Tag: Margate UK

Video by William Ruben Helms

New Video: Tokyo Tea Room Shares Mesmerizing and Shimmering “Eyes Off You”

Last year’s full-length debut, No Rush saw the rising Margate, UK-based outfit Tokyo Tea Room quickly establishing a sound and approach that takes listeners on a journey within a tender, comfortable bubble. Their music is inspired by lived-in, human emotions while thematically exploring longing and the ephemeral nature of existence. The album eventually led to millions of monthly listeners across the DSPs and a sold-out North American tour, helping the band amass a rapidly growing global audience.

The Margate-based act have new music coming that will reportedly see them entering a new chapter that sees an evolution of their sound that remains rooted in the emotional depth that the band has begun to be known for. The rising British act will return to North America for a fall tour, supporting their new material. The tour includes two NYC area dates — October 13, 2026 at Music Hall of Williamsburg and October 14, 2026 at Bowery Ballroom. Check out the rest of the tour dates below.

In the meantime, the rising outfit’s latest single, the Daniel James Elliott-penned “Eyes Off You” is an atmospheric, mesmerizing and hook-driven, sophitispop-inspired bop that features Beth Dunn’s yearning vocal ethereally floating over shimmering synths, Nile Rodgers-like guitar and a supple yet propulsive bass line. “Eyes Off You” captures the desperation and delusion of an all-consuming obsession, describing the inability to let go, even when it hurts.

Directed by Jacek Zmarz and starring Anders Hayward, the accompanying video for “Eyes Off You” is a cinematically shot fever dream that follows Hayward as he expressively dances in series of surreal yet gorgeous locales.

Video by William Ruben Helms

New Video: debdepan Shares Playful Visual for Cathartic “Ghost”

Margate, UK-based duo debdepan — Chelsea and Grace — officially formed back in 2022, but can trace their origins back to writing sessions during pandemic lockdowns. The duo quickly made a name for themselves through Pie Factory Music’s Emerging Artists Program, which lead to their breakthrough single “Darkest Hour.” “Darkest Hour” gained radio play across the US and Europe, landing on the Deutsche Alternative Charts — and earning the duo a publishing deal with Archangelo Music.

The pair’s debut EP, 2023’s OMEN saw the band firmly establishing dark pop bonafides. The EP’s material received airplay from BBC Introducing, BBC London and BBC 6 Music. Adding to a growing profile across both the UK and European Union, the Margate-based duo has started to make a run of the European festival circuit with standout sets at Portugal’s Westway Lab, Spain’s Pro Weekend and Focus Wales, as well as opening slots for cumgirl8, Miki Berenyi and Pete Doherty. Earlier this year, they opened for The Wants during the New York-based trio’s UK tour. And this month they will be opening for TRAITRS.

The duo’s highly-anticipated sophomore EP Lovers & Others is slated for a November 28, 2025 release through Silent Kid Records. The EP reportedly sees the duo leaner more into dance music-leaning arrangements while still retaining the harder, grunge-inspired roar and bite that have helped them win attention across Europe and elsewhere. And as a result, the rising British duo showcase a refined, genre-blurring sound that’s still emotionally charged — but is also physically irresistible.

Written in the year since the duo relocated to Margate, the EP reportedly sees them balancing introspective vulnerability with a”pretty sad girl but also kind of party” bit of duality — a reflection of the late-night emotional shifts in their town’s nightlife scene paired with long, contemplative costal walks.

Lovers & Others EP will feature the previously released “Habit,” and “The Girl,” and the EP’s final, pre-release single “Ghost.” “Ghost” begins with a mid-tempo bit of melodic pop-inspired post punk and goth that seems to channel Florence and the Machine, before making a rapid left turn to a throbbing bit of Echoes-era The Rapture-like dance punk banger. But at its core, is the hopefulness of a new potential love, followed by the bitter ache of having that hope dashed when they inexplicably ghost. And then, there’s the release of bilious anger of discovering that person is a coward, who couldn’t — or wouldn’t — tell you the truth. “This song had to feel like a journey,” the band explains. “It needed a big fat pop chorus to juxtapose the dark and miserable verses.”

Recorded in Ramsgate, UK with engineer Mike Collins, “Ghost,” is informed by his inspired production choices. “Mike had a wicked idea to layer a bunch of guitars in the middle 8 to really build some tension,” the duo says. The end result is a song that showcases the band’s ability to balance aching vulnerability with explosive catharsis.

The playful, Halloween-inspired video for “Ghost.” was shot by the band across various Margate-based locations and features them dressed as DIY-styled ghosts, complete with goofy errors, including a visible drone controller peeking out beneath one of the duo’s costume.

“I borrowed my dad’s drone to film it, and if you look closely you can spot the controller under the ghost sheet!” they explain. “We wanted something playful with the ghost theme that we could shoot ourselves. Filming around Margate was pretty embarrassing, but at least the costumes meant we couldn’t see most people laughing at us.”

Video by William Ruben Helms

Live Footage: Keep Dancing Inc. Un Plan Simple Session at Saint Laurent Rive Droit

With the release of their debut EP, 2017’s Initial Public Offering and a handful of follow-up one-off singles, the Paris-based electro pop trio Keep Dancing, Inc. — Louis, Joseph and Gabrielle — quickly emerged as one of France’s hottest and most exciting new acts. The trio supported that material with a tour across the European Union and the UK with Blossoms, which helped them develop a reputation as highly-regarded live act.

Last year’s 12 song, Tom Carmichael-produced full-length debut Embrace was recorded between Paris and Margate, UK, and the album’s material found the rising Paris-based trio crafting remarkably assured and ambitious club friendly bops that effortlessly mesh 80s New Wave, electro pop and disco like with album singles “Could U Stop” and “Start Up Nation.” But underneath the infectious grooves, the band’s material often offers incisive and ironic commentary on our contemporary world and economy.

Un Plan Simple recently invited the rising Paris-based act to film a live session. Directed by Anthony Vaccarello and shot at Saint Laurent’s Rive Droite in front of flashing strobe lights, the band performed three songs for the sessions including the infectious “Start Up Nation,” one of my favorite songs off Embrace, the buoyant, New Order-like “Long Enough” and the acclaimed, Remain in Light-era Talking Heads-like “Could U Stop.”

Single Review by William Ruben Helms

Over the past couple of years, the rapidly rising Paris-based electro pop trio Keep Dancing— Louis, Joseph and Gabrielle — have quickly emerged as one of France’s hottest and most exciting new acts with the release of their debut EP, 2017’s Initial Public Offering and a handful of critically applauded, dance floor friendly singles.  They’ve also toured throughout the European Union with Blossoms — and across the UK, developing a reputation as highly-regarded live act.

Building upon a growing national and international profile, the rising Parisian act’s highly-anticipated Tom Carmichael-produced full-length debut Embrace is slated for release later this year. Recorded between Paris and Margate, UK, the album’s 12 tracks finds the band crafting remarkably assured and ambitious club anthems that effortlessly meshes 80s New Wave, electro pop and disco — much like the album’s critically applauded first single “Could U Stop.” “Start Up Nation,” Embrace‘s second and latest single. Centered around layers of shimmering synth arpeggios, four-on-the-floor drumming, sinuous dance floor friendly grooves and a rousing hook, the track is an incisive and ironic commentary on our contemporary economy and its lack of opportunities.