Tag: house music

TÂCHES (pronounced TASH) is an electronic music artist and producer, who has released material through a number of renowned electronic music labels such as Desert Hearts, Different Recordings, CRD, Nervous, Kitsune and Majestic Casual — and in fact, that material won him attention across electronic music circles for a sound and approach that’s been described as romantic, exotic and flamboyant; however, with his latest EP Move Mountains TÂCHES the producer and artist reportedly moving towards a much more accessible sound and approach, partially influenced by a relocation from Los Angeles, CA to Spain, as well as moving towards his new label home, Glitter Cowboy Records.

“I Still Think About You,” the EP’s opening track is reportedly influenced by a holiday camp teen crush and the track features a swooning yet minimalist-leaning production consisting of shimmering, arpeggio synths, soulful vocal samples, propulsive beats and brief bursts of Spanish-styled guitar to create a song that manages to be club rocking while being genre mashing as the song nods at breezy Tropicalia and house music.

 

New Video: The Classic House Inspired Sounds and Visuals of Moon King’s “Ordinary Lover”

Initially begun as a solo recording project of its Toronto, ON-born creative mastermind, primary songwriter, multi-insrumentalist and producer Daniel Benjamin, Moon King may arguably be best known for the several year period in which Benjamin collaborated with Maddy Wilde (vocals, guitar); but with Wilde’s departure last year, Benjamin has returned to his roots — recording as a solo project. Coincidentally, Benjamin also relocated to Detroit, MI around the same time as Wilde’s departure, and spent that year working and living in the Detroit neighborhood of Hamtramck. .

Benjamin’s stint in Hamtramck inspired a new batch of material, Hamtramck 16, a mixtape that not only documents his arrival into a new, unfamiliar place, it also is a radical change in sonic direction and songwriting approach, as the material on the mixtape captures the Canadian producer, singer/songwriter and multi-instrumentalist’s growing obsession with electronic dance music. And while in Detroit, Benjamin began collaborating with local artists and musicians, until he formed a new band — with the intention of crafting a sound that currently draws from disco, classic, Detroit house, synth pop — and even pop.  Mixtape single “In & Out” found Benjamin pairing his dreamy falsetto with a dance floor-friendly production that channels Nile Rodgers-era Madonna (i.e.,  “Lucky Star” and “Holiday“), Tom Tom Club (i.e., “Genius of Love“) and Larry Levan-era house as a driving groove is paired with fluttering, shimmering and cascading layers of synths, a sinuous bass line, four-on-the-floor-like beats and a razor sharp hook. And much like the sound and period, Benjamin is drawing from, the song manages to be incredibly accessible; in fact, if it wasn’t for the subtly modern production, the listener may have been tricked into believing that the song may have been released in 1983.

The mixtape’s second and latest single “Ordinary Love” is a much more straightforward production and song as arpeggio bursts of keys, tweeter and woofer rocking 808s and swirling electronics are paired with Benjamin’s falsetto vocals — and while seemingly influenced by Nu Shooz’s “I Can’t Wait” and classic house, the song manages to reveal a subtly modern production sheen that nods at Octo Octa‘s Between Two Selves and the 100% Silk Records roster. 

Directed by Bronwyn Ford, the recently released music video manages to be a spot on ode to late 80s and early 90s dance music videos, as the video features a diverse and eclectic array of club-goers dancing to the club-baning track; and it’s shot on similar grainy video that will briefly trick some viewers into thinking that they’ve stumbled on to some rarely played house music gem. 

New Video: Gorillaz Collaborates with Peven Everett on Their Most House Music-Inspired Track in Years

Created by Blur frontman and founding member Damon Albarn and renowned comic book artist Jamie Hewlett, Gorillaz is a virtual band, featuring animated characters 2D (vocals), Murdoc Niccals (bass), Noodle (guitar) and Russel Hobbs (guitar) that exploded into with the international scene with the 2001 release of their eponymous debut. The BRIT and Grammy Award-winnng act has since released three critically applauded and commercially successful albums — 2005’s Demon Days, 2010’s Plastic Beach and 2011’s The Fall and with each of their four previously released albums the act has topped charts around the world, receiving millions of streams, selling millions of copies and playing arenas, clubs and festivals from San Diego to Syria. Along with that the act has won the Jim Henson Creativity Honor and have been recognized by The Guinness Book of World Records as the planet’s Most Successful Virtual Act. 

Humanz, the virtual act’s fifth and latest album was released to critical applause last month and the album has continued the band’s incredible run of commercial successes with the album landing at number 1 and number 2 on the US and UK charts respectively, as well as topping the iTunes chart in over 60 different countries. Produced by Gorillaz, The Twilite Tone of D /\ P and Remi Kabaka, the album was recorded in studios in London, Paris, New York, Chicago and Jamaica and has the members of the virtual band — er, Damon Albarn and company — collaborating with an eclectic and accomplished array of contemporary artists including Savages’ Jehnny Beth, Danny Brown, Benjamin Clementine, De La Soul, D.R.A.M., Anthony Hamilton, Grace Jones (!!!), Zebra Katz, Mavis Staples (!!!), Vince Staples, Popcaan, Pusha T., Peven Everett and others. 

Humanz’s latest single “Strobelite” features the members of Gorillaz collaborating with Harvey, IL-born, Chicago, IL-based multi-instrumentalist and vocalist Peven Everett, an artist whose work has spanned across R&B, jazz, hip-hop and house music.  The Harvey, IL-born, Chicago-based artist received a scholarship to Berklee College of Music when he was 17 before leaving to collaborate with the likes of Betty Carter, Branford Marsalis and Wynton Marsalis. Since then Everett has contributed trumpet on a handful of jazz recordings, including Curtis Lundy’s Against All Odds while becoming a leading figure in Chicago’s house, soul and R&B communities, releasing seven solo albums. And perhaps unsurprisingly, Gorillaz collaboration with Everett is the most dance floor-friendly track they’ve released in several years — since, perhaps “Dare” off Demon Days, as the album’s  latest single features Everett’s soulful crooning singing uplifting lyrics over a club banging, Larry Levan and Frankie Knuckles-era house music production featuring cosmic ray-like synths, twinkling keys and dance floor-friendly beats; it’s frankly the sort of song that’s so uplifting that you’d have to dance and smile — and if you didn’t there was something deeply wrong about you. 

Directed by Stoke, UK-native Raoul Skinbeck, the recently released video for “Strobelite” features Peven Everett with the members of Gorillaz and a multicultural cast of clubgoers tearing up a London nightclub and if there’s one thing that the video confirms in an increasingly unsettled and frightening world that it’s the things that remind us of our humanity that unite us — that music has the power to let us escape for a little bit, to have us fall in love, and to remind us of who and what we are; and that there’s freedom on the dance floor. 

Initially begun as a solo recording project of its Toronto, ON-born creative mastermind, primary songwriter, multi-insrumentalist and producer Daniel Benjamin, Moon King may arguably be best known for the several year period that it was known as a duo featuring Maddy Wilde (vocals, guitar); but with Wilde’s departure last year, the project has managed to return to its roots. Coincidentally, Benjamin relocated to Detroit, MI around the same time as Wilde’s departure  — notably, the Detroit neighborhood of Hamtramck, where he spent the better part of a year.

Benjamin’s stint in Hamtramck inspired a new batch of material, Hamtramck 16, a mixtape that not only documents his arrival into a new, unfamiliar place, it also is a radical change in sonic direction and songwriting approach, as the material on the mixtape captures the Canadian producer, singer/songwriter and multi-instrumentalist’s growing obsession with electronic dance music.

Finally having some time to himself after years of relentless touring, Benjamin began collaborating with local artists and musicians, until he formed a new band — with the intention of crafting a sound that currently draws from disco, classic, Detroit house, synth pop — and even pop.  Mixtape single “In & Out” found Benjamin pairing his dreamy falsetto with a dance floor-friendly production that channels Nile Rodgers-era Madonna (i.e.,  “Lucky Star” and “Holiday“), Tom Tom Club (i.e., “Genius of Love“) and Larry Levan-era house as a driving groove is paired with fluttering, shimmering and cascading layers of synths, a sinuous bass line, four-on-the-floor-like beats and a razor sharp hook. And much like the sound and period, Benjamin is drawing from, the song manages to be incredibly accessible; in fact, if it wasn’t for the subtly modern production, the listener may have been tricked into believing that the song may have been released in 1983. The mixtape’s second and latest single “Ordinary Love” is a much more straightforward production, as arpeggio bursts of keys, tweeter and woofer rocking 808s and swirling electronics are paired with Benjamin’s falsetto vocals — and while seemingly influenced by Nu Shooz‘s “I Can’t Wait” and classic house, the song manages to reveal a subtly modern productions been that nods at Octo Octa‘s Between Two Selves and the 100% Silk Records roster.

The mixtape is slated for an August 4, 2017 release through Arbutus Records and Benjamin, along with his backing band will be on a mostly American tour throughout August and September to support the new effort, and it includes a September 8, 2017 stop at Silent Barn. Check out the rest of the tour dates below y’all.

 
TOUR DATES
08/11 – Baby G – TORONTO, ON 
08/12 – PN, MONTRÉAL, QC
08/18 – El Club, DETROIT, MI
09/02 – Schubas, CHICAGO, IL
09/03 – The Bishop, BLOOMINGTON, ID
09/04 – MOTR, CINCINNATI, OH
09/05 – Double Happiness, COLUMBUS, OH 
09/06 – Sound Hole, PHILADELPHIA, PA
09/07 – Charlies American Cafe, NORFOLK, VA
09/08 – Silent Barn, BROOKLYN, NY
09/11 – One Caroline, SARATOGA SPRINGS, NY 
09/12 – Bard College, ANNANDALE-ON-HUDSON, NY
09/13 – House Of Targ, OTTAWA, ON
09/14 – Le Cercle, QUEBEC, QC

New Video: The Trippy Visuals and Soulful Yet Sultry House of Hemi

Initially beginning his musical career under the moniker Pineapple Pop, Hemi is a British electronic music artist and producer, who also is a successful and popular DJ and booker. “Gentle” is the British artist, producer, DJ and booker’s first single of 2017 and it features a warm and organic-sounding production that nods at house, tribal house, afro house, ambient electronic music and pop as the single features rapid fire staccato drum programming, soaring organs, a soulful yet chopped up vocal sample and a rousing, club-friendly hook reminiscent of 90s dance music hits and Octo Octa’s Between Two Selves, revealing a producer and electronic music artist, who specializes in an sultry yet soulful and accessible sound.

Featuring animation from Laris Kilimci, the recently released video for “Gentle” is mischievously lysergic, as it features nighttime imagery undulating and changing to the propulsive beat of its accompanying single, as though they were dancers in a sweaty club.

Last month, you may have come across a post on Rohan Newman,  a Melbourne, Australia-based producer and electronic music artist, best known in electronic music circles as Roland Tings. Back in 2012, while as a virtual unknown, the Australian producer and electronic music artist caught the attention of enowned Los Angeles, CA-based electronic dance music label, 100% Silk Records, who released his debut EP.  And unsurprisingly, thanks to the cosign from the renowned Southern California-based label and the international attention he received, Newman quickly became one of Melbourne’s go-to producers and DJs, performing at some of the city’s most raucous house parties and basement jams. With an even larger profile, Newman quickly signed to renowned Norwegian electronic music label Internasjonal, founded by alt-disco, electronic music star Prins Thomas, and the label released Newman’s 2015 full-length debut, an album that Triple J named their Feature Album of the year.

Each Moment a Diamond, Newman’s soon-to-released sophomore Roland Tings album reveals a change in songwriting approach, with Newman renting a studio located in Melbourne’s industrial backstreets and treating the songwriting and production process as a 9-5 job, in which Newman developed a routine deliberately based around a repetitive and dependable schedule: every morning during the writing and recording of the album, Newman ate the same breakfast, rode his bike along the same route to the studio and hung up with the same friends at familiar places.  Being at the studio all day every day was psychologically demanding. For each good idea I had, there were maybe 30 bad ones, which is hard to face when you look back on months of work and realize the majority of the material will never make the record. Eventually though I was able to see each ‘failure’ as a crucial contribution to overall whole,”Newman reflected in press notes.  “The routine also allowed me to grasp good ideas when they surfaced -– when something was different, when something sounded great, I quickly noticed and was able to follow each thread. Another valuable realization from this process was knowing when to stop, when to let go of an idea, power down the studio, get on my bike and head home.” Certainly, when you deal in a creative world, some of the lessons Newman learned while writing could be useful. . .

Higher Ground” the first single off  Each Moment a Diamond was a collaboration feating the breathy and sultry vocals of Nylo  in a percussive, Zonoscope-era Cut Copy inspired house music track, featuring shimmering arpeggio synths, thumping beats, an rousing and soaring hook, and about 3/4s of the way through some Nile Rodgers-like funk guitar are added in a slickly produced song that focuses on the urgently swooning passion of first love.  The album’s second and latest single “Garden Piano” sonically owes a debt to classic, Larry Levan-era house music and Octo Octa‘s Between Two Selves, as the song is based around a slick production featuring thumping yet highly processed processed beats and shuffling drum and industrial cling and clatter are paired with twinkling, arpeggio synths and warm, funky blasts of Nile Rodgers-like guitar. And much like the preceding single, “Garden Piano” is a certified club-banger of a song that manages to possess a deliberate yet soulful feel.

Newman will be embarking on a extensive North American tour to support his newest album, opening for Warp Records’ stalwart Clark and Ghostly Records’ Com Truise and that tour will include a May 25 stop at Warsaw. Check out the rest of the tour dates below.

Tour Dates

 

May 1 – Santa Ana, CA – Constellation Room @ The Observatory

May 2 – Santa Cruz, CA – The Catalyst Atrium
May 4 – Portland, OR – Holocene

May 5 – Vancouver, BC – Imperial

May 6 – Seattle, WA – Neumos

May 7 – Eugene, OR – Wow Hall

May 9 – San Francisco, CA – Mezzanine

May 10 – Santa Barbara, CA – Soho Music Club

May 11 – Los Angeles, CA – The Regent Theater

May 12 – San Diego, CA – The Belly Up

May 13 – Santa Fe, NM – Meow Wolf

May 14 – Denver, CO – Bluebird Theater

May 16 – St. Louis, MO – Firebird

May 17 – Nashville, TN – Exit In

May 19 – Washington, DC – U Street Music Hall

May 20 – Boston, MA – Together Boston Music & Arts Festival

May 21 – Hamden, CT – The Ballroom

May 23 – Baltimore, MD – Ottobar

May 24 – Philadelphia, PA – Coda

May 25 – Brooklyn, NY – Warsaw

May 26 – Montreal, QC – Theatre Fairmount

May 27 – Toronto, ON – Velvet Underground

May 28 – Detroit, MI – Ghostly Intl/Warp Movement Afterparty @ The Shelter

May 30 – Pittsburgh, PA – Rex Theater

June 1 – Indianapolis, IN – The Hi-Fi

June 2 – Cleveland, OH – Grog Shop

June 3 – Chicago, IL – Concord Music Hall

June 4 – Minneapolis, MN – Fine Line Music Café

June 5 – Omaha, NE – Slowdown

June 6 – Kansas City, MO – Record Bar

June 7 – Dallas, TX – Trees

June 8 – Houston, TX – White Oak Music Hall

June 9 – Austin, TX – The Mohawk

June 10 – Mexico City, MX – Sala Corona

 

 

Rohan Newman is a Melbourne, Australia-based producer and electronic music artist, best known as Roland Tings — and in 2012, the Australian producer, who was then a virtual unknown caught the attention of renowned Los Angeles, CA-based electronic dance music label, 100% Silk Records, who released his debut EP. Unsurprisingly, as a result of his connection to the renowned label, Newman quickly became one of Melbourne’s go-to producers and DJs, performing at some of the city’s most raucous house parties and basement jams. Adding to a growing national and international profile, Newman was signed to renowned Norwegian electronic music label Internasjonal, founded by alt-disco, electronic music star Prins Thomas, and the label released Newman’s 2015 full-length debut, an album that Triple J named their Feature Album of the year.

Each Moment a Diamond, Newman’s much-anticipated sophomore Roland Tings album reveals a change in songwriting approach, with Newman renting a studio located in Melbourne’s industrial backstreets and treating the songwriting and production process as a 9-5 job, in which Newman developed a routine deliberately based around a repetitive and dependable schedule: every morning during the writing and recording of the album, Newman ate the same breakfast, rode his bike along the same route to the studio and hung up with the same friends at familiar places.  Being at the studio all day every day was psychologically demanding. For each good idea I had, there were maybe 30 bad ones, which is hard to face when you look back on months of work and realize the majority of the material will never make the record. Eventually though I was able to see each ‘failure’ as a crucial contribution to overall whole,”Newman reflected in press notes.  “The routine also allowed me to grasp good ideas when they surfaced -– when something was different, when something sounded great, I quickly noticed and was able to follow each thread. Another valuable realization from this process was knowing when to stop, when to let go of an idea, power down the studio, get on my bike and head home.” Certainly, when you deal in a creative world, some of the lessons Newman learned while writing could be useful. . .

“Higher Ground” is the first single off Each Moment a Diamond, and the song is a collaboration featuring the breathy and sultry vocals of Nylo in a percussive, Zonoscope-era Cut Copy inspired house music track, featuring shimmering arpeggio synths, thumping beats, an rousing and soaring hook, and about 3/4s of the way through some Nile Rodgers-like funk guitar are added in a slickly produced song that focuses on the urgently swooning passion of first love. And while being a club-banger, the song manages to possess a radio-friendly vibe.

 

 

 

Sofia Kourtesis is a Berlin, Germany-based DJ, producer and activist, who as a producer and DJ has developed a reputation for a sound that possesses elements of tech house, dream-pop, new wave and others while frequently using anything at her fingertips to create something unique — and interestingly enough has been described by some as falling somewhere between the minimalism of Aphex Twin and the ambiance of Jai Paul.

Over the holidays, Kourtesis released a sensual and atmospheric remix of Me Succeeds‘ “Cool Kids” in which she uses a chopped and reversed sample of her uncle’s voice, skittering drum programming and layers of shimmering and  gently undulating synths which gives the original a mischievous yet hopeful air — and a result, a completely different air from the slow-burning and industrial-leaning original.

As Kourtesis explains of her remix “The Cool Kids remix is really energetic and playful, I thought about our new generation, these people who are young and cool on their own special unique form. Kids wanna change things and maybe save the world someday.”

 

 

Perhaps best known as one of the leading members of a burgeoning house revivalist moment, Chris Malinchak first came to prominence among EDM/house and electro pop scenes with the release of 2013’s “So Good To Me,” which received more than 10 million streams. And since then he’s built on buzz “So Good To Me” with a series of electro soul/classic house-leaning singles including the recently released “Tell Me” featuring a guest spot by Storm Queen‘s Damon Scott, “Please You” and “Remember Red.” His latest single “Wonderful” will appear on his forthcoming 2017 EP and the single pairs an effortlessly soulful and swooning vocal paired with shimmering synths, propulsive drum programming led by finger snaps, twinkling keys and an rousingly anthemic hook — and the result is a sweet declaration of love in a radio-friendly, club banger, that also sounds as though it channels early house music.

 

G. Know is an up-and-coming San Diego, CA-based producer, who began producing when he had turned 17. Influenced by artists like Flume, Medasin and Rustie, G. Know delved into sampling vinyl and drumbreaks on an MPC; but over the last few years, the San Diego-based producer has received attention for a sound that he feels aligns with his love of emotional bass music, which has resulted in the release of his debut EP Left Brain and a series of follow-up singles, including a reworking of French house music act, Stardust’s classic “Music Sounds Better With You,” that he has titled “YOU.” as G. Know explains in press notes “‘You’ is my little interpretation of the classic tune ‘Music Sounds Better With You’ by Stardust. This tune gave me heavy feels from a young age and I always wanted to flip it into something a little more relevant. For nostalgia’s sake I kept the vocal the same while adding some fun wobbly synths and a thick sub to convey a deeper emotion than the original and wrapped it up with a funky jersey club style breakdown. ”

The result is a stomping club banger with stuttering drum programming, wobbling synths and tweeter and woofer rocking low-end that swoons with an urgent Romanticism.