Tag: M for Montréal

Music Festivals by William Ruben Helms

M for Montreal — M pour Montreal in French — is an annual conference and music festival which takes place over the course of four days in late November in Canada’s second largest city. Since the inaugural conference back in 2005, M for Montreal has expanded to feature a selection of over 100 emerging, buzz-worthy and/or breakout acts from across Québec, the rest of Canada and a handful of internationally-based acts playing on stages in some of Montréal’s top venues and clubs. 

The annual conference also welcomes over 300 music industry professionals to Montréal for professional programming and networking tailored specifically for folks in the industry. 

Last month, M for Montréal’s organizers announced the full lineup of artists in its 2023 Official Selection series. Following a nationwide call for submissions that drew a record number of over 600 applications, the conference’s organizers have selected 28 artists and bands as outstanding examples of emerging talents across all spectra of genre, sound and background. 

With a little over a month left until this year’s 18th — 18th! — edition, festival organizers announced the lineup for my favorite portion of the festival, M for Marathon. Organized by M for Montréal and presented by Sirius XM, M for Marathon runs across the festival’s four-day run and features 34 shows with 91 artists playing in 16 venues across the city.

This year’s M for Marathon will showcase a globe-spanning lineup with an eclectic array of emerging artists. The Francophone portion of the lineup will feature Quebec favorites Geneviève et Matthieu, pop artists Simon Kearney and Félix Dyotte and up-and-comers Les Lunatiques, Sorry Girls, Grand Eugène, Prince Amine, Ivytide, Vendou and a list of others.

The Anglophone portion of the lineup will feature Cartel Madres, who will be playing a showcase at one of my favorite rooms to catch a show in town, La Sala Rossa with Milk & Bone, dee holt and Virginie B. (I caught Virginie B at last year’s M for Montréal and she’s a superstar in the making.)

Much like previous editions of M for Marathon, this year’s Marathon will feature a number of international artists, some of whom will be making their first appearances in Québec. French artists include Al-Qasar, Blue Orchid and Suzanne Belaubre. Welsh artists include Bethan Lloyd and Mace The Great. The UK’s Otto Aday, Egypt’s Nadah El Shazly, C’ôte d’Ivoire’s Andy S., and Atlanta‘s CDSM are also on the bill.

M for Marathon will also feature the launch of two debut efforts, underscoring the festival’s mission to support emerging projects: Canailles‘ Alice will be releasing her solo debut EP, Du love à revendre with a November 18, 2023 showcase at the intimate, medieval castle-like Quai des Brumes alongside Billiane. That same night, Tango Golf Tango will launch Dark Tropical Express at Diving Bell Social Club with Otto Aday.

Festival organizers also created a curated playlist featuring the artists and bands on this year’s lineup. Check that out here:

There two badge tiers:

The M for Marathon Festival badge, which allows you to attend M for Marathon showcases: 30 shows over the course of four days. For more information and to purchase, go here.

The Pro Badge, which allows you to attend all the Official Selection showcases, opening and closing cocktails, all workshops and conferences, the curated networking activity M for Mixer, the purchase of complimentary networking options, access to a digital networking platform and all the M for Marathon showcases. For more information, and to purchase, go here. 

Full listing of bands and artists at M for Montréal’s 18th edition is below:

36?
Afternoon Bike Ride
Al-Qasar
Alex Nicol
Alice
Alix Fernz
Andy S
Atsuko Chiba
Banx & Ranx
Bethan Lloyd
Billianne
Blue Orchid
Boy Golden
Carlyn
Cartel Madras
CDSM
Charlie Houston
Choses Sauvages
Das Mörtal
dee holt
digital polyglot
DJ Clémence Giroux
DJ LaTerreur
DJ Pøptrt
DJ Silktits
DJ Trinidaddy
DVTR
Family Man
Félix Dyotte
Flower Face
Frais Dispo
 

Frieda Mari
Gawbé
Geneviève et Matthieu
Georgia Harmer
Grand Eugène
Grand Public
Hawa B
Heaven for Real
Hippie Hourrah
Ivytide
Katie Tupper
La Faune
La Niña Kiwi
La Sécurité
LaF
Les Lunatiques
Loviet
Mace the Great
Marie Davidson
Mattmac
Mélissa Fortin
Milk & Bone
Mirabelle
Nadah El Shazly
Niall Mutter
Night Lunch
Nodly
Nyssa
Ormiston
Otto Aday
Ouri

Patche
Peter Dreams
Philippe Brach
poolblood
Population II
Prince Amine
Ragers
Rip Pop Mutant
Robert Robert
Sasha Cay
Simon Daniel
Simon Kearney
Sorry Girls
Stoylov
Super Plage
Suzanne Belaubre
Sylvie
T Thomason
Tallandskiinny
Tango Golf Tango
Thanks, Honestly
Titelaine
Totalement Sublime
Vendou
VioleTT Pi
Virginie B
Willa Owen
Winona Forever
Yocto
Zouz

Single Review by William Ruben Helms

Rising Paris-born, Montréal-based singer/songwriter and JOVM mainstay Thaïs specializes in an atmospheric and delicate take on pop centered around the French Canadian artist’s ethereal vocals. Thematically her work focuses on melancholy, loneliness and dysfunctional, confusing, heartbreaking love. 

Last year was an enormous year for the rising Paris-born, Montréal-based artist. She signed with Bravo Musique, who released her highly anticipated full-length debut, Tout est parfait, which featured three singles I wrote about on this site:

  • “Arrête de danser,” a slickly produced bop centered around glistening and atmospheric synth arpeggios and trap beats that saw the rising French Canadian artist alternating between a syncopated trap-like flow for the song’s verses and ethereal cooing for the song’s hook and choruses. And while arguably being one of her most club friendly songs, “Arrête de danser” is a bitter tell-off to an unhealthy, dysfunctional lover that the song’s narrator knows deep down is wrong for her — and yet can’t quite quit.  
  • The Cœur de Pirate co-written, Renaud Bastien-produced “Vieux Port,” a danceable and deceptively upbeat bop featuring wobbling bass synth, glistening and arpeggiated synth melodies, twinkling keys, some brief bursts of industrial clang and clatter and soaring strings paired with Thaïs ethereal cooing. But just underneath the surface is a song that details a relationship that’s seemingly on the ropes while contemplating the passing of time and the desire to turn the clock back — with the knowledge you have now. 
  • “Le vent,” a breezy pop song but around twinkling and atmospheric synth arpeggios and skittering trap-like beats paired with Thaïs ethereal cooing. The song structurally was written to evoke a gust of wind for its verses and a brewing storm for it choruses. But at its core, “Le vent,” continued a remarkable run of material imbued with a bittersweet ache over a long lost love that deep down she knows she’ll never get back.

Thaïs also played a high-energy opening set at last year’s M for Montréal‘s Believe Presents Meet and Bowl at Darling Bowling Showcase that proved to me that she’s a superstar in the marking.

The rising Montréal-based JOVM mainstay’s latest single is a collaboration with Chibogamau, Quebec-born, Montréal-based singer/songwriter and musical Raphaël Bussièrs, best known as Lucill. Bussièrs can trace the origins of his musical career to his childhood: The young Chibogamau-born artist assiduously taught himself bass. After spending a period of several years as a touring and session musician with a number of acts around the world, Bussièrs decided it was time to step out into the spotlight as a solo artist. With Lucill, the French-Canadian artist specializes in a sound that features elements of indie rock, indie pop and folk paired with a straightforward approach.

Bussièr’s 2018 self-titled debut EP won the Indie Rock EP of the Year Award at 2019’s GAMIQ Gala. Building upon a growing profile across the province, the French-Canadian artist followed up with his full-length debut, 2020’s Bunny, which was released to rapturous critical praise and his sophomore effort, last year’s Snake Eyes.

“Si j’étais toi,” the Montréal-based artists’ collaboration together is an ethereal pop confection and a remarkably seamless meeting of musical minds built around shimmering and atmospheric synths, twinkling keys, the duo’s ethereal and yearning cooing, a relentless motorik groove and their unerring knack for a catchy hook. The song’s narrators express a desire for each other but they don’t quite know how to proceed with that knowledge — or if it’ll be successful. And as a result, the song is rooted in a coquettish yet frustrating push and pull.