Tag: Magalí Sare

Video by William Ruben Helms

New Video: Catalan Singer-Songwriter and Multi-Instrumentalist Magalí Sare Releases a Gorgeous and Intimate Visual

Magalí Sare is a rising 23 year-old, Vallès, Spain-based singer/songwriter and multi-instrumentalist. Growing up in a family of musicians, Sare learned how to play piano, flute and percussion at an early age. Back in 2013, the Vallès-based singer/songwriter and multi-instrumentalist, enrolled at the Superior Conservatory of the Liceu, where she studied jazz.

Since graduating, Sare quickly developed a unique sound and approach that features elements of jazz, classical music, pop, alt-pop and experimental music with lyrics written and sung in her native Catalan and English. She’s also been rather busy: Sare regularly performs with a quarter that features Marta Pons (cello), Vic Moliner (double bass) and Arnau Figueres (percussion) and with a duo featuring a dear friend, who has accompanied her since the beginning. Over the past year, she’s been further honing a genre-fluid sound:

She collaborated with Sebastiaà Gris on A Boy and a Girl, an album that found the duo reworking classical and folk tunes in a way that incorporated electronics. The album was nominated for Best World Music album on the World Music Charts Europe (WMCE).
Sare contributed her vocals to Clara Peya’s Estomac.
The Catalan-born artist was nominated for an Emerging Artist Award by the Catalan Music Academy and Best New Artist at the ARC Awards.
Magalí Sara was nominated for the first International Award of Suns Europe Festival, which she won.
She also toured with with Quartet Mèlt, an act that won TV3’s Oh happy day’s third season.

Sare’s latest single “Beber de ti” is a slow-burning track and atmospheric featuring twinkling piano, stuttering trap beats, the rising Catalan artist’s ethereal and plaintive vocals, shimmering synth arpeggios and an enormous hook. Sonically, the track will further establish her sound as it’s a slickly produced mesh of classical music, electro pop and trap, centered around earnest songwriting. “Stagnant water rots. To be clean and transparent it needs to flow. The same goes for feelings; Communicating fully is not easy at all,” Sare explains. “Sometimes opening up as people can be painful, but it is something that frees us. Showing fears, letting out crying, as well as empathizing and giving thanks when appropriate, are things that make human relationships flow.”

The recently released and intimately shot video follows a couple, who struggle to truly connect with each other — but when they follow the philosophy of the song, they find themselves much closer, and much more at peace with each other.

Video by William Ruben Helms

Live Footage: Dani Lòpez Quartet Performs “Cafetera Stuff” at Olot Spain’s Sala El Torin

Dani Lòpez is a rising, Olot, Spain-born and-based composer, arranger, multi-instrumentalist, bandleader and producer, who picked up music at a very young age. Learning several different instruments, Lòpez quickly began writing original music for bands across an eclectic variety of genres and styles, including folk, jazz, classical and contemporary chamber music. Lòpez attended the Liceu Conservatory, where he studied classical saxophone under Albert Julià and David Sallers, graduating in 2016 — and composition under renowned composers Benet Casablancas and Benjamin Davies, graduating in 2018, Towards the end of his studies, the rising Spanish multi-instrumentalist earned the Ferrer-Salat Scholarship and a special prize for the composition degree. 

Over the past couple of years, Lòpez has written several chamber music pieces, including two scores for ensemble-based adaptations of Prudenci Betrana’s “Una agonia” and “En Busqueta” centered around flute, clarinet, violin, cello, piano and soprano vocal. He’s also written “Mirall Trencat,” a piece for saxophone quartet that has been performed in venues across Catalonia and Zurich, as well as a small concert for saxophone that has been performed in Spain, Portugal and Mexico. As a saxophonist, the Spanish multi-instrumentalist has won several contests for solo composition and chamber music, including 2013’s Arjau Catalanmusic and 2014’s Ecoparque de Trasmiera. 

Currently, Lòpez works as a freelance musician, who has played with several different projects including Magalí Sare, El Pot Petit, Holoquè, and Hop al Metro among others. 2020 has been a rather busy year for the rising Spanish artist: he recently produced, co-produce, crafted arrangements and/or cowrote material for three applauded albums: El Pot Petit’s 10 Anys, which won the 2020 Premis Enderrock Award for the Best Recording of Music for Families; Criatures’ Praxinoscopi, which won the 2020 Premis Enderrock Award for Best Folk Recording; and Aires del Montseny’s Lilure Albir. 

Adding to a busy year, the Spanish multi-instrumentalist’s forthcoming album El que fan les cases quan no les mires is slated for release this year through Segell Microscopi. Featuring a backing band of Andreu Moreno (drums, SPD), Vic Moliner (double bass, bass synthesizer), Alejandro Esperanza (piano, Rhodes, synths) and of course, Lopez (sax, flute, piano, synths, vocals), the album was recorded during a three day recording session at Ground Recording Studios in Cornelià de Terri.  The album’s compositions finds the Lòpez-led quartet crafting a sound that meshes elements and blurry the lines  of jazz, contemporary chamber music, folk and pop with a forward-thinking experimentalism, inspired by the Spanish multi-instrumentalist and composer’s fascinating with observing reality from up close. Instead of immediately taking the material to be mixed, there was a month of patient and painstaking post-production of the album’s material with Lòpez hand-picking the best tracks to be included on the album, as well as the album’s overarching theme. 

 El que fan les cases quan no les mires’ latest single “Cafetera Stuff” can trace its origins to a previous composition Lòpez had written for a chamber orchestra “Star Stuff.” As the story goes, in an inspired bout, he had started experimenting by playing the composition in a different chord. Centered around an expansive arrangement of shimmering piano arpeggios, atmospheric synths, rapid-fire rhythms, a propulsive bass line and samples of a coffee machine, the song shifts between tempos and modes with a mischievous and whimsical air. 

The recently released live footage features the quartet performing the song at Olot’s Sala El Torin — and it’s shot in a gorgeous black and white, while capturing the quartet’s energy and connection as a live unit.