Tag: Kælan Mikla Sólstöður

New VIdeo: JOVM Mainstays Kælan Mikla Teams up with Alcest on Brooding and Atmospheric “Hvítir Sandar”

2018 was a breakthrough year for Reykjavik-based post-punk/industrial act and JOVM mainstays Kælan Mikla— Sólveig Matthildur Kristjánsdóttir (synths, vocals),  Margrét Rósa Dóru-Harrysdóttir (bass), and Laufey Soffía Þórsdóttir (vocals): The Cure’s Robert Smith championed the Icelandic trio, and handpicked them to open for the legendary British act’s festival stops through the UK and US. The Icelandic post punk outfit played that year’s Roadburn Festival, and they toured with King Dude. Interestingly enough, all of that happened before the release of their critically applauded third album Nótt eftir nott. 

Undir Köldum Norðumljósum, the Reykjavik-based trio’s soon-to-be released, Barði Jóhannsson-produced fourth album is slated for release next week through their longtime label home Artoffact RecordsUndir Köldum Norðumljósum reportedly sees the trio crafting lush and cinematic material centered around shimmering synth arpeggios, ethereal vocals sung in their native Icelandic, spine-chilling background screams, relentless motorik grooves and programmed drums while pulling the listener into their unique world full of folklore, fairytales, magic, spells and mysticism. The album will also feature a guest spot from Alcest, who toured with the trio across the European Union before the pandemic. 

In the lead-up to the album’s release I’ve managed to write about three of the album’s released singles:

  • Sólstöður,” a brooding and cinematic track centered around droning and shimmering synths, nightmarish screams and an ethereal and gorgeous vocal melody. Sonically, “Sólstöður,” evokes horror soundtracks — especially those featuring witches and demons slinking out into the night to perform ancient rituals involving human or animal sacrifices. “’Sólstöður’ is an ode to the darkest night of the year, when witches summon winter spirits in the frozen vastness of Icelandic landscapes,” the members of the Icelandic trio explain in press notes. “The song represents the strength of unity, Kælan Mikla in its truest form, fueled by the power of harsh and raw nature.”
  • Ósýnileg,” a dance floor friendly track centered around shimmering and atmospheric synth arpeggios, relentless motorik grooves, rapid fire, four-on-the-floor beats and blood curdling screams in the background. Interestingly, the track manages to evoke strobe lit discos and howling wintry winds and unexplained phenomena simultaneously. 
  • Stormurinn,” a decidedly widescreen take on the sound that has won them attention internationally: While you’ll still hear shimming synth arpeggios, rapid fire four-on-the-floor, motorik grooves and razor sharp hooks paired with the trio’s ethereal vocals, you’ll also hear some a gorgeous flute arrangement and howling winds, which evoke Icelandic’s stormy and unpredictable weather.

Undir Köldum Norðumljósum‘s fourth and latest single is the slow-burning and brooding “Hvítir Sandar,” a collaboration with French act Alcest. Sólveig Matthildur Kristjánsdóttir’s hauntingly ethereal vocals float over a stormy mix of glistening and icy synths and industrial clang and clatter.

“‘Hvítir Sandar’ is about feeling like you’re being defeated by your inner faults and demons. It’s about self-acceptance,” the Icelandic JOVM mainstays explain in press notes. ” Even if you carry a darkness within, it’s what makes you who you are, and you shouldn’t have to change for other people.”

“We felt really honored when Kælan Mikla offered us to be guests on their song ‘Hvítir Sandar,'” the members of Alcest say in press notes. “Alcest and Kælan Mikla toured together in 2020 and from the start we definitely saw connection between the two bands, despite the stylistic difference. ‘Hvítir Sandar’ is one of our favorites on the album and before even starting to work on it we had a vision of what the aesthetics of Alcest could bring to the song. We are so proud of how it turned out and we hope that the fans of Kælan Mikla will enjoy this collaboration just as much as we did!”

Directed by Máni Sigfússon, the recently released video for “Hvítir Sandar” continues a run of gorgeous and cinematically shot and incredibly eerie visuals paired with computer generated graphics.

Album pre-order is available here: https://kaelanmikla.bandcamp.com

Reykjavik-based post-punk/industrial act and JOVM mainstays Kælan Mikla— Sólveig Matthildur Kristjánsdóttir (synths, vocals),  Margrét Rósa Dóru-Harrysdóttir (bass), and Laufey Soffía Þórsdóttir (vocals) — had a breakthrough year back in 2018: The Cure’s Robert Smith championed the Icelandic trio, and handpicked them to open for the legendary British act’s festival stops through the UK and US. Adding to a big year, Kælan Mikla played at that year’s Roadburn Festival. And they toured with King Dude. Interestingly enough, all of that happened before the release of their critically applauded third album Nótt eftir nott. 

Undir Köldum Norðumljósum, the Reykjavik-based trio’s upcoming, Barði Jóhannsson-produced fourth album is slated for an October 15, 2021 release through their longtime label home Artoffact RecordsUndir Köldum Norðumljósum reportedly sees the trio crafting lush and cinematic material centered around shimmering synth arpeggios, ethereal vocals sung in their native Icelandic, spine-chilling background screams, relentless motorik grooves and programmed drums while pulling the listener into their unique world full of folklore, fairytales, magic, spells and mysticism. The album will also feature a guest spot from Alcest, who toured with the trio across the European Union before the pandemic. 

In the lead-up to the album’s release I’ve managed to write about two of the album’s released singles:

  • Sólstöður,” a brooding and cinematic track centered around droning and shimmering synths, nightmarish screams and an ethereal and gorgeous vocal melody. Sonically, “Sólstöður,” evokes horror soundtracks — especially those featuring witches and demons slinking out into the night to perform ancient rituals involving human or animal sacrifices. “’Sólstöður’ is an ode to the darkest night of the year, when witches summon winter spirits in the frozen vastness of Icelandic landscapes,” the members of the Icelandic trio explain in press notes. “The song represents the strength of unity, Kælan Mikla in its truest form, fueled by the power of harsh and raw nature.”
  • Ósýnileg,” a dance floor friendly track centered around shimmering and atmospheric synth arpeggios, relentless motorik grooves, rapid fire, four-on-the-floor beats and blood curdling screams in the background. Interestingly, the track manages to evoke strobe lit discos and howling wintry winds and unexplained phenomena simultaneously.

Undir Köldum Norðumljósum‘s third and latest single “Stormurinn” finds the trio crafting a decidedly cinematic take on their goth-inspired sound. While you’ll still hear the shimmering synth arpeggios, rapid fire four-on-the-floor, propulsive bass lines, motorik grooves and razor sharp hooks of its predecessors paired with the trio’s ethereal vocals. But unlike its predecessors, you’ll hear some gorgeous and fluttering flute floating over the brooding arrangement and howling winds — to help emphasize the song’s brooding atmospherics.

“Stormurinn’ means ‘The Storm’ in Icelandic. This song is about dancing around a bonfire on the beach on a stormy weather night charged with the power of wind and thunder,” the members of Kælan Mikla explain in press notes.

Album pre-order is available here: https://kaelanmikla.bandcamp.com

Reykjavik-based post-punk/industrial act and JOVM mainstays Kælan Mikla — Sólveig Matthildur,  Margrét Rósa, and Laufey Soffía — had a breakthrough year back in 2018: The Cure’s Robert Smith championed the Icelandic trio, and handpicked them to open for the legendary British act’s festival stops through the UK and US. Adding to a big year, Kælan Mikla played at that year’s Roadburn Festival. And they toured with King Dude. Interestingly enough, all of that happened before the release of their critically applauded  third album Nótt eftir nott. 

Undir Köldum Norðumljósum, the Reykjavik-based trio’s upcoming, Barði Jóhannsson-produced fourth album is slated for an October 15, 2021 release through their longtime label home Artoffact Records. Undir Köldum Norðumljósum reportedly sees the trio crafting lush and cinematic material centered around shimmering synth arpeggios, ethereal vocals sung in their native Icelandic, spine-chilling background screams, relentless motorik grooves and programmed drums while pulling the listener into their unique world full of folklore, fairytales, magic, spells and mysticism. The album will also feature a guest spot from Alcest, who toured with the trio across the European Union before the pandemic.

So far I’ve written about “Sólstöður,” a brooding and cinematic track centered around droning and shimmering synths, nightmarish screams and an ethereal and gorgeous vocal melody. Sonically, “Sólstöður,” evokes horror soundtracks — especially those featuring witches and demons slinking out into the night to perform ancient rituals involving human or animal sacrifices. “’Sólstöður’ is an ode to the darkest night of the year, when witches summon winter spirits in the frozen vastness of Icelandic landscapes,” the members of the Icelandic trio explain in press notes. “The song represents the strength of unity, Kælan Mikla in its truest form, fueled by the power of harsh and raw nature.”

Undir Köldum Norðumljósum‘s second and latest single “Ósýnileg” originally premiered as part of Adult Swim’s Singles series. Continuing a run of remarkably cinematic singles, Ósýnileg” centered around shimmering and atmospheric synth arpeggios, relentless motorik grooves and rapid-fire four-on-the-floor beats, blood-curdling screams and the trio’s equally ethereal vocals Undir Köldum Norðumljósum‘s latest single may be the most dance floor friendly of the singles released off the album so far — while evoking howling wintry winds and unexplained phenomena.

New Video: JOVM Mainstays Kælan Mikla Release a Breathtaking Visual for Brooding “Sólstöður”

2018 was a breakthrough year for the Reykjavik-based post-punk/industrial trio Kælan Mikla: The trio —  Sólveig Matthildur,  Margrét Rósa, and Laufey Soffía — were championed by the The Cure’s Robert Smith, who handpicked the band to open for them on several festival stops in the UK and the US. They also played a set at the Roadburn Festival and they toured with King Dude — before the release of their third album Nótt eftir nott. 

The album featured three singles that I had written about at the time:

“Nornalagið,” a chilly, dance floor friendly track, centered around a motorik groove that managed to evoke a brewing storm rolling across enormous skies.
“Næturblóm,” which to my ears found the trio channeling Siouxsie and the Banshees and the classic 4AD Records sound simultaneously.
“Hvernig kemst ég upp,” a brooding and industrial-leaning track that to my years would draw comparisons to early Depeche Mode and New Order.

The trio supported the album with a lengthy Stateside tour that included an a Reykjavik Calling showcase at Brooklyn Brewery with Icelandic metal act Sólstafir. Since then, the trio have been busy writing and recording material for their Barði Jóhannsson-produced fourth album, which is slated for release through Artoffact Records this fall.

“Sólstöður,” is the first bit of new material from the Icelandic trio in three years — and offers fans a taste of what to expect of the fourth album. “Sólstöður,” is a brooding and cinematic track, featuring droning and shimmering synths, nightmarish screams in the background and an ethereal and gorgeous vocal melody. Sonically speaking, the track evokes the soundtrack of horror films — those centered around witches and demons slinking out in the night for rituals involving some sort of brutal human sacrifice. “’Sólstöður’ is an ode to the darkest night of the year, when witches summon winter spirits in the frozen vastness of Icelandic landscapes,” the members of the Icelandic trio explain in press notes. “The song represents the strength of unity, Kælan Mikla in its truest form, fueled by the power of harsh and raw nature.”

Directed by Pola Maria, the breathtakingly beautiful visual for “Sólstöður” features the trio as black-clad witch-types brandishing swords, challis and other objects while seemingly performing obscure rituals among the majestic landscapes and brooding skies of their homeland. Naturally, many of these rituals seem to tie into the longest night of the year.