Now, over the a significant portion of this site’s nearly nine year history, I’ve written quite a bit about the Los Angeles, CA-based JOVM mainstays Sego. Initially comprised of Mapleton, UT-born founding duo Spencer Peterson and Thomas Carroll, the band expanded to a quartet with the addition of Alyssa Davey (bass) and Brandon McBride (guitar, keys) last year.
As you may recall, the band’s long-awaited sophomore album Sego Sucks is slated for an April 5, 2019 release through Roll Call Records, and the album is partially inspired by the band’s extensive touring across North America, Europe and the UK and by the addition of the band’s newest members. Unsurprisingly, both events have made the band’s sound and approach much more focused — while retaining a raucous and rowdy spirit. The rowdy and anthemic album single “Shame” was centered around a shout worthy series of hooks, buzzing and distorted guitars, thumping beats and pulsating electronics paired with ironically delivered lyrics. Sonically speaking, the song found the band moving towards a radio friendly, somewhat pop-leaning take on pop. Interestingly, Sego Sucks’ latest single “Neon Me Out” sort of continues in a similar vein — it’s centered around anthemic, sing along and shout along worthy hooks and a propulsive bass line; however, the song to my ears is a seamless and mischievous synthesis of Odelay-era Beck and Gang of Four-like post punk. And while radio friendly, the song touches upon social media distortions and social media fame, boredom, phoniness, the desperate attempt to fit into a scene, and so on with a post-modern sense of ironic aplomb.
Decidedly lo-fi, the recently released video is a lysergic-tinged trip, comprised of a series of collages of the band hanging out, fucking around and so on, the members of the band playing in front of a fun house mirror-like distortion. It creates a weird view of the band’s innermost world.