With the release of 2015’s Le Voyage Éternel and 2017’s Supermercado, the Montreal-based indie rock act Corridor — longtime friends and collaborators Dominic Berthiaume (vocals/bass) and Jonathan Robert (vocals/guitar/synths) along with Julian Perreault (guitar) and Julien Bakvis (drums) — quickly won attention across the Francophone world and elsewhere, as they received glowing praise from the likes of NPR and Vice, who referred to Supermercado as “the best French record of 2017, 2018, 2018, 2019, 2020 2021 and even 2022 . . . ” Last year, building upon the growing buzz surrounding them, the Quebecois band toured across Europe and made their Stateside debut with appearances at SXSW and Northside Music Festival. Shortly after, they returned to the States, touring with British post-punk act Shame.
This year, the band opened for Crumb on a sold-out Stateside tour, and they’ve already made appearances at the London Calling Festival and La Villete Sonique Festival. Adding to an already busy year, the band’s third full-length album Junior is slated for an October 18, 2019 release through Sub Pop Records, making them the first Francophone band that the renowned indie label has ever signed. Junior, which continues their ongoing collaboration with their friend, producer (and occasional roommate) Emmanuel Either finds the band jettisoning the languorous creative process of its predecessors — out of inspired necessity. Although the members of Corridor had just signed to their new label, the band firmly committed themselves to releasing a new album every two years. Sub Pop gently warned the band that if they wanted to release new material this fall that they needed material by May 10.
So with the ink barely dried on the finalized deal, the members of Corridor went into the studio and recorded Junior in an inspired blitz, finishing the album in mid-April. Six of the album’s 10 songs were conceived in a single weekend — with the lyrics to “Bang” written on the eve of the sessions, as the band’s Jonathan Robert began to panic. And as a result, the album’s material features fewer expansive jams, fewer overdubs. Even the album’s artwork came in the nick of time: in spite of other, meticulous and gorgeous artwork they received, Robert’s “shitty last minute collage” (of an egg saying hello) was the one his bandmates went for. “Part of the beauty of the thing is that we didn’t have time to think about it,” the band’s Berthiaume says of the Junior recording sessions.
Last month, I wrote about Junior’s first single “Topographe,” a crafted, breakneck gallop centered around jittering and jangling guitars, propulsive drumming and reverb-drenched call and response vocals creating a muscular swoon that seems to evoke the fluttering pangs of love. “Domino,” Junior’s second and latest single is a breezy and infectious track that’s one part New Zealand-styled jangle pop and one part explosive, motorik groove-driven jam, with a tight hook. And while revealing a band with a remarkable ability to craft an infectious tune, the band manages to balance deliberation and order with a wild, unadulterated frenzy.
“People are often glorifying what being an artist or a musician can mean. Art doesn’t necessarily make you a better person,” the band’s Jonathan Robert says in press notes. “There can be angst, stress and so on. It can have a negative, direct impact on the people closest to you. ‘Domino’ is about navigating just that. It is the first song out of Junior that we’ve composed and we’ve played it live quite a few times already.”