JOVM mainstays JOSEPH‘s fourth album, the Tucker Martine and  Christian “Leggy” Langdon co-produced The Sun is slated for a Friday release through their longtime label home ATO Records. The album reportedly sees the group — Natalie Closner Schepman and her two, younger twin sisters Meegan and Allison Closner —working with a collection of new collaborators and making yet another vibrant sonic shift while retaining the craft, three-part harmonies and hard-fought and harder-won lyrical wisdom that they’ve been known for throughout their career. But unlike its predecessors, The Sun sees the sibling trio taking a decidedly more hands-on role in the production process. The result is an album of material that sees Joseph spinning incredibly complex concepts into anthemic, sing-along ready pop that serves as a backdrop for the trio’s fearless and deeply personal storytelling from each of their perspectives. 

Thematically, the forthcoming album sees the trio focusing their soul-searching songwriting on the quietly damaging forces that keep us from living fully in our truth — e.g., gaslighting, cultural conditioning, unconscious yet painfully limiting self-beliefs and the like. Drawing on hard lessons from relationships and personal growth through therapy, The Sun reportedly shares stories of taking control of your own fate, making difficult decisions in the name of becoming yourself and weathering the highs and lows of love while keeping the faith — and importantly, tending to ourselves with presence and compassion. “All of our therapists were a huge influence on this album,” the sibling trio say in press notes. 

In the lead-up to the album’s release later this year, I managed to write about two of the album’s singles”

• “Nervous System,” a punchy pop song rooted in deep. personal experience, the rousingly anthemic, sing-along friendly choruses the trio is known for, and big-hearted, earnest compassion. Fittingly the song — and its narrator — discusses being our own lifeline during times of anxiety, struggle and uncertainty. “It’s about self regulating and tending to ourselves with presence and compassion, rather than frantically reaching outside of ourselves,” the trio explain. Alison Closner adds “I’ve struggled with a lot of anxiety over the years, at times a constant inner storm, and it’s been easy to look outside myself to feel safe and secure. I’ve fought to find my inner peace, and through that process I’ve found that so much of the time I already have what it takes to calm my nervous system.”
• “The Sun,” a shimmering, buoyant and fittingly summery pop anthem and a righteously defiant tell-off to a relationship that has made you feel small and insignificant while recognizing — and perhaps for some, reclaiming — one’s own power, integrity and sense of self. Much like the previously released material from the album, the song is rooted in universal yet deeply personal experiences, which add to its rousingly anthemic nature. “Many times I have found myself in a position where I’m stuck in cycles of negative self-talk” Meegan Closner explains. “Times when I have seen myself as bad and struggle seeing any other possible truth. This song is my higher self speaking to that me. It’s me reminding myself that I am more than I think I am.” 

The album’s latest single “Fireworks” is a lush, stadium-ready bop built around the trio’s soaring harmonies and their penchant for shout-along worthy choruses paired with twinkling synths, strummed acoustic guitar and a propulsive backbeat. While seeming like a slick mesh of 80s pop and country, “Fireworks” is a feminist anthem about knowing your worth and refusing to settle or compromise your romantic ideals. The song is rooted in psychological realism though, with the song’s narrator admitting that she’s taking a leap of faith, while expressing self-doubt and frustration.

“This song was inspired after my sisters and I binged the UK version of Love Island season 6. Everyone is walking around in bathing suits and falling in love – it’s perfect,” JOSEPH’s Allison Closner says. “I was fascinated by how many times ‘what’s your type’ was asked, only to have the response be ‘tall, dark, and handsome’. I would think, why isn’t anyone saying ‘fireworks’? There’s a line in the song, ‘I don’t want to just settle now, put my fire underground’, and to me it symbolizes wanting to feel like that fire is being fed by something deep and meaningful – not settling for anything less than FIREWORKS.”  

Continuing their ongoing collaboration with Justin Frick, the accompanying video captures the Closner’s deep and affectionate bond with following them on the road, and their obsession with Love Island in a fun, playful fashion.