Tag: Nubiyan Twist

New Video: Rapidly Rising Afro Pop Act ONIPA Releases a Vibrant Visual for Club Banging Single “Makoma”

Deriving their name from the Akan word for “human,” the London-based Afro pop/dance pop act ONIPA features an All-Star cast of collaborators that includes the act’s core duo, longtime friends, Kweku of Ghana’s and KOG and the Zongo Brigade’s KOG (vocals. balafon and percussion) and Nubiyan Twist’s Tom Excell (guitar, production, electronics) with Wonky Logic’s Dwayne Kilvington synths and MPC) and Nubiyan Twist’s Finn Booth (drums) joining the band for live shows. The act views its work as a message of connection through high energy and deep, dance floor friendly grooves. 

Following an attention-grabbing set at this year’s Felabration at Amsterdam’s Paradiso alongside Pat Thomas and Dele Sosimi, the rapidly rising London-based Afro pop act is gearing up for what may arguably be a momentous 2020: their full-length debut is slated for release next year through Strut Records and they’ll be supporting the album with an extensive tour across the UK and European Union during the Spring and Summer. 

“Makoma,” the full-length album’s first single is a buoyant and vibrant club banger centered around looping and shimmering guitars, stuttering polyrhythm, tweeter and woofer rocking beats, call and response vocals and a raucous, crowd pleasing hook. Mischievously nodding at soca, the Pan African song features lyrics sung in Twi and Sisaala while sonically being indebted to the sounds of The Democratic Republic of the Congo, as well as Ghana — primarily soukous, but with a slick, modern production. 

The recently released video for “Makoma” features a collection of beautiful African people within a vibrant color palette riding bicycles across the African countryside for a bit, before stopping to sing and dance along to the song, The video captures the simple and profound joy of being with your friends and enjoying your favorite song, 

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Nubiyan Twist is a London, UK-based collective founded by Tom Excell (production, guitar) and featuring Nubiya Brandon (vocals), Pilo Adami (percussion, vocals), Finn Booth (drums), Luke Wynter (bass), Oli Cadman (keys), Joe Henwood (baritone sax, live dubs), Denis Scully (tenor sax), Nick Richards (alto sax) and Jonny Esner (trumpet)  who have won attention across the UK and the EU for a sound that draws from the members backgrounds in jazz, reggae, dub, soul, Afrobeat, Latin music — and for a live set that embraces the use of electronics, alongside jazz-inspired improvisation. In fact their debut album received praise from the likes of major media outfits like the IndependentMojo, Songlines Magazine, and Blues ‘n’ Soul and the album received airplay on the radio programs of David Rodigan, Craig Charles, Trevor Nelson, and Huey Morgan. And adding to a growing profile, the band has opened for the likes of De La Soul, Hot 8 Brass Band, Quantic and Robert Glasper.

The British collective’s latest single is a bold, funky, sensual reworking of Super Cat’s 1982 classic dancehall track Dance Inna New York that employs portions of the original’s verses, along with the hook with new lyrics written by the band’s frotnwoman Nubiya Brandon paired with the backing band playing a percussive, Latin-tinged, Afrobeat-inspired arrangement featuring a bold brass section, twinkling keys and a shuffling and swaggering riddim. And interestingly enough, while the London-based act’s reworking pushes a beloved song into the 21st century, perhaps introducing new fans to one of dancehall’s legends, it also manages to bridge the sounds of African Diaspora in a seamless and intelligent manner.