Tag: Illa J.

Born Malik Izaak Taylor, the legendary and beloved Phife Dawg was a co-founder of the multi-Grammy Award nominated, multi-platinum selling, equally legendary and beloved hip-hop act A Tribe Called Quest. Along with his work with Tribe, Phife Dawg was a solo artist, who collaborated with lengthy lists of acts and artists including Fu-Schnickens, Diamond D, Chi-Ali, Black Sheep‘s Dres, De La Soul‘s Trugoy and countless others, eventually releasing his solo debut album, 2000’s Ventilation: Da LP.

If you’re a hip-hop head, you’d remember that the members of A Tribe Called Quest — Q-Tip, Phife Dawg, Jarobi White and Ali Shaheed Muhammad — reunited in 2006 to help Phife Dawg with mounting medical expenses as a result of complications with diabetes. They co-headlined that year’s Bumbershoot Festival and played a handful of sold-out across across the States, Canada and Japan, including making appearances at the 2K Sports Bounce Tour. According to Phife Dawg, the members of the beloved hip-hop had planned to release an album to finish-off their six-album contract with Jive Records.

In 2008, A Tribe Called Quest was the headlining act for that year’s Rock the Bells tour. Taylor, who had been dealing with complications from diabetes over the past decade, wound up receiving a kidney translate from his wife. At the end of the that year, Q-Tip released his long-awaited sophomore album The Renaissance, which he followed with the release of 2009’s Kamaal The Abstract, which had been shelved for over seven years.

Tribe co-headlined 2010’s Rock the Bells and that year, Taylor had planned to release his highly-anticipated sophomore album Songs in the Key of Phife: Volume 1 (Cheryl’s Big Son); however, continued health issues delayed the release of the album. In 2013, it was reported that Phife had went back to work on his sophomore album, which was re-titled MUTTYmorPHosis. During that same period, the tense relationship between the act’s co-founder was famously documented in Michael Rapaport’s 2011 documentary Beats, Rhymes & Life: The Travels of A Tribe Called Quest.

In 2015, the members of A Tribe Called Quest reunited to perform on The Tonight Show Starring Jimmy Fallon to commemorate the 25th anniversary of the release of the act’s debut album People’s Instinctive Travels and the Paths of Rhythm. In what would be the last few months of his life, Taylor had been incredibly busy: he had finished his long-anticipated sophomore album, now titled Forever, collaborating with a collection of trusted, All-Star producers and artists. Additionally, Tribe had secretly gone into the studio to work on what would be their sixth and final album We Got It From Here . . . Thank You 4 Your Service. Tragically, Taylor died as the entire group were finishing the album; the remaining members finished the album and posthumously released the album, as a tribute to their co-founder.

Taylor’s family and estate will be finally releasing Phife Dawg’s long-awaited sophomore album Forever later this year. “He worked really hard to complete his album before he transitioned, and he was ready to share an album that was near and dear to his heart with his fans,” Taylor’s family says of the album. “His fans meant the world to him.” So far, one single has been released from the album, “Nutshell, Part 2,” featuring Busta Rhymes and Redman — and as a taste of the album, it’s a classic New York hip-hop banger, in which three legendary emcees spit bars and trade zingers over a subtle DJ Rasta Root reworking of a J. Dilla production.

“French Kiss Deux,” Forever‘s second and latest single finds the beloved “Five Foot Assassin” teaming up with Vancouver-based production duo Potatohead People and J. Dilla’s younger brother Illa J on a tribute to one of my favorite cities, Montreal: Phife and Illa J trade verses about some of that city’s beautiful women and scenery over a warm and vibey neo-soul meets Golden Era hip-hop production centered around shimmering Rhodes, reverb drenched horns and twitter and woofer rocking beats. Simply put, it’s an infectious, feel good banger.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The four-time GRAMMY® Award-nominated multiplatinum New York-born MC and member of A Tribe Called Quest’s highly anticipated album, Forever, is slated to be released in 2021. Prior to Phife’s tragic 2016 passing, he spent time working on this album, partnering with trusted collaborators and assembling a catalog of songs representative of his art. Of the upcoming album’s release, Phife’s family stated that “He worked really hard to complete his album before he transitioned, and he was ready to share an album that was near and dear to his heart with his fans. His fans meant the world to him.”

Comprised of Nick Wisdom and AstroLogical, the Vancouver, British Columbia, Canada-based hip-hop and electro pop production duo Potatohead People can trace their origins to when they first met in a high school, community baseball league in high school and bonded over their mutual love of J. Dilla and Madlib. In 2008 Wisdom and AstroLogicla began working together in the hip-hop collective Elekwent Folk; but soon after, the duo formed Potatohead People and began focusing on creating forward-thinking instrumental music.

After releasing a series of EPs digital through Vancouver-based net-label Jellyfish Recordings, the renowned New York-based label Bastard Jazz re-issued 2012’s Kosmichemusik EP and released a 7 inch, which quickly became collector’s item; in fact, the Vancouver-based production team’s association with Bastard Jazz helped land their song “Back to My Shit,” featuring Frank’n’Dank‘s Frank Nitty on a Powerade-produced Lebron James documentary. Adding to a growing profile, the duo have been championed by the likes of OkayPlayer, Kaytranada, Soulection, Nightmares on Wax, Pomo, Exmag, Big Boi and the late Phife Dawg among others.

Last year, the duo released their groundbreaking sophomore album Nick & Astro’s Guide to the Galaxy, an album that found them continuing an ongoing collaboration with Illa J, as well as a collection of other artists. Building upon the momentum of their sophomore album, the Canadian production duo will be releasing Nick & Astro’s Instrumentals, Remixes & B-Sides EP through Bastard Jazz Records on April 26, 2019 and the EP features a collection of instrumentals, B-sides and a handpicked collection of their favorite producers from around the world remixing their material. Additionally, the members of Potatohead People held a remix contest from which they picked one winner from an overwhelming number of submissions.

The soon-to-be released EP’s latest single is the New Jack Swing and Quiet Storm-inspired original track “Iced Tea.” Centered around a thumping, club friendly production featuring handclap-led percussion with thumping and shuffling beats, a sinuous bass line, layers of arpeggiated synths and a slick hook, the single reminds me of Cherrelle‘s “Saturday Love,” and “I Didn’t Mean to Turn You On,” and G-funk era hip-hop. giorgi and Radina Vee contribute sultrily delivered vocals that are part late night, come hither come on, part you’ve been friendzoned — but with someone who’s actually pretty awesome.

 

 

With his solo recording project Manatee Commune, multi-instrumentalist, electronic music artist and producer Grant Eadie has received attention both across his native Pacific Northwest and nationally for a carefully and organically molded electronic sound in which he pairs natural overtones extracted from field recordings and other sources and live instrumentation and arrangements with slick and incredibly nuanced, contemporary electronic production. Now, if you’ve been following this site since earlier this year, you may recall that Eadie’s most recent EP Thistle was released earlier this year through renowned Brooklyn-based label Bastard Jazz Recordings, the label home of Illa JLord Echo and several others.

Interestingly, Eadie’s latest effort is the result of the multi-instrumentalist, electronic music artist and producer deciding to radically change his songwriting, recording and production process by opening up his studio and gear to friends, collaborators and loved ones, gaining inspiration from the energy of each of those interactions. As Eadie explains in press notes “Learning how to share my creative process with my friends completely revolutionized the last of year of music for me. Inviting those I trusted and loved into my studio to spend even just an hour talking or jamming opened fountains of inventive energy for me, especially from the ones who lacked any musical knowledge. I soon found myself incredibly inspired by the originality of even the smallest interactions with people, and so I pointed my field mic at anyone who had a story, a melody, or a stumbling beat they had been absentmindedly drumming, all in the hopes of capturing their individuality and framing it with my ever expanding insight into audio production.”

Clay,” Thistle‘s first single paired a stuttering yet breezy and coquettish production twinkling and chiming percussion, a looped flute sample, layers of shimmering synths and swirling electronics with Marina Price’s flirtatious and sultry vocals. Now to my years, the song reminded me a bit of Sylvan Esso — but bouncier and slightly more dance floor friendly. The EP’s latest single “What We’ve Got” is a collaboration featuring the sensual cooing of Flint Eastwood that will further cement Eadie’s growing reputation for slick, coquettish, summertime friendly productions — in this particular song pairs a distorted vocal sample with choppy synths cascades, twinkling and fluttering electronics, handclaps, enormous tweeter and woofer rocking beats. And while being as equally sensual as the previously released single, “What We Got” possess an infectiously upbeat swagger.

You can catch Eadie live this summer as he embarks on a tour that includes a NYC area stop at Alphaville in August. Check out tour dates, below.

Tour Dates
7/7 Victoria, BC – Phillips Backyard
8/10 San Diego – The Hideout*
8/11 Los Angeles – The Echoplex*
8/12 San Francisco – Thee Parkside*
8/14 Seattle – Nectar*
8/16 Madison – Majestic*
8/17 Chicago – Schubas*
8/18 Philadelphia – Milkboy*
8/19 NYC – Alphaville*
8/20 DC – Songbyrd*
* Sync or Swim Tour w/ Shallou

Electronic music artist, multi-instrumentalist and producer Grant Eadie and his solo recording project Manatee Commune has received regional attention across the Pacific Northwest and a growing national profile for a carefully and organically molded electronic sound that pairs natural overtones extracted from field recordings with slick and nuanced electronic production.

Eadie’s soon-to-be released EP, Thistle, slated for a February 26 release marks two new developments in the young producer, multi-instrumentalist and electronic music artist’s career — it’s his first release through renowned Brooklyn-based label Bastard Jazz Recordings, the label home of Illa J, Lord Echo and several others; and the effort is the result of Eadie radically changing his songwriting, production and recording process as he  opened his studio and gear to friends, collaborators and loved ones, gaining inspiration from the energy of each of those interactions. As Eadie explains in press notes “Learning how to share my creative process with my friends completely revolutionized the last of year of music for me. Inviting those I trusted and loved into my studio to spend even just an hour talking or jamming opened fountains of inventive energy for me, especially from the ones who lacked any musical knowledge. I soon found myself incredibly inspired by the originality of even the smallest interactions with people, and so I pointed my field mic at anyone who had a story, a melody, or a stumbling beat they had been absentmindedly drumming, all in the hopes of capturing their individuality and framing it with my ever expanding insight into audio production.”

Thistle’s first single “Clay” pairs a stuttering yet breezy and coquettish production consisting of twinkling and chiming percussion, a looped flute sample, layers of shimmering synths and swirling electronics with Marina Price’s flirtatious and sultry vocals to craft a song that reminds me quite a bit of Sylvan Esso — but bouncier and slightly more dance floor friendly. Considering the Arctic weather we’re soon to have in New York, “Clay” is a brief yet lush and necessary blast of summer.

Catch Eadie live throughout March and April as he tours the Pacific Northwest with Blackbird Blackbird and Chad Valley. Check out tour dates below.

Tour Dates 

3.3 Bellingham, WA Wild Buffalo (EP Release Party)
3.10 Portland OR, Mississippi Studios ^
3.11 Seattle WA, Nectar Lounge ^
4.19 Tucson, AZ Club Congress *
4.20 San Diego, CA The Hideout *
4.21 Los Angeles, CA The Echoplex *
4.22 Santa Cruz, CA The Catalyst *
4.23 San Francisco, CA Social Hall *
4.30 Vancouver, BC Alexander *
^ with YPPAH
* with Blackbird Blackbird & Chad Valley