Initially releasing singles like “Seeing Is Forgetting” and “Half-Empy Happiness” under the intentional cloak of mystery, the Montreal-based DJ, production and electronic music artist duo The Beat Escape quickly received attention across the blogosphere for crafting moody and atmospheric pop that’s deeply indebted to 80s synth pop — i.e., Depeche Mode, The Human League and others — while evoking the sensation of a half-remembered dream.
However, with the forthcoming release of their highly-anticipated full-length debut, Life Is Short The Answer’s Long through Bella Union Records on April 27, 2018, the Canadian pop duo have removed some of the mystery surrounding them; in fact, the duo comprised of Addy Weitzman and Patrick A Boivin can trace the origins of The Beat Escape to a college short film they had collaborated on together. “We made a short oddball work; a video piece that followed two characters through a psychedelic waking dream,” the Canadian pop duo explain in press note. And since that initial collaboration, the duo have collaborated on a series of projects — but interestingly, their full-length Beat Escape debut finds them thematically speaking coming full-circle while further developing the sound that grabbed the attention of the blogosphere and elsewhere.
Interestingly, the album’s first single “Sign of Age” pairs a propulsive and undulating Giorgio Moroder meets motorik groove with a deliberately, almost painterly and textured quality that makes the song feel as though it’s gently drifting along. And in some way, the song will further their reputation for crafting pop that evokes being roused from some half-remembered dream; but unlike their previously released material, the duo balances this with a melancholy and spectral minimalism.