Tag: La Femme Le Jardin

New Video: La Femme Shares Breezy “No Pasa Nada”

Paris-based JOVM mainstays La Femme have spent quite a bit time touring across Latin American and Spain. Those experienced helped inspired the band’s first song entirely in Spanish, “Le Jardin,” which appeared on their third album, last year’s Paradigmes.

“Le Jardin” led the band down the path to write Teatro Lucido. Deriving its name from a mythic theater, where the band has played many times while touring in Mexico, the album, which is slated for a Friday release will be their first album with lyrics written and sung entirely in Spanish. Teatro Lucido will also be the first of a planned thematic series of albums that the band has dubbed Collection Odyssèe.

Teatro Lucido is informed by their adventures in SevilleGranadaMadridMexico CityCuautepecPadul — all of which hold important places in their hearts, because they had a ton of laughs, joys, tears and disappointments in each. The album also reportedly draws from a number of different inspirations including Spain’s Semana Santa — or holy week; pasodoble, reggaeton, Brazilian and Andalusian rhythms, classical guitars and 80s Movida among others. Much like their previous releases, the members of French JOVM mainstays wrote, composed and produced the album entirely by themselves, while inviting numerous female vocalists to participate in the process. 

In the lead-up to the album’s release on Friday, I’ve managed to write about two of the album’s singles:

Sacatela,” a breezy, Tropicalia-like take on psych pop centered around an infectious, call-and-response vocal-led hook paired shuffling Latin rhythms and lyrics sung entirely in Spanish. 

Y Tu Te Vas,” a track centered around cinematic, flamenco-inspired guitars and a tweeter and woofer rocking reggaeton beat that might bring RosalíaBad Bunny, and others to mind. The song features a sultry, Shakira-like turn from Los Angeles-based singer/songwriter Tatiana Hazel. “Tatiana is an artist living in Los Angeles where I recorded the track in 2019,” La Femme’s Marlon Magnée says of their collaboration. ‘Y Tu Te Vas’ is one of the more powerful tracks voice-wise on the album. Tatiana brings the track to another dimension, she really is one of the new artists to follow on the American scene.”

Written when La Femme’s Sacha Got was living at Adios Amores’ Iman Amar’s place in Grenada Spain, Teatro Lucida’s third and latest single “No Pasa Nada” centered around ’60s and ’70s Brazilian rhythms, strummed guitar, woozy synths and ethereal vocals from Amar. But the song’s seemingly breezy and easygoing nature is superficial; the song’s lyrics focus something far more menacing and fucked up — a night out in a foreign country gone horribly wrong.

Directed by the band, the accompanying video for “No Pasa Nada” was shot in the streets of Grenada, Spain — and features the band partying and having a wild night on the town that includes the familiar drunken, late night, zombie lurch thought town and the collapse into a queasy heap of limbs. The video was innspired by a night on the town the band had back in 2018, which ended with the members of the band blacking out. It was the kind of night that ends in the morning at 8AM when kids are going to school,” La Femme’s Sacha Got says.That kind of night where you drink to forget, and you end up forgetting what you drank… or you just don’t want to remember. And when you wake you’re like ‘No problem, nothing happened!’”

New Video: JOVM Mainstays La Femme Share Deliriously Creepy Visaul for Sultry “Y Tu Te Vas”

Founded back in 2010, Parisian psych pop act and longtime JOVM mainstays  La Femme — currently, founding members Sacha Got and Marlon Magnée, along with Sam Lefévre, Noé Delmas, Cleémence Quélennec, Clara Luiciani, Jane Peynot, Marilou Chollet and Lucas Nunez Ritter — managed to hoodwink the French music industry by lining up a DIY Stateside tour as a then unknown band, with $3,000 Euros and their debut EP, that year’s Le Podium #1

After playing 20 gigs across the States, the members of La Femme returned to their native France with immense interest from the Parisian music scene. “The industry was like, ‘What the fuck? They have an EP out and they are touring in the US and we don’t know them?” Marlon Magnée told The Guardian. “So the buzz began to start. When we came back to France, it was red carpet. Fucking DIY.” 

2013’s critically applauded and commercially successful full-length debut Psycho Tropical Berlin found the Parisian JOVM mainstays making a wild, creative and sonic left turn incorporating krautrock and synths to their unique take on surf rock and psych pop. The album eventually earned a Victoires de la Musique Award

Building upon a rapidly growing national and international profile, La Femme’s sophomore album, 2016’s Mystére to praise by Sound Opinions, The Line of Best FitThe GuardianAllMusic, BrooklynVegan and a lengthy list of others. 

The French JOVM mainstays long-awaited, third album Paradigmes was released last year through the band’s own Disque Pointu and distributed through IDOL. And if you’ve been frequenting this site over the course of this year, you’d recall that it’s been a very busy on for the Paris-based outfit: In April, La Femme released Paradigmes: Le Film, a full-length film co-directed by the band’s Sacha Got and Marlon Magnée and Aymeric Bergada du Cadet that highlights the band’s humor and creativity while being primarily centered around Paradigmes‘ material. (You can watch it on YouTube here: https://www.youtube.com/watch?v=N8Wnil2ipf0)

The also released an exclusive, vinyl Record Store Day edition of ParadigmesParadigmes: suppléments, a deluxe edition of their critically applauded third album. To celebrate the one-year anniversary of Paradigmes, La Femme announced the release of a limited collection of NFTs made from the original frames used for the animated video for “Foutre le Bordel.” The NFTs were released by  by Ballad(r), an NFT launchpad for artists and institutions in the music industry. These unique digital works of art included a unique audio track made from stems of the original song and unlocked exclusive content and numerous real-life perks for each lucky NFT holder. 

During the JOVM mainstays’ time touring across Latin America and Spain, the band wrote their first song entirely in Spanish, “Le Jardin,” which appeared on the aforementioned Paradigmes. “Le Jardin” led the band down the path to write Teatro Lucido. Deriving its name from a mythic theater, where the band has played many times while touring in Mexico, the album, which is slated for a November 4, 2022 release will be their first album with lyrics written and sung entirely in Spanish. Teatro Lucido will also be the first of a planned thematic series of albums that the band calls Collection Odyssèe.

Teatro Lucido is informed by their adventures in SevilleGranadaMadridMexico CityCuautepecPadul — all of which hold important places in their hearts, because they had a ton of laughs, joys, tears and disappointments in each. The album also reportedly draws from a number of different inspirations including Spain’s Semana Santa — or holy week; pasodoble, reggaeton, Brazilian and Andalusian rhythms, classical guitars and 80s Movida among others. Much like their previous releases, the members of French JOVM mainstays wrote, composed and produced the album entirely by themselves, while inviting numerous female vocalists to participate in the process. 

Just before the JOVM mainstays last North American tour, La Femme shared “Sacatela,” a breezy, Tropicalia-like take on psych pop centered around an infectious, call-and-response vocal-led hook, snuggling Latin rhythms and lyrics sung entirely in Spanish. 

The album’s second and latest single “Y Tu Te Vas” is centered around cinematic, flamenco-inspired guitars and a tweeter and woofer rocking reggaeton beat that might bring RosalíaBad Bunny, and others to mind. The song features a sultry, Shakira-like turn from Los Angeles-based singer/songwriter Tatiana Hazel

“Tatiana is an artist living in Los Angeles where I recorded the track in 2019,” La Femme’s Marlon Magnée says of their collaboration. ‘Y Tu Te Vas’ is one of the more powerful tracks voice-wise on the album. Tatiana brings the track to another dimension, she really is one of the new artists to follow on the American scene.”

Directed by JF Julian and the members of La Femme, the accompanying video for “Y Tu Te Vas” continues a remarkable run of gorgeous, cinematically shot visuals that display their unique sense of style and fashion, along with their eccentric and deliriously campy sense of humor. Fittingly, the new videos is full of creepy season motifs — we see Tatiana Hazel dressed as though she were in mourning in a dense fog-filled forest; Hazel with two flamenco styled guitarists sitting in front of a roaring fireplace and so on.

Founded back in 2010, Parisian psych pop act and longtime JOVM mainstays  La Femme — currently, founding members Sacha Got and Marlon Magnée, along with Sam Lefévre, Noé Delmas, Cleémence Quélennec, Clara Luiciani, Jane Peynot, Marilou Chollet and Lucas Nunez Ritter — managed to hoodwink the French music industry by lining up a DIY Stateside tour as a then unknown band, with $3,000 Euros and their debut EP, that year’s Le Podium #1

After playing 20 gigs across the States, the members of La Femme returned to their native France with immense interest from the Parisian music scene. “The industry was like, ‘What the fuck? They have an EP out and they are touring in the US and we don’t know them?” Marlon Magnée told The Guardian. “So the buzz began to start. When we came back to France, it was red carpet. Fucking DIY.” 

2013’s critically applauded and commercially successful full-length debut Psycho Tropical Berlin found the Parisian JOVM mainstays making a wild, creative and sonic left turn incorporating krautrock and synths to their unique take on surf rock and psych pop. The album eventually earned a Victoires de la Musique Award.

Building upon a rapidly growing national and international profile, La Femme’s sophomore album, 2016’s Mystére to praise by Sound Opinions, The Line of Best FitThe GuardianAllMusic, BrooklynVegan and a lengthy list of others. 

The French JOVM mainstays long-awaited, third album Paradigmes was released last year through the band’s own Disque Pointu and distributed through IDOL. And if you’ve been frequenting this site over the course of this year, you’d recall that it’s been a very busy on for the Paris-based outfit: In April, La Femme released Paradigmes: Le Film, a full-length film co-directed by the band’s Sacha Got and Marlon Magnée and Aymeric Bergada du Cadet that highlights the band’s humor and creativity while being primarily centered around Paradigmes‘ material. (You can watch it on YouTube here: https://www.youtube.com/watch?v=N8Wnil2ipf0)

The also released an exclusive, vinyl Record Store Day edition of ParadigmesParadigmes: suppléments, a deluxe edition of their critically applauded third album. To celebrate the one-year anniversary of Paradigmes, La Femme announced the release of a limited collection of NFTs made from the original frames used for the animated video for “Foutre le Bordel.” The NFTs were released by  by Ballad(r), an NFT launchpad for artists and institutions in the music industry. These unique digital works of art included a unique audio track made from stems of the original song and unlocked exclusive content and numerous real-life perks for each lucky NFT holder. 

During the JOVM mainstays’ time touring across Latin America and Spain, the band wrote their first song entirely in Spanish, “Le Jardin,” which appeared on the aforementioned Paradigmes. “Le Jardin” led the band down the path to write Teatro Lucido. Deriving its name from a mythic theater, where the band has played many times while touring in Mexico, the album, which is slated for a November 4, 2022 release will be their first album with lyrics written and sung entirely in Spanish. Teatro Lucido will also be the first of a planned thematic series of albums that the band calls Collection Odyssèe.

Teatro Lucido is informed by their adventures in SevilleGranadaMadridMexico CityCuautepecPadul — all of which hold important places in their hearts, because they had a ton of laughs, joys, tears and disappointments in each. The album also reportedly draws from a number of different inspirations including Spain’s Semana Santa — or holy week; pasodoble, reggaeton, Brazilian and Andalusian rhythms, classical guitars and 80s Movida among others. Much like their previous releases, the members of French JOVM mainstays wrote, composed and produced the album entirely by themselves, while inviting numerous female vocalists to participate in the process. 

Just before the JOVM mainstays last North American tour, La Femme shared “Sacatela,” a breezy, Tropicalia-like take on psych pop centered around an infectious, call-and-response vocal-led hook, snuggling Latin rhythms and lyrics sung entirely in Spanish.

The album’s second and latest single “Y Tu Te Vas” is centered around cinematic, flamenco-inspired guitars and a tweeter and woofer rocking reggaeton beat that might bring Rosalía, Bad Bunny, and others to mind. The song features a sultry, Shakira-like turn from Los Angeles-based singer/songwriter Tatiana Hazel.

“Tatiana is an artist living in Los Angeles where I recorded the track in 2019,” La Femme’s Marlon Magnée says of their collaboration. ‘Y Tu Te Vas’ is one of the more powerful tracks voice-wise on the album. Tatiana brings the track to another dimension, she really is one of the new artists to follow on the American scene.”

New Video: La Femme Share a Hilarious and Summery Visual for Breezy “Sacatela”

Founded back in 2010, Parisian psych pop act and longtime JOVM mainstays  La Femme — currently, founding members Sacha Got and Marlon Magnée, along with Sam Lefévre, Noé Delmas, Cleémence Quélennec, Clara Luiciani, Jane Peynot, Marilou Chollet and Lucas Nunez Ritter — managed to completely hoodwink the French music industry by lining up a DIY Stateside tour as a then unknown band, with only $3,000 Euros and their debut EP, that year’s Le Podium #1

After playing 20 gigs across the States, the members of La Femme returned to their native France with immense interest from the Parisian music scene. “The industry was like, ‘What the fuck? They have an EP out and they are touring in the US and we don’t know them?” Marlon Magnée told The Guardian. “So the buzz began to start. When we came back to France, it was red carpet. Fucking DIY.” 

2013’s critically applauded and commercially successful full-length debut Psycho Tropical Berlin found the Parisian JOVM mainstays making a wild, creative and sonic left turn incorporating krautrock and synths to the mix. The album eventually earned a Victoires de la Musique Award. Building upon a rapidly growing national and international profile, La Femme’s sophomore album, 2016’s Mystére to praise by Sound Opinions, The Line of Best FitThe GuardianAllMusic, BrooklynVegan and a lengthy list of others. 

The French JOVM mainstays long-awaited, third album Paradigmes was released last year through the band’s own Disque Pointu and distributed through IDOL. And over the course of 2021, I managed to write about five of the album’s nine — that’s right, nine! — released singles: 

  • Cool Colorado,” a coolly bombastic single that seemed indebted to Scott Walker and Ennio Morricone soundtracks while being an “ode to the San Francisco of the 70s — and to Colorado, the first American state to legalize cannabis. 
  • Disconnexion,” a surreal what-the-fuck fever dream centered around pulsating Giorgio Moroder-like motorik grooves, a fiery banjo solo, atmospheric electronics, twinkling synth arpeggios, a philosophic soliloquy delivered in a dry, academic French and operatic caterwauling. 
  • Foutre le Bordel,” a breakneck freak out that meshed Freedom of Choice-era DEVO and Giorgio Moroder with ’77 punk rock nihilism. 
  • Le Jardin,” an achingly sad lullaby written and sung in Spanish — the band’s first song in Spanish. Inspired by a trip to Spain that the band took a few years ago, the song as the band explains is a kind of an old-school slow dance, which underlines how fragile and random fate is. 
  • Pasadena,” a slow-burning, woozy ballad that sounds — and feels — like a narcotic-induced haze. Written as an informal response and continuation of the story told in “Septembre,” off the band’s sophomore album, “Pasadena” features the main character of “Septembre” as a teenager. And as a result, the song is about budding romances — primarily their seemingly carefree nature at the time, their eventual difficulties and confusions, and the weight of peer pressure. 

So far, 2022 has been very busy for the Paris-based JOVM mainstays: Back in April, La Femme released Paradigmes: Le Film, a full-length film co-directed by the band’s Sacha Got and Marlon Magnée and Aymeric Bergada du Cadet that highlights the band’s humor and creativity while being primarily centered around Paradigmes‘ material. (You can watch it on YouTube here: https://www.youtube.com/watch?v=N8Wnil2ipf0)

The also released an exclusive, vinyl Record Store Day edition of ParadigmesParadigmes: suppléments, a deluxe edition of their critically applauded third album. Along with the Record Store Day exclusive vinyl release of Paradigmes: suppléments, the band released yet another single off Paradigmes, the album closing track “Tu T’en Lasses,” a slow-burning and atmospheric fever dream, centered around skittering beats, glistening synths and a distorted yet mournful horn solo paired with dreamily delivered vocals.

To celebrate the one-year anniversary of Paradigmes, La Femme announced the release of a limited collection of NFTs made from the original frames used for the animated video for “Foutre le Bordel.” The NFTs were released by  by Ballad(r), an NFT launchpad for artists and institutions in the music industry. These unique digital works of art included a unique audio track made from stems of the original song and unlocked exclusive content and numerous real-life perks for each lucky NFT holder.

During the JOVM mainstays’ time touring across Latin America and Spain, the band wrote their first song entirely in Spanish, “Le Jardin,” which appeared on the aforementioned Paradigmes. “Le Jardin” led the band down the path to write Teatro Lucido. Deriving its name from a mythic theater, where the band has played many times while touring in Mexico, the album, which is slated for a November 4, 2022 release will be their first album with lyrics written and sung entirely in Spanish. Teatro Lucido will also be the first of a planned thematic series of albums that the band calls Collection Odyssèe.

The album is informed by their adventures in Seville, Granada, Madrid, Mexico City, Cuautepec, Padul — all of which hold important places in their hearts, because they had a ton of laughs, joys, tears and disappointments in each. The album also reportedly draws from a number of different inspirations including Spain’s Semana Santa — or holy week; pasodoble, reggaeton, Brazilian and Andalusian rhythms., classical guitars and 80s Movida among others. Much like their previous releases, the members of French JOVM mainstays wrote, composed and produced the album entirely by themselves, while inviting numerous female vocalists to participate in the process.

Now, as you may recall just before the JOVM mainstays last North American tour, La Femme shared “Sacatela.” Inspired by their tours across South American and Spain, “Sacatela” is a Tropicalia-take on psych pop featuring shuffling Latin rhythms and lyrics sung entirely in Spanish paired with an infectious call-and-response vocal-led hook.

Directed by Ilan Zerrouki and starring Itziar Guardamino Sanchez, Marlon Magnée, Sacha Got, Ysé Grospiron, Samantha Quealy, Sam Lefèvre, Daniel Barda and Francesco Mocchia Di Coggiola, the accompanying visual for “Sacatela” was shot in Nice, France and is a breezy, stylish blast of seemingly carefree, easy-going summer, full of frolicking at the beach, rooftop parties and the like. But things quickly go hilariously wrong with some of the video’s cast getting violently ill. As the band explains the video is about unacknowledged desires and un-pursued dreams, which is also called “sacatelaism.”

New Video: JOVM Mainstays La Femme Share Hazy and Hallucinogenic Visual For Atmospheric “Tu T’en Lasses”

Founded back in 2010, Parisian psych pop act and longtime JOVM mainstays  La Femme — currently, founding members Sacha Got and Marlon Magnée, along with Sam Lefévre, Noé Delmas, Cleémence Quélennec, Clara Luiciani, Jane Peynot, Marilou Chollet and Lucas Nunez Ritter — managed to completely hoodwink the French music industry by lining up a DIY Stateside tour as a then unknown band, with only $3,000 Euros and their debut EP, that year’s Le Podium #1.

After playing 20 gigs across the States, the members of La Femme returned to their native France with immense interest from the Parisian music scene. “The industry was like, ‘What the fuck? They have an EP out and they are touring in the US and we don’t know them?” Marlon Magnée told The Guardian. “So the buzz began to start. When we came back to France, it was red carpet. Fucking DIY.” 

2013’s critically applauded and commercially successful full-length debut Psycho Tropical Berlin found the Parisian JOVM mainstays making a wild, creative and sonic left turn incorporating krautrock and synths to the mix. The album eventually earned a Victoires de la Musique Award. Building upon a rapidly growing national and international profile, La Femme’s sophomore album, 2016’s Mystére to praise by Sound Opinions, The Line of Best FitThe GuardianAllMusic, BrooklynVegan and a lengthy list of others. 

The French JOVM mainstays long-awaited, third album Paradigmes was released last year through the band’s own Disque Pointu and distributed through IDOL. And over the course of that year, I managed to write about five of the album’s nine previously released singles:

  • Cool Colorado,” a coolly bombastic single that seemed indebted to Scott Walker and Ennio Morricone soundtracks while being an “ode to the San Francisco of the 70s — and to Colorado, the first American state to legalize cannabis. 
  • Disconnexion,” a surreal what-the-fuck fever dream centered around pulsating Giorgio Moroder-like motorik grooves, a fiery banjo solo, atmospheric electronics, twinkling synth arpeggios, a philosophic soliloquy delivered in a dry, academic French and operatic caterwauling. 
  • Foutre le Bordel,” a breakneck freak out that meshed Freedom of Choice-era DEVO and Giorgio Moroder with ’77 punk rock nihilism. 
  • Le Jardin,” an achingly sad lullaby written and sung in Spanish — the band’s first song in Spanish. Inspired by a trip to Spain that the band took a few years ago, the song as the band explains is a kind of an old-school slow dance, which underlines how fragile and random fate is.
  • Pasadena,” a slow-burning, woozy ballad that sounds — and feels — like a narcotic-induced haze. Written as an informal response and continuation of the story told in “Septembre,” off the band’s sophomore album, “Pasadena” features the main character of “Septembre” as a teenager. And as a result, the song is about budding romances — primarily their seemingly carefree nature at the time, their eventual difficulties and confusions, and the weight of peer pressure.

April has been very busy for the JOVM mainstays. Earlier this month, they released Paradigmes: Le Film, a full-length film co-directed by the band’s Sacha Got and Marlon Magnée and Aymeric Bergada du Cadet that’s centered around the album’s material, and highlights their humor and creativity. You can watch it here: https://www.youtube.com/watch?v=N8Wnil2ipf0

The JOVM mainstays will be releasing an exclusive, vinyl, Record Store Day edition of Paradigmes, Paradigmes: suppléments, a deluxe edition of their critically applauded third album. You can purchase it here: https://recordstoreday.com/SpecialRelease/14923

And along with the Record Store Day exclusive vinyl release of Paradigmes: suppléments, the band released yet another single off Paradigmes, the album closing track “Tu T’en Lasses,” a slow-burning and atmospheric fever dream, centered around skittering beats, glistening synths and a distorted yet mournful horn solo paired with dreamily delivered vocals.

The accompanying video for “Tu T’en Lasses” continues a run of hazy, feverish visuals: The members of La Femme are house band at a local dance, playing the slow dance song for the couples out there — including a Sid and Nancy-like couple. Is it an achingly nostalgic memory of a lost love and a time since passed — or a drug and booze-fueled hallucination? Or perhaps both? That’s up to you to decide.

New Video: JOVM Mainstays La Femme’s Hazy and Nostalgic Ode to Young Love

Parisian psych pop act and longtime JOVM mainstays  La Femme — currently, founding members Sacha Got and Marlon Magnée, along with Sam Lefévre, Noé Delmas, Cleémence Quélennec, Clara Luiciani, Jane Peynot, Marilou Chollet and Lucas Nunez Ritter — was founded back in 2010, and the then-completely unknown band had managed to hoodwink the French music industry by lining up a DIY Stateside tour with only $3,000 euros and their debut, that year’s  Le Podium #1 EP.

After playing 20 gigs across the States, the members of La Femme returned to their native France with immense interest from the Parisian music scene. “The industry was like, ‘What the fuck? They have an EP out and they are touring in the US and we don’t know them?” Marlon Magnée told The Guardian. “So the buzz began to start. When we came back to France, it was red carpet. Fucking DIY.” 

2013’s critically applauded and commercially successful full-length debut Psycho Tropical Berlin found the Parisian JOVM mainstays making a wild, creative and sonic left turn incorporating motorik grooves and synths to the mix — while eventually landing a Victoires de la Musique Award. Building upon a rapidly growing national and international profile, La Feme’s sophomore album, 2016’s Mystére to praise by Sound Opinions, The Line of Best Fit, The Guardian, AllMusic, BrooklynVegan and a lengthy list of others. 

was released earlier this year through the band’s own Disque Pointu and distributed through IDOL. In the lead up to the album’s release, I managed to write about four of the album’s singles:

ool Colorado,” a cool yet bombastic single that seemed indebted to Scott Walker and Ennio Morricone soundtracks while being an “ode to the San Francisco of the 70s — and to Colorado, the first American state to legalize cannabis. 
Disconnexion,” a surreal what-the-fuck fever dream centered around pulsating Giorgio Moroder-like motorik grooves, a fiery banjo solo, atmospheric electronics, twinkling synth arpeggios, a philosophic soliloquy delivered in a dry, academic French and operatic caterwauling. 
“Foutre le Bordel,” a breakneck freak out that meshed Freedom of Choice-era DEVO and Giorgio Moroder with ’77 punk rock nihilism. 
“Le Jardin,” an achingly sad lullaby written and sung in Spanish — the band’s first song in Spanish. Inspired by a trip to Spain that the band took a few years ago, the song as the band explains “is a kind of an old-school slow dance, which underlines how fate random and fragile. The moments we go through, sometimes very sudden, from shadows to light, and vice-versa.”

Paradigmes’ ninth (!) and latest single, “Pasadena” is a slow-burning and woozy ballad featuring a vocoder’ed intro and centered around thumping, reverb-drenched beats, atmospheric synths, twinkling keys and alternating boy-girl vocals that as a whole sounds like a narcotic-induced haze. Written as a informal response to “Septembre,” a song off their sophomore album that was about the entire school world, “Pasadena” finds “Sepetmbre’s main character as a teenager, and is about budding school-age romances, primarily their seemingly carefree nature, their eventual difficulties and the weight of peer pressure. The song manages to make references to situations that are familiar to many of us, because we’ve all experienced them in some fashion — the swooning passion of new, young love; the bitter taste of heartbreak; the difficulties in moving forward and the like.

he recently released video for “Pasadena” is a hazy fever dream full of aching nostalgia for the meet cutes in Chemistry class days — but seen through the perspective of an adult, who seems to miss how simple things seemed. The band explains that for the first time in their decade-plus history, they made videos for each of Paradigmes’ 15 songs with the intent of creating a full-length movie, which they hope to release next fall.

New Video: La Femme Releases a Dreamy Visual for Shimmering “Le Jardin”

Parisian psych pop act La Femme — currently, founding members Sacha Got and Marlon Magnée, along with Sam Lefévre, Noé Delmas, Cleémence Quélennec, Clara Luiciani, Jane Peynot, Marilou Chollet and Lucas Nunez Ritter — was founded back in 2010, and the then-unknown band had managed to hoodwink the French music industry by lining up a DIY Stateside tour with only $3,000 euros and their debut, that year’s Le Podium #1.

After playing 20 gigs across the States, the members of La Femme returned to their native France with immense interest from the Parisian music scene. “The industry was like, ‘What the fuck? They have an EP out and they are touring in the US and we don’t know them?” Marlon Magnée told The Guardian. “So the buzz began to start. When we came back to France, it was red carpet. Fucking DIY.”

2013’s full-length debut Psycho Tropical Berlin was a critical and and commercial success that found the act completely reinventing the sound that initially won them internationally attention while winning a Victoires de la Musique Award. Building upon a rapidly growing internationally recognized profile, the Parisian psych pop act released 2016’s Mystére to praise by Sound Opinions, The Line of Best Fit, The Guardian, AllMusic, BrooklynVegan and a lengthy list of others.

Last year, the acclaimed French JOVM mainstays released their first bit of new material in four years with the critically applauded single “Paradigme.” Striking while the proverbial iron was red-hot, the members of La Femme quickly followed up with three more singles, which I managed to write about:

“Cool Colorado,” a cool yet bombastic single that seemed indebted to Scott Walker and Ennio Morricone soundtracks while being an “ode to the San Francisco of the 70s — and to Colorado, the first American state to legalize cannabis.
Disconnexion,” a surreal what-the-fuck fever dream centered around pulsating Giorgio Moroder-like motorik grooves, a fiery banjo solo, atmospheric electronics, twinkling synth arpeggios, a philosophic soliloquy delivered in a dry, academic French and operatic caterwauling.
“Foutre le Bordel,” a breakneck freak out that meshed Freedom of Choice-era DEVO and Giorgio Moroder with ’77 punk rock nihilism.

Now, as you may recall, the acclaimed Parisian JOVM mainstays announced that their long-awaited and highly-anticipated, third album Paradigmes will be released on April 2, 2021 through the band’s own label Disque Pointu and distributed through IDOL.
Continuing to build buzz for Paradigmes, the members of La Femme recently released the album’s fourth and latest single, the dreamy and achingly sad lullaby of sorts “Le Jardin.” Interestingly, the song is the band’s first song written and sung in Spanish — and the song can trace its origins to a trip that the band’s members took to Spain a few years ago. “This is kind of an old-school slow dance which underlines how fate can be random and fragile,” the band explains. “The moments we go through, sometimes very sudden, from shadows to light, and vice-versa.”

Directed by the band, the recently released video for “Le Jardin” was shot in Southern Spain between Granada and Sevilla. The video itself is a gorgeous fever dream in the middle of gorgeous Romanesque architecture, “where the Holy Virgins are omnipresent on the walls, overlooking at mankind and its madness.”