Tag: New Audio: Aussie JOVM Mainstays Geowulf Release a Warmly Atmospheric and Deceptive Pop Confection

New Audio: Aussie JOVM Mainstays Geowulf Release a Warmly Atmospheric and Deceptive Pop Confection

I’ve written quite a bit about JOVM mainstays Geowulf over the past couple of years, and as you may recall, the act which is comprised of Noosa, Australia-born friends and collaborators, Star Kendrick and Toma Benjamin have known each other since they were both teenagers. However, their musical collaboration began when Kendrick, who grew up in a rather musical home started to seriously pursue music a few years ago. Kendrick enlisted the help of her old friend to help flesh out some of her early demos.

After a string of successful, critically applauded singles that included “Saltwater,” which received over 1 million Spotify streams and reached Hype Machine‘s Top Ten and landed at #4 on Spotify’s US Viral Charts; the Mazzy Star meets  Fleetwood Mac-like “Don’t Talk About You;” the  Phil Spector meets Still Corners “Drink Too Much;”  the jangling, 60s girls group pop-inspired single “Hideaway,;” and The Smiths-like “Sunday,” the JOVM mainstays released their Duncan Mills-produced, full-length debut, Great Big Blue last year.

Building on the growing profile, the duo’s highly anticipated sophomore album My Resignation is slated for an October 25, 2019 release through [PIAS] Recordings, and the album finds the Aussie JOVM mainstays collaborating with acclaimed songwriter and producer Justin Parker on a number of tracks.Reportedly, the album finds Kendrick writing what may arguably be the most brutally honest to date with the album touching about loneliness — in particularly, learning to accept it and to love the space it provides; but viewed through the lens of a 20 something trying to maneuver the weight of the expectations put upon by others and upon themselves. The album also touches upon heartbreak, growth and self-actualization. In fact, in some way, the material finds the duo maturing and trying to maneuver the difficulties and complexities of adulthood.

“I See Red,” My Resignation‘s first single was a subtle expansion of the sound that first caught the attention of this site and elsewhere across the blogosphere. While employing the use of shimmering synths, the track is primarily centered around jangling guitar lines, a propulsive rhythm section, a soaring hook and Kendrick’s crooning — and while sounding incredibly self-assured, the song comes from a deeply personal and lived-in place. “‘I See Red’ was written after an argument with my sister,” the duo’s Star Kendrick explains in press notes. “The song was a realization that you are only ever your most raw, horrible self when you’re with the people you love to death and who love you.

I have been very proactive over many years in going to therapy, talking openly about mental health and have constantly taken steps to control emotions, moods and even my temper – having a family history of mental illness, this is something my siblings and I have had a lot of awareness about.This song is about that process and what I’ve learnt. The ebbs and flows of trying to be the best version of yourself.”

My Resignation’s latest single “Round and Round” continues a run of sugary  pop confections, centered around warmly atmospheric synths, shimmering acoustic guitar, Kendrick’s imitable crooning and a soaring hook — and while bearing a resemblance to the material off their debut with a subtle nod to Slow Air-era Still Corners, the track was actually written in an extremely negative headspace and environment as it seethes with frustration over the narrator’s repetitive patterns. “I was frustrated with maybe a lack of self-control and an inability to break patterns in my life… In a few areas,” Geowulf’s Star Kendrick explains in press notes. “This song is my way to poking holes in how I handled that. The rest of the album follows a similar, emotional narrative, and is all about exploring those old things & how I’ve tried to leave them behind.”