Taylor Knox is a Toronto, Ontario, Canada-based singer/songwriter, multi-instrumentalist and producer, who can trace the origins of his musical career to over a decade ago, when he was recruited to play drums for The Golden Dogs, an act that was considered one of Canada’s criminally under-appreciated bands — and coincidentally, one of Knox’s favorite bands, too.
During his stint with The Golden Dogs, Knox forged friendships with several other bandmembers, who all go on to form Zeus. As a result of Zeus, Knox was a frequent presence at the band’s Toronto studio Ill Eagle, which naturally offered him the perfect environment and the opportunity to begin experimenting with his own original material. Interestingly, Knox and his then-newly formed Zeus were tapped by Jason Collett to be his regular backing band — and it brought him into contact with an even wider circle of musicians, including Luke Doucet, whom he joined on Doucet’s tour to support his acclaimed Steel City Traveler. He also joined Hayden for the Us Alone recording sessions and subsequent tour. He also played with acclaimed Halifax, Nova Scotia-born and-based singer/songwriter, multi-instrumentalist, producer and JOVM mainstay Rich Aucoin.
With the release of the Lines EP and his full-length debut Love, Knox stepped out into the spotlight, crafting anthemic power pop that has drawn comparisons to acclaimed and highly influential Canadian power pop act Sloan and others. Slated for a June 7, 2019 release, Knox’s sophomore album Here Tonight thematically focuses on the mystery, stillness and artistic inspiration of the night; in fact, Knox’s tendency to be a night owl was a major influence on the album. And when he started writing the material that would eventually comprise his forthcoming sophomore album, he focused on precisely what he was thinking about — and what he wanted to do and say with it. He didn’t want to waste the insight that nighttime has always given him.“I really try to make sure the songs I write come from a place of not something I want to write but something I kind of have to get out. What I’m feeling below what I’m thinking,” Knox says in press notes.
Sonically speaking, the album, which sees Knox working with Josh Korody reportedly sees Knox continuing with the power pop that has won him attention — fuzzy and /or crunchy power chords, forceful drumming and rousingly anthemic hooks; but he sought guidance and inspiration from much more contemporary artists like The Weeknd, SZA and Prince in terms of production and songwriting, as well as the legendary Joni Mitchell. In fact, Korody’s production helped to add new textures to his overall sound, thanks to the incorporation of synths and keyboards to create glistening gutter tones. Knox also worked with Rob Schnapf in Los Angeles, who helped make one song reportedly to sound like one of the best Oasis songs to never appear on an Oasis album.
Interestingly, what sets the Toronto-based singer/songwriter, multi-instrumentalist and producer’s sophomore album apart from this previously released work is a free flowing spontaneity that was encouraged by Korody and Schnapf — and that left room for unrestrained creativity. Doing this, he says, “leaves a little bit of room for discovery with the collaborator and room for their influence. I’ve always tried to do that but I did it more this time because I have confidence that I’ll be able to come up with it on the spot.” Adding to that, Knox brought in a number of Toronto’s finest musicians to collaborator for the sessions including July Talks‘ Peter Dreimanis and Leah Fay and Tokyo Police Club‘s Dave Monks.
Here Tonight‘s latest single is the rousingly anthemic, Live It Up.” Centered around fuzzy power chords, forceful drumming, a big arena rock friendly hook and an ethereal falsetto, the track recalls 120 Minutes alt rock — in particular, The Posies, The Breeders, Smashing Pumpkins and even more contemporary acts like Silversun Pickups but with the free-flowing air of a bunch of guys jamming and coming up with something incredibly cool and full of furious passion.
