Up-and-coming, London-based DJ, producer, electronic music artist and multi-instrumentalist Marcus Marr has received international attention over the last couple of years for a number of critically acclaimed singles released through renowned dance music/electro pop label, […]
Tag: London
Initially influenced by No Doubt, Smashing Pumpkins, The Cranberries and Radiohead, the Australian-born, London-based singer/songwriter Lucy Mason first learned the guitar when she was 13, and after finishing school in Australia, the up-and-coming singer songwriter relocated to the UK, where she quickly wound up touring with fellow singer/songwriters Matt Corby and Josh Kumra across the UK. Adding to a steadily growing national profile, Mason is a winner of the UK Songwriting Contest, which naturally established her as one of the UK’s best, new songwriters.
Now, if you’ve been frequenting JOVM over the past eight or nine months, you might remember that I’ve written about Mason — and over that same amount of time, the Australian-born, London-based singer/songwriter has been receiving attention internationally across the blogosphere for dramatic yet deeply personally pop.
Her newest and latest single “Lightning Strikes” pairs Mason’s husky jazz-inspired vocals over a sparse and atmospheric production comprised of layers of trembling and ethereal synths, finger-snapped percussion and sudden tempo changes that gives the song a tense, jagged and almost anxious feel as the song builds in intensity. And as Mason explains in press notes, the song is inspired by a deeply personal experience — the sort that had required some time for Mason could write after some time and gaining some perspective. In fact, the song manages to be a bitter and regret-stained confession over a dysfunctional relationship that the narrator spent way too much time in.
The internationally acclaimed Brazilian indie psych rock quartet, Boogarins can trace their origins to when its founding duo, Fernando “Dino” Almeida and Benke Ferraz started playing music together as teenagers in their hometown, the central Brazilian city of Goiânia. The music that Almedia and Ferraz began to write and then eventually record was a unique vision of psych pop that drew from their country’s incredibly rich and diverse musical history — but with a decidedly modern viewpoint. Their 2013 full-length debut, written and recorded as a duo, As Plantas Que Curam was a decidedly lo-fi home studio effort, pieced together in isolation before the duo had played a live gig. By the time, their debut album was released, Almedia and Ferraz had recruited a rhythm section, and the completed lineup had started developing a profile both in their hometown and nationally, as they started booking and playing regular gigs in Sao Paulo and several of Brazil’s largest cities. Without much support from a label or from a major PR firm, As Plantas Que Curam was a critical and commercial success in Brazil, as the album received praise from Rolling Stone Brazil, who had dubbed the band “Best New Artist” in 2013, and the album was nominated for several awards on GloboTV’s annual music award shows. Arguably, a great deal of the success and attention that Boogarins has seen in their homeland comes from the fact that unlike the majority of contemporary Brazilian acts that primarily sing lyrics in English, like their British, Australian and American counterparts, Boogarins material is written and sung completely in Brazilian Portuguese.
Now, if there’s one thing the blogosphere has gotten absolutely right, its the fact that as a general rule it has given attention and praise to a number of fantastic internationally based acts that many American listeners wouldn’t have been aware of before, unless they were particularly adventurous. And over the last two years or so, Boogarins have started to receive increasing international attention as the band as toured across the globe, playing at some of the world’s most renowned and largest festivals, including Austin Psych Fest, Burgerama, Primavera Sound Festival and headlining shows in clubs in London, Paris, Barcelona and New York. Naturally, with that kind of exposure, the band started to receive praise from a number of internationally recognized outlets such as Pitchfork and The New York Times, who compared the Brazilian band’s sound to the likes of early Jefferson Airplane.
During their Spring 2014 European tour, the members of Boogarins spent two weeks in Jorge Explosion’s Estudio Circo Perrotti in Gijón, Spain, where they started tracking for material, which would wind up comprising their sophomore effort, Manual, which is slated for an October 30 release. Actually, the album’s full (and official title) is Manual,ou guia livre de dissolução dos sonhos, which translates into English as Manual, or Free Guide to the Dissolution of Dreams, and the material on the album is specifically meant to be viewed as a diary or sort of dream journal. The band eventually returned to Brazil and in between concert dates across South America, they finished the album in Ferraz’s home studio.
Manual‘s material is reportedly not only more personal than their debut, it’s also more socially conscious as it draws from the sociopolitical and class issues affecting their homeland before, during and after the 2014 World Cup as entire neighborhoods were pushed aside and destroyed for massive commercial developments that helped wealthy global corporations make even more money, instead of uplifting those who desperately needed uplift and were promised it from the World Cup. (Certainly, as a native New Yorker, the stories of increasingly gentrification changing the face, character and population of the city would seem remarkably familiar.)
Just a few weeks ago, I had written about album single “Avalanche,” a slow-burning yet breezy and percussive song comprised of shimmering guitar chords played through reverb and delay pedals, swirling feedback and a sinuous bass line paired with plaintive and ethereal vocals. And in some way, the song sonically speaking sounded as though it drew from Dark Side of the Moon and Wish You Were Here-era Pink Floyd and Tropicalia but thematically drawing from Rage Against the Machine; in other words, dreamy and trippy yet grounded in the real world — and done in a way that’s powerfully accessible. The album’s latest single “6000 Dias” is a slow-burning kaleidoscopic song that’s propelled and held together by a tight rhythm section, as the song is composed of about three distinct segments — one which includes a gorgeously, twisting and turning guitar solo that’s reminiscent of Robby Krieger‘s incredible, guitar solo in “Light My Fire” before ending in a gentle fade out, which evokes the sensation of slowly waking from a pleasant reverie.
New Video: The Soaring and Anthemic Pop Sound of London’s Lucy Mason
Initially influenced by No Doubt, Smashing Pumpkins, The Cranberries and Radiohead, the Australian-born, London-based singer/songwriter Lucy Mason first learned the guitar when she was 13, and after finishing school in Australia, the up-and-coming singer songwriter relocated to the UK, where […]
London-born, Birmingham-based producer and electronic music artist, Joe Flory. Flory’s musical career began with his first musical project, Primary 1. With the release of Primary 1′s No Thrills, Flory had a growing profile across the European Union as he had toured as a backing drummer with Chilly Gonzales and The Kaiser Quartett. His solo production and recording project. Amateur Best started in earnest when Flory relocated to Birmingham to fully concentrate on sharpening his songwriting and production skills.
So far, Flory’s solo recording project has been praised by the British blogosphere for a sound that compares favorably to electro pop duo Cassius, the soundtrack work of Michael Nyman, as well as The Avalanches, David Sylvian and Ryuchi Nakamoto — although as I’ve mentioned from the release of “They Know,” the first single off his recently released The Gleaners and the recently released second single, “White Noise,” Flory’s sound reminds me much more of Barbarossa, as both singles pair Flory’s plaintive and ethereal vocals singing deeply confessional lyrics over skittering and propulsive beats, cascading and chiming synths and swirling electronics to craft material that sounds as though it’s delving deep into the fractured psyche of its narrator, who seems crippled by his own insecurities and doubt; however, in the case of “White Nose,” the song also manages to express an aching and urgent vulnerability, that you hear in Flory’s vocals — with hopeful air that belies the song’s existential dread.
New Video: Boogarins’ Breezy, New Single “Avalanche” Draws Influence from Pink Floyd and Tropicalia
Boogarins, the Brazilian, indie psych rock sensation can trace their origins to when its founding duo, Fernando “Dino” Almeida and Benke Ferraz started playing music together as teenagers in their hometown, the central Brazilian city of Goiânia […]
New Video: Introducing the Up-and-Coming London-based R&B Artist Shanay
Performing under the mononym Shanay, Shanay Holmes is a London-based singer/songwriter who has started to receive attention across the British blogosphere as her debut EP Time is slated for an October 1, 2015. EP title track […]
New Audio: Native Sons, Shoegaze-Leaning, New Single “Pictures”
With members based in London UK and Brighton UK, the British indie rock trio Native Sons first caught my attention with the release of their first single “Humanise,” which was a breezy bit of Brit pop reminiscent of The Invisible Band-era Travis and […]
New Audio: Introducing London’s We Are Z, and Their Anthemic, New Single “Knucklehead”
Comprised of Marc “Archie” Arciero (bass, keyboards), Gabriel Cazes (vocals, keyboards and drums) and Clement Leguidcoq (keyboards, percussion and backing vocals), the London-based trio We Are Z formed in 2012, and since their formation they’ve developed […]
New Video: The Creepy and Intimate Electro Pop Aesthetic of Amateur Best
Amateur Best is the solo, electronic production and recording project of the London-born, Birmingham-based producer and electronic music artist, Joe Flory. Flory’s musical career began with his first musical project, Primary 1. With the release […]
Live Concert Photography: King Raam with Smoke Season at Mercury Lounge 8/29/15
Live Concert Photography: King Raam with Smoke Season at Mercury Lounge August 29, 2015 Just the other night, I was at Mercury Lounge with my dear friend and colleague, Natalie Hamingson and a dear friend, […]
New Audio: The Summery and Ethereal Sound of Clas Tuuth’s Latest Single “Air”
Clas Tuuth is an up-and-coming London-based producer, who first came to the attention of the British electronic music scene with the release of a remix of Rozi Plain’s “See My Boat,” which received radio airplay […]
New Video: Courtney Barnett’s “Nobody Really Cares If You Don’t Go To The Party” Channels 120 Minutes-era Alternative Rock
With the release of I’ve Got a Friend Called Emily Farris EP, How to Carve a Carrot Into a Rose EP and the double EP The Double EP: A Sea of Split Peas (which, from my understanding is a […]
New Audio: Introducing PILLARS and Her Ambient, Electro Pop Sound
PILLARS is a rather elusive and mysterious London-based singer/songwriter and producer, who despite initially only having experience as an acoustic musician has made waves as an electronic producer with her second and latest single “You […]
New Video: The Nostalgic, Old-Timey Video for Younghusband’s “Better Times”
Comprised of Euan Hinshelwood (vocals/guitars/keys), Adam Beach (guitars/keys), Joe Chilton (bass/guitars) and Pete Baker (drums/percussion/keys), the London-based, indie rock quartet Younghusband can trace their origins to when Hinshelwood started the band as a solo lo-fi, recording project. When founding […]