Emerging Swedish industrial synth pop act LINES can trace its origins to when its founding trio — Erik, Fred and Nisse — traveled to Berlin, with the expressed purpose of losing themselves in that hedonism of its nightlife. As the story goes, as though under the influence of a higher power, lines were drawn and blueprints made of the sort of music that they wanted to create. Although the band was born in Berlin, the band’s roots are in Stockholm‘s indie scene. Interestingly, they manage to continue a long-held tradition of high-powered synth-based and hook-driven synth pop pioneered by the likes of The Knife, Teddybears and others but thematically centered around isolation, escapism and what the band calls “obsessive and destructive love” — and they do with some subtle political leanings. “We’re not Rage Against The Machine in our police, but we try to express some kind of social commentary between the lines.”

Along with crafting politically charged material, the trio are boldly and defiantly DIY — writing, producing and mixing their own work in their self-built studio. They’ve also self-directed and produced the bulk of their videos and thrown their own 24 hour release parties; however, the band is ambitious and they have their sights set on using their non-conformist pop to make a connection with audiences in their native Sweden and beyond.    Perhaps unsurprisingly, the band’s the band has a growing national and international profile — their single “You” has amassed more than 6 million streams, and renowned Swedish pop artist Tove Lo has championed them.

The trio’s latest single “People,” which finds the trio collaborating with Adele Kosman is centered around lush layers of arpeggiated synths, thumping beats and an infectious, sing-along worthy, anthemic hook that I can envision people shouting along to, while having their arms draped around their friend’s shoulders. The track will further cement the Swedish trio’s growing reputation for wildly euphoric and futuristic synth pop.