Tag: In Camera

New Video: JOVM Mainstays Yumi Zouma Release John Hughes-like Visuals for Swooning “In Camera”

Over the years, I’ve written quite a bit about the internationally renowned synth pop act, Yumi Zouma, and as you may recall the band which is comprised of Christchurch, New Zealand-born Christie Simpson, Sam Perry, Charlie Ryder and Josh Burgess has been spread across New York, Paris and Christchurch in the aftermath of the 2011 earthquake that devastated their hometown and the region at large. Primarily writing material by email, the band wasn’t initially meant to be a live act — and yet, they’ve received attention for crafting breezy yet bittersweet, 80s-inspired synth pop centered around Christie Simpson’s ethereal crooning. After  Turntable Kitchen released their cover of f Oasis’ 1995 full-length effort, (What’s the Story) Morning Glory?, the synth pop act busily wrote and recorded an EP trilogy — with the last edition of the trilogy been released last fall through their longtime label home Cascine Records.

Centered around reverb drenched arrangement that includes shimmering synths, angular guitar chords, a motorik-like groove, a soaring hook and Simpson’s ethereal vocals, the song sonically nods at A Flock of Seagulls‘ “I Ran (So Far Away).” And while accurately capturing the uncertainty, desperation and swooning urgency of new love, the song is underpinned by a deliberate attention to craft, with the members of the synth pop act revising and bouncing ideas off each other until it’s absolutely perfect.

Directed by Pavel Brenner and starring Charlie Patton, Shawn Denegre-Vaught, Emma Broz, Madisyn Maniff, Cinthia Bouhier, Joannie Ciociola, Alison Williams, Miriam Margolis, and Ainsleigh Douglas, the recently released video is a brilliantly spot-on take on John Hughes movies that’s centered around what seems to be an especially awkward first date that turns into a complex dance routine that includes synchronized swimmers, who miraculously appear out of nowhere. 

New Audio: Yumi Zouma Releases a Breezy Yet Bittersweet Summer Jam

Comprised of Christchurch, New Zealand-born Christie Simpson, Sam Perry, Charlie Ryder and Josh Burgess, the members of internationally renowned synth pop act Yumi Zouma have been spread across the world with most of the band’s members relocating to New York and Paris after the massive 2011 earthquake. Primarily writing by email, the project wasn’t initially meant to be a live project — but interestingly enough over the years, they’ve received attention for breezy yet bittersweet 80s synth pop centered around Christie Simpson’s ethereal vocals. Since the release of their Turntable Kitchen released cover of Oasis’ 1995 full-length effort, (What’s the Story) Morning Glory?, the renowned synth pop act has been busily writing and recording an EP trilogy — with the last part of the trilogy EP III slated for a September 28, 2018 release through Cascine Records.
EP III’s first single is the swooning synth pop “In Camera,” a single that will further cement the band’s reputation for crafting summery yet bittersweet pop centered around Simpson’s ethereal vocals, a soaring hook, shimmering synths and guitars. Sonically speaking, the song nods at a bit at A Flock of Seagulls’ “I Ran (So Far Away)”, complete with reverb fed instrumentation but with a cinematic air and a clean, modern production sheen. But interestingly enough, the material is underpinned by a careful attention to craft with the members of the synth pop act revising and bouncing ideas off each other until each song is absolutely perfect.

As the band says in press notes “There’s something really special about the EP format. It’s been so long since we worked on one that we all had forgotten how fun and liberating they can be.”

This EP, both in its material and how it was written and recorded, feels really close to EP I & II. Spread again between three countries, bouncing endless revisions of a song until it’s right, falling asleep on FaceTime trying to write lyrics together and the exhilaration of waking up to NEW SONG VERSION 5 – it threw us back to how we worked on material when we thought no one would ever listen.

We’ve completed our EP family. It’s the little sibling none of us had growing up and none of us knew we could love so much.”