodrigues has been praised by Billboard, who referred to him as a “rising French DJ” and described his tracks as “serious techno with a light touch,” full of focused, nervous energy.”

In 2019, the rising French electronic music artist, DJ and producer released his full-length debut Orchestra. The label went on a brief hiatus — and they returned with a slew of releases including a series of remixes to celebrate the second anniversary of Orchestra‘s initial release.

Recently, Patrice Bäumel, an acclaimed East German-born, Amsterdam-based electronic music artist, DJ and producer remixed Orchestra album track “Detached Motion.” The remix finds Bäumel retaining the arpeggiated and gently morphing synths of the original, the East German-born, Dutch-based producer’s take feels cinematic and expansive, with the track slowly and continuously building up energy and tension paired with a muscular and insistent thump and euphoric hooks. Sonically, the song — to my ears, at least — is a seamless synthesis of Tour de France-era Kraftwerk and deep house, imbued with a cosmic sheen.

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Sofi Tukker — Sophie Hawley-Weld and Tucker Halpern — is an acclaimed, Grammy Award-nominated, electro pop duo with a long-held reputation for crafting an inclusive and global take on electro pop/dance pop centered around self-empowerment, unity and liberation.

Despite the fact that they were unable to tour as a result of pandemic-related shutdowns and restrictions, the JOVM mainstays have had a very busy and productive year last year: they’ve hosted one 300 live-streamed DJ sets since the beginning of the pandemic. They’ve also released a prolific stream of remixes and new material, including their Christmas-themed collaboration with HOLZBLÄSERCarol Von Holz” and the playful yet thumping, house music meets “Vogue“-like collaboration with Icona Pop, “Spa.”

The long-time JOVM mainstays start off the new with the release of James Hype‘s remix of “Spa.” While retaining the mischievous and anthemic feel and “Vogue”-like vocal delivery, the British DJ’s take pushes the sound into deep house territory with the addition of a persistent and remarkably sultry groove. And as a result the mischievous anthem to self-love and self-care feels gloriously indulgent and sensual.

Split between Malibu and Monaco, the emerging electronic music production and artist duo End of Code features the following:

  • Nicolas Saad, a Monaco-based DJ and electronic music producer, whose career can be traced back to the 1990s. Saad has developed a reputation for crafting tracks for French radio and TV.
  • Shawn Pereira, a Malibu-based model. who taught himself music while traveling the world modeling in campaigns for Ralph Lauren Polo Sport, Diet Coke and Tag Heuer.

Pereira met Saad while vacationing in St. Barth’s, a small French West Indies territory, that was once a Swedish colony for about 100 years. Bonding over an abiding love of deep house, the duo wound up writing, recording and producing their full-length debut, last year’s The Beginning — and since then, their music has become the official sound of BMW Monaco, playing in every new car sold. Building upon a growing profile, Pereira and Saad begin the new year with their latest single, the slickly produced “Deep Into Your Soul.” Centered around skittering beats, broodingly atmospheric synths, twinkling keys, wobbling low end and a soulful vocal, “Deep Into Your Soul” is a hook-driven and deliberate crafted club banger that manages to sound rather timeless — as though it could have been released in 1989, 1999, 2009, 2019 or just yesterday.

End of Code are working on their highly-anticipated follow-up to The Beginning, which they hope will be released later this year.

Alto is an emerging and mysterious British saxophonist and producer. His debut single “All Over You” is an upbeat and uplifting house music track, featuring a slick and shimmering production centered around twinkling keys, soulful vocals singing lyrics about longing and love paired with a catchy, pop-leaning alto saxophone hook. The end result is a track that manages to be radio friendly but with a club rocking thump.

Throughout the course of this site’s decade-plus history, I’ve spilled quite a bit of virtual ink covering the acclaimed New York-based Grammy Award-nominated, electro pop duo and longtime JOVM mainstays Sofi Tukker. Sofi Tukker — Sophie Hawley-Weld and Tucker Halpern — can trace their origins to when the duo met while studying at Brown University and since their formation, they’ve been widely celebrated for crafting an inclusive, global take on electro pop/dance pop centered around self-empower, unity and liberation.

The longtime JOVM mainstays cap off 2020 with a new single “Caröl Von Holz,” which finds them collaborating with HOLZBLÄSER, a.k.a. Holz. The collaboration has rather unique origins: HOLZBLÄSER initially emerged as a mysterious member of the Freak Fam, a devoted community that has emerged around the New York-based duo’s daily DJ set livestreams.

After some time, HOLZBLÄSER began sending the members of Sofi Tukker edits of their songs, featuring his dryly German accented vocals. Hawley-Weld and Halpern loved his work so much that they began to include his edits into their DJ sets — and it eventually grew into a collaboration between the trio. The end result is a swaggering, fierce as fuck, house music take on a beloved Christmas classic — “The Carol of the Bells,” with a tweeter and woofer rocking temp. House music all night long, even during Christmas.

“Never did we ever think we would do a Christmas song, let alone a Christmas song with a mysterious stranger over email. But when in 2020!” The members of Sofi Tukker share in press notes.

Virak is a rapidly rising house DJ and producer. Since 2006, Virak has spun in some of the world’s most prestigious and important bars and clubs, frequently sharing bills with Sven Vath, Marco Carola, Richy Ahmed, and others:

As a producer, he has released a handful of singles through a number of different labels, including the attention-grabbing “Sugar,” which was released through Adesso Music.

Born Vito Lucente, the Italian-Belgian house music and producer and DJ, best known as Junior Jack has had a lengthy career that traces back to the 90s: Lucente’s earliest days features collaborations with Eric Imhauser crafting Eurodance and with synth pop/hip-hop act Benny B.

By 1995, Lucente abandoned Eurodance and began experimenting with house music under the moniker Mr. Jack, which would morph into Junior Jack. Lucente had quickly amassed enviable success with a handful of UK Top 40 singles that included “My Feeling,” “Thrill Me (Such A Thrill),” “E Samba,” “Dare Me (Stupidisco) and “Da Hype,” which featured guest vocals from The Cure‘s Robert Smith. Lucente’s Junior Jack debut Trust It was released to critical acclaim.

While developing a reputation for crafting smash hits, Lucente simultaneously developed a reputation as a remixer, reworking songs by Whitney Houston, Moby, Bob Sinclar and Utada among others.

Lucente’s fifth release on his Adesso Music label finds the Italian-Belgian house music producer and DJ reworking Virak’s “Sugar.” Centered around skittering beats and percussion, shimmering synth arpeggios, a motorik groove and soulful vocals and a euphoric hook, the Junior Jack rework of “Sugar” is a sultry, deep house take on the original — with a crowd pleasing accessibility.

KARLITA is a rising French DJ and producer, who fell in love with the trip-hop, ambient electronica and lounge compilations in her parents record collection. Her desire to share her thoughts and emotions through music — her earliest love — had influenced her to start writing her own original music,, inspired by her surroundings.

The French DJ and producer’s full-length debut, last year’s Lazydayz found her quickly establishing a unique sound and approach in which melancholy and hope meshed in a groove-driven fashion. Lazydayz‘s follow-up, the five track EP Amor Fabola finds KARLITA exploring a sinuous, deep house sound. Interestingly, the EP’s title derives its names from two disparate sources — the Latin phrase for love story and from the French word fabuler, which can translate into “invent,” “make up” or “fantasize,” as well as implying infatuation, attachment and adoration. And the listener is invited to make up their own story with the material. “This album tends to retrace the process of a romance, good or bad, to each his own interpretation,” the French DJ and producer explains in press notes.

The EP’s latest single, EP opening track “i Can’t Wait” features glistening synth arpeggios stuttering hit hats, reverb-drenched thumps and KARLITA’s plaintive cooing paired with a sultry and insistent groove. But underneath the dance floor friendliness of the material, the song is imbued with the sort of longing and introspective nature that reminds quite a bit of Octo Octa‘s Between Two Selves.