Tag: King Gizzard and The Lizard Wizard Nuclear Fusion

New Video: JOVM Mainstays King Gizzard and the Lizard Wizard Release a Heady Ripper

Formed back in 2010, the acclaimed, genre-defying Aussie psych rock and JOVM mainstays King Gizzard and The Lizard Wizard — Stu Mackenzie (vocals/guitar), Ambrose Kenny-Smith (harmonica/vocals/keyboards), Cook Craig (guitar/vocals), Joey Walker (guitar/vocals), Lucas Skinner (bass) and Michael Cavanagh (drums) – have a long-held reputation for being a wildly prolific and restlessly experimental act that has released across a wide array of genres and styles including psych rock, heavy metal, thrash metal, thrash punk, prog rock and even Turkish pop.

Last year’s K.G. was the Aussie JOVM mainstays 16th album. Written and recorded remotely as a result of the COVID-19 pandemic, the album’s songs were pieced together and given space to breathe, which resulted in the music being freer than any of their predecessors. Interestingly, K.G.‘s material can trace some of its origins back to the band’s acclaimed 2017 effort Flying Microtonal Banana, the first of five albums released that year. FMB was written and recorded using a Turkish-inspired microtonal scale that required quarter tone tunings — and custom made instruments for the occasion. Featuring live favorites like “Rattlesnake,” “Sleep Drifter,” “Nuclear Fusion” and “Billabong Valley,” Flying Microtonal Banana managed to reveal a band that was willing to paint from a palette that extended past the prototypical Western musical sounds and tones.

“FMB was one of the purest and most enjoyable recording experiences we’ve had, and the ideas just kept coming” King Gizzard and the Lizard Wizard’s Stu Mackenzie said in press notes. ” “But we didn’t think we would play it live as the music dictated a new medium that requires different instruments, new flight cases and so. It was a liberating studio-based experiment which surprisingly translated seamlessly and spawned some of favourite songs to play live.” Last year’s K.G. found the Aussie JOVM mainstays returning to the microtonal scales and tunings of Flying Microtonal Banana, cherry picking the best aspects of their previously released work and then contorting them into completely new shapes with non-Western scales.

Continuing upon their long-held reputation for being restlessly prolific, the acclaimed Aussie JOVM mainstays’ 17th album L.W. is simultaneously the very direct, highly-anticipated follow-up to last year’s K.G. and the third volume of the band’s explorations into microtonal tunings. The band has woven narratives across both releases: L.W. ends with the same track that opens K.G (K.G.L.W. after all).

Last month, I wrote about L.W. single “O.N.E.,” a feverish yet coherent synthesis of Flying Microtonal Banana and Infest the Rats Nest that begins with a dreamy lullaby-like introduction before morphing into a muscular strut featuring shimmering, sitar-like microtonal guitar, propulsive polyrhythm, glistening organ arpeggios and a blazing guitar solo. L.W.’s latest single Pleura is a labyrinthine and trippy bit of microtonal shredding, rolling polyrhythm, fluttering flute and howled vocals within a dense mix that reveals surprises and hidden layers upon repeated listens.

Directed by John Angus Stewart, who helmed the band’s 2020 concert film Chunky Shrapnel, the recently released video for “Pleura” is a live performance filmed at the band’s studio. Split into a Brady Bunch-styled split screen with a separate window for each band member, the video is an innate and raw document of live music that purposefully doesn’t rely on editing.

“I think a true document of live music shouldn’t rely entirely on editing,” Stewart says. “There is something that happens with the way we perceive images, if something “live” is too produced, your mind sort of loses interest. With this format, we wanted to leave the editing up to the viewer. The decision of who to look at, and at what time determines each individual viewing experience. With each watch your experience will be completely different, which mirrors Gizzard’s experience playing the song live. The process is the same, yet the result is different.”

New Video: JOVM Mainstays King Gizzard and The Lizard Wizard Release a Feverish Visual for Trippy and Expansive “O.N.E.”

Formed back in 2010, the acclaimed, genre-defying Aussie psych rock and JOVM mainstays King Gizzard and The Lizard Wizard — Stu Mackenzie (vocals/guitar), Ambrose Kenny-Smith (harmonica/vocals/keyboards), Cook Craig (guitar/vocals), Joey Walker (guitar/vocals), Lucas Skinner (bass) and Michael Cavanagh (drums) – have a long-held reputation for being a wildly prolific and restlessly experimental act that has released across a wide array of genres and styles including psych rock, heavy metal, thrash metal, thrash punk, prog rock and even Turkish pop.

Last year’s K.G. was the Aussie JOVM mainstays 16th album. Written and recorded remotely as a result of the COVID-19 pandemic, the album’s songs were pieced together and given space to breathe, which resulted in the music being freer than any of their predecessors. Interestingly, K.G.’s material can trace some of its origins back to the band’s acclaimed 2017 effort Flying Microtonal Banana, the first of five albums released that year. FMB was written and recorded using a Turkish-inspired microtonal scale that required quarter tone tunings — and custom made instruments for the occasion. Featuring live favorites like “Rattlesnake,” “Sleep Drifter,” “Nuclear Fusion” and “Billabong Valley,” Flying Microtonal Banana managed to reveal a band that was willing to paint from a palette that extended past the prototypical Western musical sounds and tones.

“FMB was one of the purest and most enjoyable recording experiences we’ve had, and the ideas just kept coming” King Gizzard and the Lizard Wizard’s Stu Mackenzie said in press notes. ” “But we didn’t think we would play it live as the music dictated a new medium that requires different instruments, new flight cases and so. It was a liberating studio-based experiment which surprisingly translated seamlessly and spawned some of favourite songs to play live.” Last year’s K.G. found the Aussie JOVM mainstays returning to the microtonal scales and tunings of Flying Microtonal Banana, cherry picking the best aspects of their previously released work and then contorting them into completely new shapes with non-Western scales.

Continuing upon their long-held reputation for being prolific, King Gizzard has released has managed to released new material, spurring speculation over when their 17th album will be released. (According to the band’s Stu Mackenzie, it definitely won’t be next month.) But in the meantime, the JOVM mainstays have released a new single “O.N.E.” Beginning with a dreamy and shimmering lullaby introduction, the song quickly morphs into a muscular strut centered around shimmering organ arpeggios, shimmering sitar-like microtonal guitar, propulsive polyrhythm and a blazing guitar solo. Sonically, it’s a feverish yet completely coherent synthesis of Flying Microtonal Banana, Infest the Rats Nest and countless others.

Thematically speaking, the song evokes the nightmarish uncertainty and fear of our current moment — including the seemingly unending death and extinctino, poverty, division, pollution that we’ve brought on to ourselves and the world. But unlike the seething frustration of Infest the Rats’ Nest, there’s a weary and exhausted frustration that seems to say “well, let’s get on with it, eh?”

“The song itself feels as if it’s constantly moving along so I tried to keep the visuals continually moving forward and sliding into different visual styles and landscapes,”Alex McLaren explains in press notes. “I felt the mix of stop motion and collage through the use of found imagery and the band would help compliment the tracks lyrics and themes as I interpreted them, of dreams, nightmares, climate change, dystopias, and utopias, as well as referencing events that took place during the making of the video over 2020. All video of the band was shot by Ambrose during the second lockdown restrictions and I had to give notes on shooting and direct remotely which was strange but so was everything during that period.”

New Video: Aussie JOVM Mainstays King Gizzard and The Lizard Wizard Head to the Dance Floor

Formed back in 2010, the acclaimed, genre-defying Aussie psych rock and JOVM mainstays King Gizzard and The Lizard Wizard — Stu Mackenzie (vocals/guitar), Ambrose Kenny-Smith (harmonica/vocals/keyboards), Cook Craig (guitar/vocals), Joey Walker (guitar/vocals), Lucas Skinner (bass) and Michael Cavanagh (drums).– have developed and maintained a long-held reputation for being a restlessly experimental and prolific act that has released boundary using material that has drawn from psych rock, heavy metal, thrash metal, thrash punk, prog rock and Turkish pop.

The JOVM mainstays’ 16th album K.G. is a collection of songs that was written and recorded remotely as a result of the COVID-19 pandemic. Because of the new and very different recording approach, K.G.’s songs were pieced together and given space to breathe, which allowed the music to be entire free. “It’s almost like an album that normal people make,” the band’s Stu Mackenzie laughs “Almost…”

K.G.’s material can trace some of its origins to their critically acclaimed 2017 effort Flying Microtonal Banana, which marked the first of five albums released that year. That album was written and recorded using a Turkish-inspired microtonal musical scale that required quarter tone tunings — and custom-made instruments for the occasion. While featuring live favorites like “Rattlesnake,” “Sleep Drifter,” “Nuclear Fusion” and “Billabong Valley,” Flying Microtonal Banana revealed a band that paints from a palette that extends past the prototypical sounds and tones of Western music.

“FMB was one of the purest and most enjoyable recording experiences we’ve had, and the ideas just kept coming” Mackenzie explains. “But we didn’t think we would play it live as the music dictated a new medium that requires different instruments, new flight cases and so. It was a liberating studio-based experiment which surprisingly translated seamlessly and spawned some of favourite songs to play live.” Interestingly. K.G. finds the Aussie JOVM mainstays returning to the microtonal tunings heard on Flying Microtonal Banana but while cherry picking the best aspects of their previous work and contorting them into new shapes with non-Western musical scales.

Interestingly, King Gizzard and the Lizard Wizard’s 16th album is simultaneously a stand-alone work and part of a bigger musical picture. The albums often feature motifs and ideas that may have appeared several albums previously, suddenly rearing their heads in a completely new way. And odds are we’ll likely see even more news on what’s to come. But in meantime, K.G.’s latest single, the hypnotic, house music freak out, “Intrasport” finds the Aussie JOVM mainstays heading to the dance floor — yes, seriously! — with a track centered around thumping beats, shimmering Casio-like synth arpeggios, an infectious hook and a club banging breakdown. Because of the micro tuning, “Intrasport” manages to sound as though it were inspired by the likes of JOVM mainstay Omar Souleyman — but with a mischievous and trippy air.

Directed, edited and shot by John Angus Stewart, the recently released video features the members of King Gizzard and The Lizard Wizard at a party at an impossibly small apartment. But we see the members of the band moving in a Matrix-like slow motion — while others kind of move normally. It’s trippy as fuck. “The clip was shot in my tiny studio apartment,” John Angus Stewart says. “For the main reason that it’s the smallest place I know that someone lives in. The aim was to find the 50/50 split: feeling lonely at a party but surrounded by people. Feeling like you are the only one there and that nobody really understands you (but you still have to bring it). I used 35mm anamorphic to give the small space as much panoramic effect as I could muster. Sometimes the smallest of spaces feel huge when you are partying, why do you think everyone always gathers in the kitchen or bathroom?”