Tag: metal

Throwback: Happy 68th Birthday, Eddie Van Halen!

JOVM’s William Ruben Helms celebrates the 68th anniversary of Eddie Van Halen’s birth.

Lyric Video: Eyes Of Argus Share Sludgy “Honey’d Dreams”

Currently split between Providence and Salem, MA, emerging doom metal duo Eyes Of ArgusGuitar Hero and Rock Band co-creator and member of Megasus, Ryan Lesser (guitar) and Sam (vocals) — can trace their origins back to the bleakest days of the pandemic when Lesser began crafting tracks rooted in the concept of ugly/pretty: Lesser specifically plays fuzzy, down-tuned sludgy power chords while Sam contributes ethereal vocals and magical lyrics.

The duo’s full-length debut is slated for a February 23, 2023 release, and was recorded and mixed by Lesser, after he studied the techniques of Steve Albini, who he recorded with several years earlier.

Clocking in at about 8:20, the album’s latest single, the expansive “Honey’d Dreams” begins with a brooding “Planet Caravan“-like introduction with glistening and reverb-drenched guitars and then quickly turning into a doom metal dirge featuring sludgy power chords, thunderous drumming paired with Sam’s ethereal crooning. Lyrically, the song is rooted in seemingly Norse-inspired imagery and mythology. The end result is a song that balances brooding sludge with a hazy, nostalgia-tinged dreaminess.

Austin-based doom metal outfit Slumbering Sun — Monte Luna’s James Clarke (vocals), Destroyer of Light’s Keegan Kjeldsen (guitar), Temptress‘ Kelsey Wilson (guitar), Monte Luna‘s and Scorpion Child‘s Garth Condit (bass) and Destroyer of Light’s Penny Turner (drums) — is an All-Star band featuring members of Texas’ underground metal scene. 

After the breakup of their previous band, James Clarke and Keegan Kjeldsen resolved to forget the bitter pain of an album that would never be released, by creating something new. They decided to start a new band with an album that Kjeldsen wrote between work on other projects. The pair continued the creative process at their rehearsal space with a few songs strummed on a clean, electric guitar: Clarke began to write melodies with the pair finishing lyrics. 

Clarke and Kjeldsen recruited Temptress’ Kelsey Wilson, who made the commute from Dallas for writing and recruiting process. Scorpion Child’s Garth Condit and Destroyer of Light’s Penny Turner, who played in other bands with Clarke and Kjeldsen respectively were recruited to be the band’s rhythm section — and from that point on, Slumbering Sun was a full-fledged band. 

Slated for a February 24, 2023 CD, cassette and digital release with a vinyl release over the summer, because of pressing plant delays, the Austin-based doom metal outfit’s full-length debut The Ever-Living Fire was recorded in a week-long recording session this past summer. Sonically, The Ever-Living Fire sees the members of Slumbering Sun exploring broader melodies while being inspired by Celtic folk, doom metal like Warning, as well as beloved 90s classics like Soundgarden and Alice In Chains

Late last year, I wrote about the expansive “Liminal Bridges.” Centered around a song structure featuring an atmospheric introduction with swirling shoegazer-like textures, followed by stormy, power chord-driven riffage and thunderous drumming paired with Clarke’s melodic crooning and some enormous, arena rock friendly hooks, The Ever-Living Fire‘s first single sonically brings The Sword and others to mind — but with a prog rock-leaning sensibility. 

Clocking in at a little over 8:30, The Ever-Living Fire‘s second and latest single “Dream Snake” further establishes the Austin doom outfit’s penchant for expansive song structures: Opening with fuzzy power chord-driven riffage and thunderous drumming paired with Clarke’s Ozzy Osbourne-like delivery, the song first nods at classic Black Sabbath and Soundgarden-like metal, complete with a soulful yet forceful solo. At the five minute mark, the song turns into sludgy doom metal dirge for a good two minutes before a gorgeous burst of strings carry the song into a gentle fadeout.

Lyrically rooted in longing and heartbreak, “Dream Snake” sees the members of Slumbering Sun drawing from different eras one metal and doom metal and crafting something both familiar and new.

Austin-based doom metal outfit Slumbering Sun — Monte Luna’s James Clarke (vocals), Destroyer of Light’s Keegan Kjeldsen (guitar), Temptress‘ Kelsey Wilson (guitar), Monte Luna‘s and Scorpion Child‘s Garth Condit (bass) and Destroyer of Light’s Penny Turner (drums) — is an All-Star band featuring members of Texas’ underground metal scene.

As the story goes, after the breakup of their previous band, James Clarke and Keegan Kjeldsen resolved to forget the pain of an album that would never be released, by creating something new. They decided to start a new band — and with an album that Kjeldsen wrote between work on other projects. The pair continued the creative process at their rehearsal space with a few songs strummed on a clean, electric guitar: Clarke began to write melodies with the pair finishing lyrics.

Clarke and Kjeldsen recruited Temptress’ Kelsey Wilson, who made the commute from Dallas for writing and recruiting process. Scorpion Child’s Garth Condit and Destroyer of Light’s Penny Turner. who played in other bands with Clarke and Kjeldsen respectively were recruited to be the band’s rhythm section — and from that point on, Slumbering Sun was a full-fledged band.

Slated for a February 24, 2023 CD, cassette and digital release with a vinyl release over the summer, because of pressing plant delays, the Austin-based doom metal outfit’s full-length debut The Ever-Living Fire was recorded in a week-long recording session this past summer. Sonically, The Ever-Living Fire sees the members of Slumbering Sun exploring broader melodies while being inspired by Celtic folk, doom metal like Warning, as well as beloved 90s classics like Soundgarden and Alice In Chains.

The Ever-Living Fire‘s first single “Liminal Bridges” is an expansive and towering song centered around three distinct segments — an atmospheric introduction featuring swirling, shoegazer-like textures followed by stormy power chord-driven riffage, thunderous drumming paired with Clarke’s melodic crooning and some enormous, arena rock friendly hooks. “Liminal Bridges” sonically brings The Sword and others to mind — but with a prog rock-leaning sensibility.

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Founded by drummer Rip Ryder in 2019, and split between Brisbane and Australia’s Gold Coast, Aussie hard rock outfit Scandal Tree‘s original lineup featured Ryder, along with Flaky, Jase and Adam. Back in 2020, the quartet recorded their debut, self-titled EP with Cian Warbrick at Smooth Edge Recording.

After the departure of longtime members Jase and Adam, the remaining members of the band asked themselves whether it was time to close up shop and move on — or to go all in. “We felt that Scandal Tree was more than just the sum of its parts, but a more encompassing vision. There was something more there musically that we (Rip and Flaky) wanted to explore. A creative potential still yet to be untapped and unleashed upon the world,” the band’s founding member explains,

After searching for members for the band’s second lineup, the band’s remaining members found Matty (vocals), Joe (bass) and Wayne (guitar), which expanded the band from their original quartet to a quintet. In late 2021, the band recorded “Nothin’ to Lose” with Nik Carpenter at Core Studios and was released earlier this year to critical applause from broadcasters, playlist curators, critics and even publicists.

The Aussie rockers sophomore EP Layin’ Down Your Cards is rooted in everyday realties — with the EP’s material seeing the band navigating life as best as they can, and at full throttle paired with high-energy riffage. The EP’s latest single, the brash “One Way Home” is a big power chord-driven ripper, full of rousing, arena rock friendly choruses and hooks that brings Headbanger’s Ball, AC/DC and Amyl and the Sniffers to mind. In other words, nasty, gritty rock meant to be played loudly — and to raise your beer while shouting along.

Rising Kent, UK-based quartet Pryma blends heavy rock with heavy metal influences paired with meaningful lyricism and melodic vocals with a darker, menacing edge. The band prides themselves on a honest approach to their music, and an energetic live show, which has helped them gain a loyal fanbase — while earning them regular gigs across their native UK.

The British metal outfit has released a nubmer of singles, which has led to radio airplay and attention from the press and across social media. Building upon a growing profile, the band’s debut EP UNCAGED is slated for a November 25, 2022 release. The EP’s lead single “1:23:45” begins with an acoustic guitar-based intro before quickly morphing into a mosh pit friendly ripper centered around enormous power chord-driven riffage that will bring Headbanger’s Ball to mind. But the song is given a modern feel with a feral and unhinged vocal performance that sees Pyrma’s frontperson alternating between melodic verses, guttural howled choruses and hooks. Play this one very loud!