Throughout the course of this site’s almost 10 year history — holy shit, 10 years! — I’ve spilled quite a bit of virtual ink covering the critically applauded and commercially successful Minneapolis, MN-based hip-hop act […]
Tag: Nikki Jean
New Video: JOVM Mainstays Atmosphere Return with a Symbolic and Cinematic Visual for “Lovely”
I’ve written quite a bit about the critically applauded and commercially successful Minneapolis, MN-based hip-hop act and JOVM mainstays Atmosphere over the course of this site’s nine-plus year history. Formed over 20 years ago, the Minneapolis-based JOVM mainstays have a long-held reputation for pushing the boundaries of what hip-hop should sound like and concern itself with thematically — especially as its founding duo Slug and Ant have inched towards middle age with adult responsibilities and concerns.
Last year’s Mi Vida Local thematically found the pair grappling with their own mortality — and the anxiety and fear of one’s powerlessness in a mad and dangerous world. The duo’s seventh and latest album Whenever was suddenly released last week, and the album thematically finds the duo continuing to struggle with their morality and frailties, figuring out what it means to grow up and grow old gracefully within hip-hop, the need to balance protecting your energies and soul without glowering and bitter cynicism.
“Bde Maka Ska,” the first single off Whenever sonically continues in the vein of Mi Vida Local with the track being centered around a bluesy and dusty production featuring twinkling keys, fuzzy, wah wah pedaled guitar, a gospel choir-like backing vocal — with its narrator taking stock of his own life and decisions, while yearning for peace and serenity in a mad, mad, mad world. But at its core is the profound realization that in life sometime we have to let go and stop pushing, and accept that the universe will let things happen at its own pace.
“Lovely,” Whenever’s second and latest single pairs an anxious and skittering percussion with a dusty and bluesy production with arpeggiated synths and organs, looping blasts of bluesy guitar and big boom bap beats and Nikki Jean’s soulful hook while Slug rhymes about stumbling upon a profound love but while feeling the swooning sense of hope it brings, his narrator also confronts his own insecurities, frailties — but also hard-earned (and rarely wanted) cynicism of life experience.
The recently released video for “Lovely” continues the duo’s ongoing collaboration with director and filmmaker Tomas Askamit. And much like its immediate predecessor, the video is cinematically and symbolic: we see a coffin floating into a church, Slug being fitted for a black suit, heartbroken and grieving friends and family at a funeral, Nikki Jean dressed in white as a fellow mourner. The video ends with a grave being dug and Nikki Jean throwing a handful of dirt over the coffin. Ultimately, the video is a commentary on life, death, loss and grief.
New Video: JOVM Mainstays Atmosphere Returns with the Contemplative “Bde Maka Ska”
This month will be a rather busy month in my world — and in the world of JOVM: I’m currently in Syracuse, NY for a wedding. I return back to New York sometime tomorrow, shoot a handful of shows and then head off to Montreal for the M for Montreal Festival (more on that later, of course). In fact, instead of getting ready for the wedding, I fired up the ol’ laptop to work . . . So let’s get to the business at hand, right?
Throughout the course of this site’s nine-plus-year history, I’ve written quite a bit about about the critically applauded and commercially successful Minneapolis, MN-based hip-hop act and JOVM mainstays Atmosphere. Initially formed over 20 years ago under the name Urban Atmosphere, the JOVM mainstays have developed and maintained a long-held reputation for pushing the boundaries of what hip-hop should sound like and concern itself with thematically, especially as its founding duo Slug and Ant find themselves inching towards middle age.
2016’s Fishing Blues continued a string of insightful, mature material reflecting men that have seen and experienced more than they could possibly put into words. That album’s material found the duo transforming from wild and untamed road warriors and settling into a hard-fought and peaceful cocoon of family and art. And while that seems ideal, we all know that over the past few years, the world we inhabit has fundamentally changed in a frightening fashion. In fact, last year’s Mi Vida Local thematically found the pair grappling with their own mortality — and the anxiety and fear that comes from the painful acknowledgment that you’re completely powerless and can’t protect yourself, let alone your loved ones from the dangerous of our world. Sobering stuff, indeed. And yet, that effort, much like its predecessors was largely centered around the duo’s deep and abiding friendship.
The duo’s latest single “Bde Maka Ska,” is the first batch of original material since the release of last year’s Mi Vida Local and interestingly, the track sonically and thematically continues in the vein of its immediate predecessor: centered around a bluesy production featuring twinkling keys, fuzzy, wah wah pedaled guitar, a gospel choir-like backing vocal, the song finds its narrator yearning for peace and serenity in a mad, mad, mad world. And while also taking careful stock of his own life and decisions, the song’s narrator coming to a profound realization: that sometimes we have to let go and let the universe and karma handle it — and that more important, that he has a loving relationship that gives him a respite from the world.