Now, if you’ve been frequenting this site over the past two years or so, Detroit, MI-based electronic music duo Gosh Pith have added themselves to a growing list of mainstay artists across a wild variety of genes and styles — all while receiving a growing national profile for a sound that seamlessly meshes elements of hip-hop, electro pop, stoner rock, indie rock, dub, trap music, drum ‘n’ bass and other related genres and for being rather prolific. In fact, over the past two years, the Detroit-based duo have been experimenting and expanding upon the sound that first caught my attention and that of the blogosphere.
Earlier this year, I wrote about “In My Car,” a single that had the duo pairing tweeter and woofer rocking beats, stuttering drum programming, swirling electronics and brief bursts of guitar. And while being one of the more sultry songs they’ve released, it was an ode to just fucking around without any particular purpose and seeing where the night could take you.
The duo’s latest single “Medu$a” continues on a somewhat similar vein as twitter and woofer rock beats and rumbling low end, stuttering blasts of synth, industrial clang and clatter and a sinuous yet infectious hook paired with Josh Smith’s plaintive vocals. Lyrically the song describes a dysfunctional and unrequited relationship in which the song’s narrator is absolutely lovesick while the object of his attention is materialistic and treats him unfairly — and is only into the song’s narrator for money and the promise of stuff. And while the song’s narrator knows that this person isn’t good for him, he’s acknowledging that he can’t seem to get away from her mysterious pull. Interestingly, while the song seemingly draws from the personal experiences of the songwriters, it may arguably be the most straightforward and radio-friendly song they’ve released to date.