I’ve written quite a bit about the Bay Area-based avant-garde free rock/psych rock collective Dire Wolves over the years, and although the act has gone through a number of significant lineup changes, the act — Jeffrey Alexander (guitar, synths), who has also had stints running Secret Eye Records and as a member of Jackie O’ Motherfucker and Black Forest Black Sea; Georgia Carbone (vocals); Brian Lucas (bass); Faun Fables‘ Sheila Bosco (drums, piano); Village of Spaces‘ Arjun Mendiratta (violin) and Spires that in the Sunset Rise’s Taralie Peterson (sax) — has a long-held reputation for crafting deeply hypnotic, lysergic music and for being incredibly prolific, releasing over a dozen albums since their formation back in 2008.
Now, as you may recall, the Bay Area-based band’s soon-to-be released album Grow Towards the Light is slated for a June 28, 2019 release through Beyond Beyond is Beyond Records, and the album, which is their fourth official album also marks the band’s first album with Carbone contributing vocals — typically Carbone singing in her own invented language. Thematically, the album as the band’s Jeffrey Alexander explains in press notes, “tries to express the interconnectedness of all things.” “Spacetime Rider,” which I wrote about a few weeks ago was an expansive and free-flowing jam centered around shimmering guitars, a motorik groove, slashing bursts of violin and Carbone’s Nico-like wailing. And while recalling early Velvet Undergound, the track had a patient, painterly air.
Interestingly, Grow Towards the Light‘s latest single “Discordant Angels” is a slow-burning and hypnotic dirge centered around shimmering violin, a gypsy-like rhythm and Carbone’s ethereal wailing. The song finds the band effortlessly meshing elements of classical music, psych rock and folk in a way that’s simultaneously trippy, haunting and unsettling.