Tag: News/Announcements

News/Announcements by William Ruben Helms

M for Montreal — M pour Montreal in French — is an annual conference and music festival which takes place over the course of four days in late November in Canada’s second largest city. Since the inaugural conference back in 2005, M for Montreal has expanded to feature a selection of over 100 emerging, buzz-worthy and/or breakout acts from across Québec, the rest of Canada and a handful of internationally-based acts playing on stages in some of Montréal’s top venues and clubs. 

The annual conference also welcomes over 300 music industry professionals to Montréal for professional programming and networking tailored specifically for folks in the industry. 

Last month, M for Montréal’s organizers announced the full lineup of artists in its 2023 Official Selection series. Following a nationwide call for submissions that drew a record number of over 600 applications, the conference’s organizers have selected 28 artists and bands as outstanding examples of emerging talents across all spectra of genre, sound and background. 

With a little over a month left until this year’s 18th — 18th! — edition, festival organizers announced the lineup for my favorite portion of the festival, M for Marathon. Organized by M for Montréal and presented by Sirius XM, M for Marathon runs across the festival’s four-day run and features 34 shows with 91 artists playing in 16 venues across the city.

This year’s M for Marathon will showcase a globe-spanning lineup with an eclectic array of emerging artists. The Francophone portion of the lineup will feature Quebec favorites Geneviève et Matthieu, pop artists Simon Kearney and Félix Dyotte and up-and-comers Les Lunatiques, Sorry Girls, Grand Eugène, Prince Amine, Ivytide, Vendou and a list of others.

The Anglophone portion of the lineup will feature Cartel Madres, who will be playing a showcase at one of my favorite rooms to catch a show in town, La Sala Rossa with Milk & Bone, dee holt and Virginie B. (I caught Virginie B at last year’s M for Montréal and she’s a superstar in the making.)

Much like previous editions of M for Marathon, this year’s Marathon will feature a number of international artists, some of whom will be making their first appearances in Québec. French artists include Al-Qasar, Blue Orchid and Suzanne Belaubre. Welsh artists include Bethan Lloyd and Mace The Great. The UK’s Otto Aday, Egypt’s Nadah El Shazly, C’ôte d’Ivoire’s Andy S., and Atlanta‘s CDSM are also on the bill.

M for Marathon will also feature the launch of two debut efforts, underscoring the festival’s mission to support emerging projects: Canailles‘ Alice will be releasing her solo debut EP, Du love à revendre with a November 18, 2023 showcase at the intimate, medieval castle-like Quai des Brumes alongside Billiane. That same night, Tango Golf Tango will launch Dark Tropical Express at Diving Bell Social Club with Otto Aday.

Festival organizers also created a curated playlist featuring the artists and bands on this year’s lineup. Check that out here:

There two badge tiers:

The M for Marathon Festival badge, which allows you to attend M for Marathon showcases: 30 shows over the course of four days. For more information and to purchase, go here.

The Pro Badge, which allows you to attend all the Official Selection showcases, opening and closing cocktails, all workshops and conferences, the curated networking activity M for Mixer, the purchase of complimentary networking options, access to a digital networking platform and all the M for Marathon showcases. For more information, and to purchase, go here. 

Full listing of bands and artists at M for Montréal’s 18th edition is below:

36?
Afternoon Bike Ride
Al-Qasar
Alex Nicol
Alice
Alix Fernz
Andy S
Atsuko Chiba
Banx & Ranx
Bethan Lloyd
Billianne
Blue Orchid
Boy Golden
Carlyn
Cartel Madras
CDSM
Charlie Houston
Choses Sauvages
Das Mörtal
dee holt
digital polyglot
DJ Clémence Giroux
DJ LaTerreur
DJ Pøptrt
DJ Silktits
DJ Trinidaddy
DVTR
Family Man
Félix Dyotte
Flower Face
Frais Dispo
 

Frieda Mari
Gawbé
Geneviève et Matthieu
Georgia Harmer
Grand Eugène
Grand Public
Hawa B
Heaven for Real
Hippie Hourrah
Ivytide
Katie Tupper
La Faune
La Niña Kiwi
La Sécurité
LaF
Les Lunatiques
Loviet
Mace the Great
Marie Davidson
Mattmac
Mélissa Fortin
Milk & Bone
Mirabelle
Nadah El Shazly
Niall Mutter
Night Lunch
Nodly
Nyssa
Ormiston
Otto Aday
Ouri

Patche
Peter Dreams
Philippe Brach
poolblood
Population II
Prince Amine
Ragers
Rip Pop Mutant
Robert Robert
Sasha Cay
Simon Daniel
Simon Kearney
Sorry Girls
Stoylov
Super Plage
Suzanne Belaubre
Sylvie
T Thomason
Tallandskiinny
Tango Golf Tango
Thanks, Honestly
Titelaine
Totalement Sublime
Vendou
VioleTT Pi
Virginie B
Willa Owen
Winona Forever
Yocto
Zouz

News/Announcements by William Ruben Helms


News/Announcements: Shoutouts To Patreon Patrons And Creatives Rebuild New York

I started this site over 13 years ago. 13 years of anything is a very long time. And in the blogosphere that’s roughly 10-12 lifetimes. How have I managed to keep doing this — for this long? Well, I’ve long felt as though I had no choice but to go out on my own because I didn’t feel — or believe — that I’d get a fair shot to do what I do elsewhere. But I felt a strong need to create something similar to the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a Black boy from Corona, Queens, and that I didn’t see whenever I read my favorite magazine and sites. When I started JOVM, I didn’t — and couldn’t have — imagined most, if not all of the things I’ve experienced and covered throughout this site’s lengthy history to ever have happened. 

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a similar perspective. If you don’t believe me, look at the editorial staff at your favorite music magazine or website. It explains why certain artists, genres and styles are covered over others. But it also explains why you see the exact same coverage of the same artists, genres and styles, too. As long as JOVM exists, you’re going to get eclectic and diverse music coverage from my perspective. 

I’m looking forward to what year 14 holds for JOVM. And hopefully with your support, I can keep this thing going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life. 

So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

  • Sash
  • Alice Northover
  • Bella Fox
  • Jenny MacRostie
  • Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. 

So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement. 

Additionally, I have to thank the hardworking folks at Creatives Rebuild New York. I’m proud, relieved and humbled to be included in their 18-month Guaranteed Income for Artists program. My participation in the Guaranteed Income for Artists program has been put to good use — keeping this dream of mine going while having some of the normal financial pressures lessened a bit. There aren’t enough words to thank them — or to show them how grateful I am; but I’ll keep trying! 


There are other ways you can support. You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

You can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

I’m an Eargasm Earplugs Earinflunecer. Buy a pair, protect your hearing and save 10% by clicking on this code: https://lnkd.in/ewX8ezKZ. I do get a percentage of each sale from that discount code.

News/Announcements by William Ruben Helms

Image

M for Montreal — M pour Montreal in French — is an annual conference and music festival which takes place over the course of four days in late November in Canada’s second largest city. Since the inaugural conference back in 2005, M for Montreal has expanded to feature a selection of over 100 emerging, buzz-worthy and/or breakout acts from across Québec, the rest of Canada and a handful of internationally-based acts playing on stages in some of Montréal’s top venues and clubs.

The annual conference also welcomes over 300 music industry professionals to Montréal for professional programming and networking tailored specifically for folks in the industry.

M for Montréal’s organizers recently announced the full lineup of artists in its 2023 Official Selection series. Following a nationwide call for submissions that drew a record number of over 600 applications, the conference’s organizers have selected 28 artists and bands as outstanding examples of emerging talents across all spectra of genre, sound and background.

This year’s Francophone lineup will feature Arielle Soucy and bless joining an eclectic array of some of the leading names of the city’s local scene, including Lou-Adriane Cassidy, LaF, Thierry Larose, VioleTT Pi, Frais Dispo, the French-language iteration of Foreign Diplomats, Totalement Sublime, zouz, Super Plage, and Innu artist Kanen, one of five Indigenous artists selected this year.

The Anglophone section of the lineup continues to spotlight Montréal. Afternoon Bike Ride, who were already announced as part of the M for Marathon section of the conference were also added to the Official Selection. The trio will also be joined by an eclectic selection of local Anglophone acts including Bells Larsen, HAWA B, Wendat singer and emcee Joseph Sarenhes, JOVM mainstays La Sécurité, and well-known local artist Elliot Maginot.

The national scene is well represented and includes Manitoba’s Boy Golden and Mattmac, Saskatchewan’s Dump Babes and Teon Gibbs, British Columbia’s Miesha and The Spanks and Winona Forever, Alberta’s 36?, and Ontario’s AVIV and Billlianne.

Many of the Official Selection showcases are only open to PRO badge holders; however, some of those showcases will also be part of the M for Marathon festival, presented by M for Montréal and open to the general public. The full M for Marathon lineup will be released soon but the lineup will include Banx & Ranx, Choses Sauvages, Hippie Hourrah and Alix Fernz.

There two badge tiers:

The M for Marathon Festival badge, which allows you to attend M for Marathon showcases: 30 shows over the course of four days. For more information and to purchase, go here.

The Pro Badge, which allows you to attend all the Official Selection showcases, opening and closing cocktails, all workshops and conferences, the curated networking activity M for Mixer, the purchase of complimentary networking options, access to a digital networking platform and all the M for Marathon showcases. For more information, and to purchase, go here.


News/Announcements by William Ruben Helms


News/Announcements: Shoutouts To Patreon Patrons And Creatives Rebuild New York

I started this site 13 years ago. 13 years of anything is a long time. And in the blogosphere that’s roughly 10-12 lifetimes. I’ve long felt as though I had no choice but to go out on my own because I didn’t feel — or believe — that I’d get a fair shot to do what I do elsewhere. But I felt a strong need to create something similar to the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a Black boy from Corona, Queens, and that I didn’t see whenever I read my favorite magazine and sites. When I started JOVM, I didn’t — and couldn’t have — imagined most, if not all of the things I’ve experienced and covered throughout this site’s lengthy history to ever have happened. 

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a similar perspective. If you don’t believe me, look at the editorial staff at your favorite music magazine or website. It explains why certain artists, genres and styles are covered over others. But it also explains why you see the exact same coverage of the same artists, genres and styles, too. As long as JOVM exists, you’re going to get eclectic and diverse music coverage from my perspective.

I’m looking forward to what year 14 holds for JOVM. And hopefully with your support, I can keep this thing going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life. 

So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

  • Sash
  • Alice Northover
  • Bella Fox
  • Jenny MacRostie
  • Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. 

So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement. 

Additionally, I have to thank the hardworking folks at Creatives Rebuild New York. I’m proud, relieved and humbled to be included in their 18-month Guaranteed Income for Artists program. My participation in the Guaranteed Income for Artists program has been put to good use — keeping this dream of mine going while having some of the normal financial pressures lessened a bit. There aren’t enough words to thank them — or to show them how grateful I am; but I’ll keep trying! 


There are other ways you can support. You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

You can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

I’m an Eargasm Earplugs Earinflunecer. Buy a pair, protect your hearing and save 10% by clicking on this code: https://lnkd.in/ewX8ezKZ. I do get a percentage of each sale from that discount code.

hip-hop by William Ruben Helms

Throughout his career Robert Glasper has become known as the leader of a new sonic paradigm with his work bridging a number of musical and artistic genres. So far, the accomplished musician, composer and producer has received 11 Grammy nominations across 11 categories and has won five. Glasper has also won an Emmy Award for his work with Common and Karriem Riggins for Ava DuVernay‘s critically applauded documentary 13th. Adding to his impressive accomplishments, the acclaimed artist has also won a Peabody Award for his composition, “Mr. Soul!”

Glasper’s work and accolades bridge all aspects of the music business, from live touring, film scores, composing and producing. His ongoing Black Radio series has become his calling card and the heart of a trailblazing community of collaborators including Yasiin Bey, Bilal, Ledisi, Lupe Fiasco, Jill Scott, and Erykah Badu. Glasper is an artist at the heart of an important moment — and a movement — to champion Black music, Black people, and the possibility of a better future for all of us.

Founded back in 1981, New York’s Blue Note Jazz Club is one of the premier venues in the world. While jazz is at its core, the famed club continues to broaden its offerings to spotlight contemporary artists across all musical styles, backgrounds and cultures.

The club and its sister institutions across the globe continue to draw beloved — and massive — household names with frequent appearances from the likes of Stevie Wonder, Tony Bennett, Quincy Jones, Dave Chappelle, Chris Rock and more.

Last Friday, The Blue Note Jazz Club and Robert Glasper announced the fifth annual Robtober, his iconic residency. Kicking off on October 4, 2023 — with two shows per night at 8pm and 10:30pm — and running until November 5, 2023, Season 5 of the residency will see the acclaimed pianist, producer, composer and songwriter performing eight distinct episodes, with a different array of renowned special guests including Yebba, Norah Jones, Kamasi Washington, Terrace Martin, Moonchild‘s Amber Navran, D Smoke, Yasiin Bey, Chris Dave, Derrick Hodge, and DJ Jahi Sundance.

A complete list of dates are below. Tickets are available here y’all. Don’t lose out on a legendary month at The Blue Note.

BLUE NOTE x ROBERT GLASPER “ROBTOBER”

SEASON 5

EPISODE ONE: THE ORGINIAL TRIO: TRIBUTE TO PIANO GIANTS
October 4—The Original Trio: Tribute to Piano Giants—Blue Note Jazz Club, NYC
October 5—The Original Trio: Tribute to Piano Giants—Blue Note Jazz Club, NYC

EPISODE TWO: YEBBA
October 6—Robert Glasper x Yebba—Blue Note Jazz Club, NYC
October 7—Robert Glasper x Yebba—Blue Note Jazz Club, NYC
October 8—Robert Glasper x Yebba—Blue Note Jazz Club, NYC

EPISODE THREE: NORAH JONES
October 11—Robert Glasper x Norah Jones—Blue Note Jazz Club, NYC
October 12—Robert Glasper x Norah Jones—Blue Note Jazz Club, NYC
October 13—Robert Glasper x Norah Jones—Blue Note Jazz Club, NYC
October 14—Robert Glasper x Norah Jones—Blue Note Jazz Club, NYC
October 15—Robert Glasper x Norah Jones—Blue Note Jazz Club, NYC

EPISODE FOUR: AMBER NAVRAN (MOONCHILD)
October 18—Robert Glasper x Amber Navran (of Moonchild)—Blue Note Jazz Club, NYC
October 19—Robert Glasper x Amber Navran (of Moonchild)—Blue Note Jazz Club, NYC

EPISODE FIVE: DINNER PARTY FEAT.
TERRACE MARTIN & KAMASI WASHINGTON
October 20—Dinner Party feat. Terrace Martin and Kamasi Washington
—Blue Note Jazz Club, NYC
October 21—Dinner Party feat. Terrace Martin and Kamasi Washington
—Blue Note Jazz Club, NYC
October 22—Dinner Party feat. Terrace Martin and Kamasi Washington
—Blue Note Jazz Club, NYC

EPISODE SIX: TRIBUTE TO ART BLAKEY & THE JAZZ MESSENGERS
October 25—Tribute to Art Blakey & the Jazz Messengers—Blue Note Jazz Club, NYC
October 26—Tribute to Art Blakey & the Jazz Messengers—Blue Note Jazz Club, NYC

EPISODE SEVEN: D SMOKE
October 27—Robert Glasper x D Smoke—Blue Note Jazz Club, NYC
October 28—Robert Glasper x D Smoke—Blue Note Jazz Club, NYC
October 29—Robert Glasper x D Smoke—Blue Note Jazz Club, NYC

EPISODE EIGHT: YASIIN BEY
November 1—Robert Glasper x yasiin bey feat. Chris Dave, Derrick Hodgeand DJ Jahi Sundance—Blue Note Jazz Club, NYCNovember 2—Robert Glasper x yasiin bey feat. Chris Dave, Derrick Hodge
and DJ Jahi Sundance—Blue Note Jazz Club, NYC
November 3—Robert Glasper x yasiin bey feat. Chris Dave, Derrick Hodge
and DJ Jahi Sundance—Blue Note Jazz Club, NYC
November 4—Robert Glasper x yasiin bey feat. Chris Dave, Derrick Hodge
and DJ Jahi Sundance—Blue Note Jazz Club, NYC
November 5—Robert Glasper x yasiin bey feat. Chris Dave, Derrick Hodge
and DJ Jahi Sundance—Blue Note Jazz Club, NYC

News/Announcements by William Ruben Helms


News/Announcements: Shoutouts to Patreon Patrons and Creatives Rebuild New York

I started this site 13 years ago. 13 years of anything is a long time. And in the blogosphere that’s roughly 10 lifetimes. I’ve long felt as though I had no choice but to go out on my own because I didn’t feel — or believe — that I’d get a fair shot to do what I do elsewhere. But I felt a strong need to create something similar to the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a Black boy from Corona, Queens, and that I didn’t see whenever I read my favorite magazine and sites. When I started JOVM, I didn’t — and couldn’t have — imagined most, if not all of the things I’ve experienced and covered throughout this site’s lengthy history to ever have happened. 

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a similar perspective. If you don’t believe me, look at the editorial staff at your favorite music magazine or website. It explains why certain artists, genres and styles are covered over others. But it also explains why you see the exact same coverage of the same artists, genres and styles, too. 

I’m looking forward to what year 14 holds for JOVM. And hopefully with your support, I can keep this thing going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life.

So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

  • Sash
  • Alice Northover
  • Bella Fox
  • Jenny MacRostie
  • rJanene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing.

So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement. 

Additionally, I have to thank the hardworking folks at Creatives Rebuild New York. I’m proud, relieved and humbled to be included in their 18-month Guaranteed Income for Artists program. My participation in the Guaranteed Income for Artists program has been put to good use — keeping this dream of mine going while having some of the normal financial pressures lessened a bit. There aren’t enough words to thank them — or to show them how grateful I am; but I’ll keep trying! 


There are other ways you can support. You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

News/Announcements by William Ruben Helms
ALL39-1Download

If you’re a musician, an artist manager, an aspiring musician or an aspiring music manager, you should click on your calendar app and mark down July 26, 2023 for Music Managers Forum Canada’s Webinar: Building Buzz: Best Practices in Media and PR for Music Managers.

Music Managers Forum Canada will be bringing together three different international speakers to share invaluable insights and expertise on navigating the dynamic world of media and publishing relations in the music and entertainment industry.

What are some of the key strategies and tactics employed by successful artist managers to amplify their artists’ visibility and create lasting impact? This discussion will explore a wide range of topics, including crafting compelling press releases, building and maintaining media relationships, leveraging social media platforms, effectively managing crises, and harnessing the power of storytelling to captivate both traditional and digital media outlets. 

The panelists are:

Dalton Higgins, a Toronto-based publicist, award-winning journalist, author of six books and Toronto Metropolitan University‘s Music-Professional-in-Residence. His publicity roster includes highly acclaimed clients, who have won or have been nominated for Grammy Awards, BET Awards, Emmy Awards, The Mercury Prize, Victoires de la Musique, Juno Awards, Grammis and the Polaris Music Prize.

His book Far from Over: The Music and Life of Drake is carried in the Rock ‘n’ Roll Hall of Fame and Museum collection in Cleveland. His best selling book, Hip Hop World is carried in Harvard University‘s hip hop archive.

Higgins is a former music booker for Toronto’s Harbourfront Centre — and he has co-produced and co-hosted popular podcasts for media outlets like the CBC’s This Is Not a Drake Podcast, and Rogers Media’s Black Tea.

He teaches the university course “Deconstructing Drake and The Weekend,” a course that has been featured on CNN, New York Times, NPR, BET, Hypebeast, NME, GRM and 6ixBuzz among others.

Jack Parker is an artist manager and the Editor-in-Chief and Head of Live Music at LICKS Magazine, a quarterly print magazine widely distributed in both the US and UK.

And last but certainly not least, yours truly.

It’ll be informative, highly informative and entertaining. The webinar is free for MMF Canada members. They just have to log into their MMF Member Portal and click on the Member Discount and Events tab. The webinar is $20 for non-members. But I also have a free promo code. So feel free to hit me up for the code and event registration link, y’all.




News/Announcements by William Ruben Helms

I started this site 13 years ago today. 13 years of anything is a long time. And in the blogosphere that’s roughly 10 lifetimes. I’ve long felt as though I had no choice but to go out on my own because I didn’t feel — or believe — that I’d get a fair shot to do what I do elsewhere. But I felt a strong need to create something similar to the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a Black boy from Corona, Queens, and that I didn’t see whenever I read my favorite magazine and sites.

When I started JOVM, I didn’t — and couldn’t have — imagined most, if not all of the things I’ve experienced and covered throughout this site’s lengthy history to ever have happened.

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a similar perspective. If you don’t believe me, look at the editorial staff at your favorite music magazine or website. It explains why certain artists, genres and styles are covered over others. But it also explains why you see the exact same coverage of the same artists, genres and styles, too. 

I’m looking forward to what year 14 holds for JOVM. And hopefully with your support, I can keep this thing going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work.

Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life. So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement. 

Additionally, I have to thank the hardworking folks at Creatives Rebuild New York. I’m proud, relieved and humbled to be included in their 18-month Guaranteed Income for Artists program. My participation in the Guaranteed Income for Artists program has been put to good use — keeping this dream of mine going while having some of the normal financial pressures lessened a bit. There aren’t enough words to thank them — or to show them how grateful I am; but I’ll keep trying! 

There are other ways you can support. 

You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

News/Announcements by William Ruben Helms

All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life. So, if you’ve been frequenting this site over the past handful of years, you’d know that at the end of the month, I thank some time to thank the following folks and groups for their support:

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement.

Additionally, I have to thank the hardworking folks at Creatives Rebuild New York. I’m proud, relieved and humbled to be included in their 18-month Guaranteed Income for Artists program. My participation in the Guaranteed Income for Artists program has been put to good use — keeping this dream of mine going while having some of the normal financial pressures lessened a bit. There aren’t enough words to thank them — or to show them how grateful I am; but I’ll keep trying!

There are other ways you can support. 

You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

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Next month, this site celebrates its 13th anniversary. 13 years is a lifetime and a half in the blogosphere. And honestly, when I started this site, I couldn’t have imagined most — if not all — of the things I’ve experienced and covered throughout this site’s history to have ever happened.

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With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a similar perspective. If you don’t believe me, look at the editorial staff at your favorite music magazine or website. It explains why certain artists, genres and styles are covered over others. But it also explains why you see the exact same coverage of the same artists, genres and styles, too. 

I’ve always felt as though I wasn’t going to get a chance to break through that world, no matter how hard I tried. But there was this need to create the sort of space I grew up immersed in as a Black boy from Queens, that I didn’t see whenever I read my favorite sites and magazines — wildly eclectic, dynamic, and always connected to a larger, global perspective. Someone has to do it, right?

I’m looking very forward to what year 14 holds for JOVM. And hopefully your support will keep this thing going.

News/Announcements by William Ruben Helms
Image

Summer Festival season is coming, y’all! And that means festival announcements. So let’s get to it, right? 

Newport Jazz Festival will be returning to Rhode Island’s Fort Adams State Park for its 69th edition. This year’s edition will continue the festival’s long-held tradition of hosting once in a lifetime performances that can only come as a result of Newport’s unique alchemy of intimacy and artistic community. 

The 69th Edition will take place August 4, 2023 – August 6, 2023 and will feature an eclectic and acclaimed lineup of artists including the legendary Herbie Hancock, Diana Krall, Charles Lloyd, Vijay Iyer, Jon Batiste, and Kamasi Washington, as well as a collection of Grammy-nominated and-winning artists including Samara Joy, DOMi and JD Beck. The lineup also includes Big Freedia, Thundercat, DJ Pee .Wee (a.k.a. Anderson .Paak), Big Gigantic, Alfa Mist, Cautious Clay, Durand Jones, and The War and Treaty. 

It’s an annual tradition for the festival to host special ensembles. And this year’s festival will include Newport Jazz artistic director Christian McBride’s annual Jam Dawn, MoodSwing, Scary Goldings featuring John Scofield, Superblue, Orrin Evans Quintet and the Bill Charlap Trio. 

With Memorial Day Weekend right around the corner, Newport Jazz Festival organizers announced some exciting new additions to the lineup that include JOVM mainstays The Soul Rebels featuring Rakim and Talib Kweli, Adi Oasis, Angel Bat Dawid & Tha Brothahood, Claudia Acuña, and more. A full list of the complete lineup is below.

3-day, 2-day and single-day tickets, as well as 3-day, 2-day and single-day parking passes are currently available through DICE. Full pricing is listed below. Children under 10 are free with a maximum of 2 children attending per ticketed adult. Children 10 and over will need to purchase a full priced admission ticket. For more information go to https://dice.fm/promoters/3gng

TICKET PRICING

3-Day Full Price General Admission: $281.19 (includes fees)

2-Day Saturday & Sunday General Admission: $193.64 (includes fees)

Single-Day General Admission: $100.94 (includes fees)

3-Day Parking: $69.01 (includes fees)

2-Day Parking: $46.35 (includes fees)

Single-Day Parking: $25.75 (includes fees)

NEWPORT JAZZ 2023 LINEUP

Friday

Joe Russo’s Almost Dead with Kamasi Washington

Kamasi Washington 

DJ Pee .Wee (Anderson .Paak)

Soulive  

DOMi & JD Beck

Immanuel Wilkins Quartet 

Big Freedia 

Alfa Mist 

Butcher Brown 

Endea Owens & The Cookout 

Lakecia Benjamin and Phoenix 

Julius Rodriguez 

Saturday 

Jon Batiste 

Thundercat 

Big Gigantic Does Jazz 

Christian McBride’s Jam Jawn 

Charles Lloyd New Quartet 

Arooj Aftab, Vijay Iyer, Shahzad Ismaily 

Julian Lage

Superblue: Kurt Elling & Charlie Hunter with Nate Smith & Huntertones Horns 

Orrin Evans Quintet

The War and Treaty 

Keyon Harrold 

James Brandon Lewis 

Sunday 

Herbie Hancock 

Diana Krall 

Samara Joy 

Redman, Mehldau, McBride, Blade: A Moodswing Reunion 

Scary Goldings featuring John Scofield 

Cimafunk

Cautious Clay 

Somi 

Pedrito Martinez 

Bill Charlap Trio

Charles McPherson Quintet

NEW ADDITIONS

The Soul Rebels featuring Rakim & Talib Kweli

Marcus Miller

Dave Holland New Quartet

Adi Oasis

Derrick Hodge

Armstrong Now: Louis at Newport

Angel Bat Dawid & Tha Brothahood

Bobby Watson All-Star Quintet

Jennifer Hartswick & Nick Cassarino Duo

Claudia Acuna

Melvis Santa & Jazz Orishas

Lauren Sevian’s LSQ

Camille Thurman with The Darrell Green Quartet

Matthew Whitaker

Ticket information is available here.

News/Announcements by William Ruben Helms

Summer festival season is right around the corner. It’ll be sooner than you think! And of course, that means festival announcements. So let’s get to it!

The 50th edition of Bumbershoot: Seattle’s Arts & Music Festival will take place at the Seattle Center September 2, 2023 – September 3, 2023. Yesterday, festival organizers announced the daily lineups for this year’s edition, as well as a collection of new musical acts.

Saturday will feature Olympia’s indie legends Sleater-Kinney, an electronic set from globally renowned producer Zhu, Grammy Award-nominee Brittany Howard, Seattle-based indie outfit Sunny Day Real Estate, Durand Jones, Matt and Kim, shoegazer legends RIDE, Jacob Banks, AFI, and more. Sunday will feature the likes of The Revivalists, post-hardcore band Jawbreaker, Fatboy Slim, Phantogram, Seattle’s Band of Horses, Bomba Estereo, Uncle Waffles, A-Trak and more.

Festival organizers also announced some new additions to a stacked lineup that include renowned, feminist art rockers Pussy Riot, Maya Jane Coles, Shannon and The Clams and TV Star.

Full daily line-up listed below.

Full Daily Lineup

SATURDAY, SEPTEMBER 2

Sleater-Kinney

Zhu

AFI

Brittany Howard

Sunny Day Real Estate

Durand Jones

Matt and Kim

Maya Jane Coles

 Ride

Jacob Banks

Major League Djz

 DOMi & JD Beck

The Dip

Puddles Pity Party

Anabel Englund

Destroy Boys

Hunx and his Punx

Thunderpussy

Reignwolf

Screaming Females

Morgan and the Organ Donors

Sweet Water

Chong the Nomad

Slift

Girl Trouble

Radioactivity

Dave B.

Chimurenga Renaissance

Spirit Award

Pressha

Long Dark Moon

Breaks and Swells

Wimps

Scarves

SUNDAY, SEPTEMBER 3

The Revivalists

Jawbreaker

 Fatboy Slim

Phantogram

Band of Horses

Descendents

Bomba Estereo

Uncle Waffles

A-Trak

Valerie June

Pussy Riot

Benny the Butcher

The Rebirth Brass Band

Shannon and the Clams

Temples

Dandy Warhols

Algernon Cadwallader

Sol

Gustaf

Trinix

Debby Friday

True Loves

Modernlove.

The Black Tones

King Youngblood

Massy Ferguson

Cassandra Lewis

Them

Simone BG

Fouad Masoud

Black Ends

TV Star

Pink Boa

Beverly Crusher

The reimagined Bumbershoot Music & Arts Festival is a partnership between two organizers — non-profit Third Stone and festival producer New Rising Sun. Earlier this year, Third Stone launched the tuition free Bumbershoot Workforce Development Program in partnership with The UC Theatre’s Concert Career Pathways Program (CCP-X). The tuition-free, hands-on training program removes the barriers of entry into the live music business for young people 17-25 years-old from historically marginalized communities, supporting the next generation of music industry professionals while laying the groundwork for a more equitable and inclusive music industry. The six month program focuses on teaching the behind-the-scenes aspects of concert promotion and production, combined with job-shadowing and paid internships, which culminates with jobs at the festival during Labor Day Weekend.

The inaugural Bumbershoot Workforce Development Program’s 16 participants began a series of workshops, speaker series and shadow shifts in partnership with music industry professionals and organizations like Seattle’s The Crocodile and The Triple Door, as well as TeenTix. The program’s participants learn highly marketable skills such as event production, sound engineering, marketing, talent buying, event budgeting, and more. Using a “festival as classroom” philosophy, Third Stone’s vision for success is that in ten years, the festival will be managed by alumni of the program.

Single day tickets and weekend tickets are available for purchase here. In celebration of Bumbershoot’s 50th anniversary, Bumbershoot and Amazon are offering prices that are 50% lower than the last edition back in 2019. The idea is to create an opportunity for more folks from the Pacific Northwest community to attend and enjoy the festival. Third Stone with Amazon are also supporting the distribution of 5,000 free tickets that will go directly to nonprofits and underserved communities. And importantly, a portion of ticket proceeds will go towards supporting the Bumbershoot Workforce Development program.

 

News/Announcements by William Ruben Helms

Festival season is right around the corner. And you know what that means — more festival announcements. So let’s get to it.

Yesterday Starr Hill Presents, Haymaker Productions, IMGoing Events, and Lovely Day Presents announced the inaugural Iron Blossom Music Festival. The inaugural edition of the festival will take place August 26, 2023 – August 27, 2023 in Richmond, VA‘s Monroe Park. Located in the heart of the Virginia’s capital city, next to Virginia Commonwealth University‘s campus, the idyllic and historic Monroe Park, is one of the city’s oldest parks.

Iron Blossom will draw from its host city’s vibrant and diverse community to bring fans a unique musical experience with local artists sharing the stage with regional acts and internationally known headliners — while marking a bold, new chapter in the city’s history as a top music festival destination.

The inaugural edition’s headliners include Billboard Hot 100 and Grammy-nominated singer/songwriter and multi-instrumentalist Hozier, Los Angeles-based indie rock outfit Lord Huron and indie pop singer/songwriter Noah Kahan. Elie King, Faye Webster, Rayland Baxter, Colony House, The Heavy Heavy, Nikki Lane, Devon Gilfillian, Mipso, Son Little, Celisse, Danielle Ponder, Trousdale, Josiah & The Bonnevilles, Briscoe, Angelica Garcia and The Legendary Ingramettes round out the inaugural lineup. But more artists will be announced in the coming weeks.

IMGoing Events’ Ken McDonald, the visionary behind Iron Blossom Festival says ““The growth of Richmond is on full display here. We look forward to having Iron Blossom be a showcase for the vibrancy and culture of the city and a positive, enduring part of the community.”  

“This is the moment the people of Richmond deserve and Iron Blossom is the ‘arrival’ moment for music fans in Richmond.” says Haymaker Productions’ Tom Beals. ““It’s because of the fans that we’re able to do this at all. The love of live music is part of Richmond’s culture, and we get to share in that by bringing these artists to Monroe Park.”

In addition to eclectic and vibrant music, the festival will bring attendees the very best of Central Virginia’s food, beverage and artisan communities. Fans will be able to enjoy farm-to-table and delicious street foods, craft beers and cocktails and wares from dozens of vendors. And of course, a VIP experience is being offered, giving fans up-close stage views, an exclusive lounge with cash bars, vendors and more.

Tickets went on sale already, and you can get them exclusively at IronBlossomFestival.com.

  

News/Announcements by William Ruben Helms

13 years ago, I started my life’s work — this site. And honestly, when I started this site, I couldn’t have imagined three-quarters of the things I’ve done and experienced over JOVM’s history to ever happen. 

  • I’ve covered roughly 1,100-1,200 shows in NYC, with a handful of shows in Chicago, Baltimore and Philadelphia. (I’ve lost count. Seriously.)
  • I’ve covered about a dozen or more festivals, including traveling to Montreal for M for Montreal in 2019 and last year.
  • I’ve been a panelist at Mondo.NYC Festival and at New Colossus Festival, speaking about PR, promotion and press for indie artists, giving my perspective as a indie blogger. 
  • Several years ago, I made a cameo in a JOVM mainstay’s music video. It’s a very noticeable spot towards the end of the video. It was a lot of fun. But no one has called me about acting or dancing gigs. So maybe, I need to stick to writing and photography? 
  • I’ve photographed George Clinton, Patti LaBelle, Snoop Dogg, Blondie, Nile Rodgers, Roky Erickson, Philip Bailey, Blind Boys of Alabama, and a growing list of legendary and beloved artists, as well as this site’s growing list of mainstays. 
  • I wouldn’t have met the countless colleagues and musicians, who have become supporters and friends.  

While we’ve managed to claw our way back to an even greater degree of normalcy, being an independent working and touring musician has become more difficult than ever before. Touring has almost always been a financial risk for most artists, but adding COVID-related rescheduling, Live Nation/Ticketmaster being unfathomably greedy and evil, inflation, streaming and host of other factors, planning a tour is incredibly daunting — and perhaps more now than ever before. 

Touring involves a complex web of professionals to make it happen — including artist managers; publicists to help promote the artist, their material and their tour; journalists and photographers covering the releases and the live shows to support it; bookers, promoters, bouncers, sound engineers, lighting people, bartenders, cleaning staff and on and on. Everyone is trying to maneuver and thrive in a confusing and uncertain landscape as best as they can, including fans. It’s a weird, stressful time. 

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With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a similar perspective. If you don’t believe me, look at the editorial staff at your favorite music magazine or website. It explains why certain artists, genres and styles are covered over others. But it also explains why you see the exact same coverage of the same artists, genres and styles, too. 

I’ve always felt as though I wasn’t going to get a chance to break through that world, no matter how hard I tried. But there was this need to create the sort of space I grew up immersed in as a Black boy from Queens, that I didn’t see whenever I read my favorite sites and magazines — wildly eclectic, dynamic, and always connected to a larger, global perspective. Someone has to do it, right? That focus has kept me going, even in the most difficult periods of my personal and professional life. 

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Of course, all work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. This site and my work is impossible without money. It’s a fact of life. So, as I do every month, I wanted to take the time out to thank the following folks and organizations. Without them, the past few years of JOVM would be impossible. 

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

All of those folks have been generous Patreon patrons. Of course, feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement. And if you’re able to support, your support will be greatly appreciated and continuously shouted out. Any amount really helps. 

I have to thank the folks at Creatives Rebuild New York. I’m relieved, proud and humbled to be included in their Guaranteed Income for Artists program. The money I’ve received over the course of the past nine months or so have been put to good use — keeping this dream of mine going. I don’t think there’s enough words to thank them — or to show how grateful I am. (I’ll keep trying, of course!) 

There are other ways you can support. 

You can also support by checking the JOVM shop: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

News/Announcements by William Ruben Helms

Summer Festival season is coming — and it’ll be here sooner than you know it. And of course, that means all kinds of festival announcements.

So let’s get to it, right?

Taking place annually in San Francisco‘s Golden Gate Park, Outside Lands is one of the most popular summer vents in the region for both music fans and foodies. The three-day festival showcases world-class music programming, from legendary acts to emerging artists plus some of the region’s best restaurants, wineries and breweries, as well as Outsider Art, Cocktail Magic — and the return of Grass Lands, the first curated cannabis experience at a major American music festival. It’s the very best that the Bay Area has to offer!

The 15th anniversary edition will take place August 11, 2023 – August 13, 2023 and will feature an incredibly stacked music lineup that will include Kendrick Lamar, Zedd, Janelle Monáe, J.I.D., Interpol, aespa, and WILLOW on Friday; Foo Fighters, Lana Del Rey, Maggie Rogers, FISHER, Father John Misty, Orville Peck, and L’Imperatice on Saturday; and ODESZA, The 1975, Megan Thee Stallion, Lil Yachty, Noah Kahan, Cigarettes After Sex, and Tobe Nwigwe on Sunday — with much more across the festivals’ run.

Fan favorite electronic music haven, SOMA Tent will return for a third year and promises club beats with top-level sounds and lights throughout the festivals’ run. Friday features Claptone, BLOND:ISH and Justin Jay; Saturday includes sets from Daniel Avery, Sama’ Abdulhadi and Denis Sulta; and Sunday concludes with Âme b2b Trikk, WhoMadeWho, Tinlicker; and many more each day. 

Additionally, festival organizers announced the daily chef and restaurant lineups Golden Gate Club, Outside Lands’ premiere luxury experience: Friday will feature Golden Gate Club, Outside Lands’ premiere luxury ​experience. Friday ​will ​feature​ Food & Wine’s Best New Chef 2016 winner​ ​Ravi Kapur ​from​ the James Beard Award-nominated restaurant Liholiho Yacht Club​,​ ​who​ will serve South and East Asian inspired heritage cuisine. Saturday features two-time James Beard Award-nominated ​​chef Tyler Florence with Miller & Lux ​offering innovative renditions of American steakhouse classics. Sunday closes out the elevated experience with Michelin Star and James Beard Award-winner for Best Restaurant, Boulevard, ​led by chef duo Nancy Oakes & Dana Younkin​ who will serve New American staples from their iconic Embarcadero location.

Festival organizers recently announced that Single-Day tickets are currently on sale — now. Organizers are encouraging fans to purchase tickets quickly as they’re expected to sell out quickly. Single day ticket prices start at: Single Day GA ($199), Single Day GA+ ($299), Single Day VIP ($449) and Single Day Golden Gate Club ($2,199). A limited number of 3-Day GA and Golden Gate Club passes are still available. Taxes and fees apply to all ticket types. Tickets are all available exclusively at www.sfoutsidelands.com. 



News/Announcements by William Ruben Helms

Generally speaking, the music festival experience is pretty much the same — whether you’ve been to one or dozens of them, like myself. Reinvented last year, Pickathon redefines the music festival experience as an immersive choose-your-own-adventure experience, where attendees can discover music, arts and culture perfectly integrated into the natural wonders of Happy Valley, Oregon‘s Pendarvis Farm, located 16 miles outside of Portland.

Late last month, festival organizes announced that the 2023 edition will take place August 3, 2023-August 6, 2023, along with the festival’s music lineup. This year’s edition will continue the festival’s reputation for eclecticism and its ability to spot the next breakout band across a variety of genres while featuring: indie roots outfit Watchhouse, the legendary Lee Fields, alt-glam band Dehd, rising singer/songwriter Madison Cunningham, Zambian psych rockers W.I.T.C.H., Thee Sinseers, The Altons, the acclaimed Mailian artist Vieux Farka Touré, desert blues outfit Imarhan, rising bluegrass banjo and Venezuelan harp duo Larry & Joe, Bay Area African psych rock outfit Orchestra Gold, post-internet jazz project MonoNeon, the Native American powwow-meets-electroinc music-meets-Bon Ives-like soundscapes of Joe Rainey, Yot Club, Columbian psychedelic cumbia outfit Meridian Brothers, Peruvian electro pop group Novalima, Mexican punk rockers Sgt. Papers, acclaimed Canadian rapper TOBi, Tampa-based experimentalists They Hate Change and jazz funk outfit Butcher Brown.

As always country and honky tonk still holds a strong presence with acts like Nick Shoulders, The Kernal and Courtney Marie Andrews on the bill. Rising indie rock artists Wednesday, MJ Lenderman and Florist are also on the bill. The full lineup and festival playlist are below.

Pickathon 2023 Full Lineup

  • Watchouse
  • Lee Fields
  • Dehd
  • Madison Cunningham
  • Vieux Farka Touré
  • Florist
  • W.I.T.C.H.
  • Wednesday
  • MonoNeon
  • Ocie Elliott
  • Butcher Brown
  • Yot Club
  • Courtney Marie Andrews
  • Imarhan
  • Say She She
  • MJ Lenderman
  • Madison McFerrin
  • The Po’ Ramblin’ Boys
  • They Hate Change
    Andrew Marlin
  • Pachyman
  • Wine Lips 
  • Nikki Nair
  • GA-20
  • Nick Shoulders
  • Wayne Graham
  • Mike Dillon’s Punkadelic!
  • Rich Ruth
  • The Altons
  • Thee Sinseers
  • Novalima
  • Logan Ledger
  • Meridian Brothers
  • TOBi
  • Emily Nenni
  • Mikaela Davis 
  • Joe Rainey
  • Riddy Arman
  • The Mountain Grass Unit
  • The Kernal
  • Larry & Joe
  • Hooveriii
  • Gel
  • Jackie Venson
  • Nat Myers 
  • Allison de Groot & Tatiana Hargreaves
  • Sgt. Papers
  • Orchestra Gold
  • WHIMZ
  • Sprig of That
  • The Shivas
  • MØTRIK

“Reinventing Pickathon last year around the concept of integrating music, arts, and culture into the natural settings of Pendarvis Farm was an incredible endeavor,” Pickathon founder Dale Schoenborn says. “2023 not only presents our best lineup ever, but now we understand the new Pickathon Neighborhoods even better, and we’re excited to refine all the details to make this year our most immersive experience to date. I can’t wait for everyone to join us at Pendarvis Farm!”

Early bird tickets end today. Camping, parking, shuttles and everything else you need to get to the farm is on sale now, too. That information can be found here.