Tag: Marie Dahlstrom

New Video: The Lyric Video for Fleurie’s Atmospheric “Sirens”

If you’ve been frequenting JOVM over the past year or so, you might recall that I had written about up-and-coming Canton, MI-born, Nashville, TN-based classically trained pianist and singer/songwriter Lauren Straham and her solo recording […]

 

If you’ve been frequenting this site over the past year, you may have stumbled across a post on recent JOVM mainstay, Copenhagen-born, London-based vocalist and electro pop artist Marie Dahlstrøm— and in fact, you might recall that I’ve recently written about her collaborative project with Canadian producer Mwahs — Hans Island. However, Dahlstrom, a three-time Scandinavian Soul Award winner has developed a reputation as an up-and-coming solo artist, who has received attention across both Scandinavia and the European Union for her silky smooth, effortlessly soulful vocals with covers of Phil Collins, Chris Brown and Rihanna, as well as her debut EP, Feelings. 

2016 looks to be a big year for the Danish-born, London-based artist as the follow-up to Feelings is slated to be released later this year. Now you might recall that early last year I wrote about  the EP’s first single “Look the Other Way.” Produced by DK The Punisher, who’s best known for his work with Justin Beiber on Beibers’s “All That Matters, the track had Dahlstrøm teaming up with Brighton, UK-based vocalist Sophie Faith in a song that thematically nodded at Brandy and Monica’s 1998 duet/battle “The Boy Is Mine” as the single has Dahlstrøm and Faith alternating vocal responsibilities on each verse and teaming up on the chorus, as the song’s dueling narrators openly question the state of their romantic relationships with the love interest at the center of the song. Sonically speaking, the song paired Faith’s equally effortless soulful vocals and Dahlstrøm’s cooing with icily cascading and twinkling synths and hip-hop influenced beats.

Produced by Joe Garrett, who has worked on Zayn Malik‘s “Pillowtalk,” the EP’s second single and latest single “Crashing Down” is a gauzy, Quiet Storm-inspired yet contemporary track that paris Dahlstrøm’s silky smooth vocals with swirling electronics, Mary J. Blige What’s the 411? inspired hip-hop soul beats and stuttering percussion. As Dahlstrøm explained in press notes the song “is about the feeling of always searching, instead of being present in the moment. It’s about giving in and realizing that you’re exactly where you need to be.” Truer words have yet to be spoken this year at least, and the fact that the Copenhagen-born, London-based artist’s material is presumably based around lived-in experience sets her apart from countless soulless and prepackaged contemporary pop artists.

 

 

Last summer, I wrote about the electro pop duo Hans Island, comprised of Canadian producer Mwahs and Danish-born, based vocalist and electro pop artist Marie Dahlstrom, who has received attention across both Scandinavia and the European Union for her silky smooth vocals. And with the release of “I’m Yours,” the duo of Mwahs and Dahlstrom quickly received international attention for a sound that possessed elements of contemporary R&B, pop as it paired Dahlstrom’s sultry and plaintive vocals with Mwahs’ slick production consisting of swirling electronics, skittering and stuttering drum programming and twinkling keys to evoke hopeful and swooning sensation of newfound love.

The duo’s latest single “Break Free” consists of Mwah’s ethereal, bouncy production featuring swirling electronics, shimmering and cascading synths and propulsive drum programming and an anthemic hook paired with Dahlstrom’s yearning and effortlessly soulful vocals in an upbeat song about breaking free from one’s past, and starting anew — it’s a timeless sentiment that we’ve all felt at some point, bolstered by the hope that things will get better, once we can move forward.