Tag: IDFashion

Video by William Ruben Helms

New Video: Travel the World with Up-and-Coming Ukrainian Indie Rock Act and New JOVM Mainstays Indytronics

Over the past couple of months, I’ve written a bit about the Kiev, Ukraine-based indie rock/post punk band Indytronics. And as you may recall, the band, which is comprised of founding members Danil Bogadenko (guitar, vocals) and Vitaliy Koutsiuk (bass) with Ruslan Dobrov (drums) and Denys Rybchenko (guitar, backing vocals) can trace their origins to when its founding members were traveling across Europe, and while in Stockholm, Sweden, the duo came across a number of street musicians, who were playing music with an interesting and very melodic indie the rock. According to the members of the band, its founding duo were so impressed by Stockholm’s street musicians that decided that they needed to start their own band when they returned home. 

Since the band’s formation in 2012, the band has released their 2013 debut EP Vision and their 2015 full-length debut Scintilla Wave and and as a result, they’ve developed a growing profile both nationally and internationally as they’ve made a number of live appearances on several Ukrainian TV shows and have received regular radio rotation on Ukrainian Radio Roks, Europa Plus, HotMix Radio, WCSF Radio German CTdasradio and others. Along with that, they’ve been written up in the British music magazine Huck and their music has been used for fashion shows aired on the international TV channel IDFashion throughout the US, Ukraine, Italy, Austria and France. 

While “Savannah Only Temple” was slickly produced indie rock that may remind listeners of  Narrow Stairs-era Death Cab for Cutie, The Postal Service’s Give Up and Snow Patrol, thanks in part to a rousingly arena friendly hook, its follow-up “Shark” found the band pushing their sound more towards electronic rock but with some of their most ambitious songwriting they’ve released to date. Their latest single “Alien Sun” finds the band at their most atmospheric while retaining their arena friendly hooks — and although the song will further cement their growing reputation for crafting crowd pleasing Death Cab for Cutie/The Postal Service/Snow Patrol-like indie rock, bolstered by an uncanny self-assuredness and earnestness of purpose. 

As the band wrote to me, they have a dream of playing concerts across

Single Review by William Ruben Helms

New Audio: Kiev Ukraine’s Indytronics Returns with a Rousingly Anthemic New Single

Last week, I wrote about the Kiev, Ukraine-based indie rock/post punk band Indytronics. Comprised of Danil Bogadenko (guitar, vocals), Vitaliy Koutsiuk (bass), Ruslan Dobrov (drums) and Denys Rybchenko (guitar, backing vocals), the Ukrainian quartet can trace their origins to when Bogadenko and Rybchenko were touring across Europe, and while in  Stockholm, Sweden the duo came across street musicians, who were playing an interesting melodic indie rock-leaning vibe. And as the story goes, the duo were so impressed by this particular group of street musicians that they decided that they needed to start their own band when they returned home to Kiev. 
Since the band’s formation in 2012, the band has released their 2013 debut EP Vision and their 2015 full-length debut Scintilla Wave and and as a result, they’ve developed a growing profile both nationally and internationally. They’ve made live appearances on several Ukrainian TV shows and have received regular radio rotation on Ukrainian Radio Roks, Europa Plus, HotMix Radio, WCSF Radio German CTdasradio and others. Along with that, they’ve been written up in the British music magazine Huck and their music has been used for fashion shows aired on the international TV channel IDFashion throughout the US, Ukraine, Italy, Austria and France.

Now, as you may recall “Savannah Only Temple” was a slickly produced indie rock and post-punk track that to my ears reminded me quite a bit of Narrow Stairs-era Death Cab for Cutie, The Postal Service’s Give Up and Snow Patrol, complete with a rousing arena rock-friendly hook. And while clearly nodding at 00s indie rock and post punk, as well as retaining the arena friendly sound of their preceding single, the track finds the band expanding upon the sound that first won them attention on this site and elsewhere, as the song finds the band nodding at electronic rock; but perhaps most important, is that the new single reveals some ambitious songwriting as they pair anthemic hooks around a twisting and turning song structure.