Tag: Numb.er Numerical Depression

New Video: Los Angeles’ Numb.er Releases a Blistering Punk Rock-Inspired Single

Last year, I wrote a bit about  Numb.er.  Led by its Los Angeles, CA-based creative mastermind Jeff Fribourg, who’s perhaps best known as a founding member of psych rock/kraut rock band Froth, and as you may recall, Fribourg’s latest project can trace its origins to a deep love of synthesizers that began when he started experimenting with them while with Froth; however, with his latest project, Fribourg and company mesh elements of punk rock, post-punk, noise rock and shoegaze. 

Goodbye, Numb.er’s full-length debut was released last year through felte records, and album singles “Numerical Depression” and “A Memory Stained” established the project’s genre-bending sound and approach — with “Numerical Depression” featuring elements of 77 era punk, early 80s post-punk and Nirvana, while  the murky and moody “A Memory Stained” meshed 60s psych pop and synth-led New Wave in a way that brought TOY to mind. “Again,” Goodbye’s latest single was centered around a decidedly minimalist approach featuring angular distortion pedal-fueled power chords, a motorik-like groove, shouted lyrics, blasts of analog synth, and a rousingly anthemic, mosh pit friendly hook. Sonically speaking, the song is a seamless synthesis of 77 era punk and early 80s post-punk that deceptively sounds as though it could have been released around 1981 or so.

New Audio: Los Angeles’ Numb.er Returns with a Lysergic-Tinged Visuals and Sounds of “A Memory Stained”

Earlier this year, I wrote about Numb.er, the brainchild of Los Angeles, CA-based mastermind and primary songwriter, photographer and visual artist Jeff Fribourg, who’s probably best known as a founding member of psych rock/kraut rock band Froth. Now, as you may recall, Fribourg can trace the origins of his love affair with synthesizers to when he was leading Froth, and with his latest project, Fribourg fully explores both his deep love of synthesizers and his wildly eclectic influences and inclinations; in fact with Numb.er Fribourg’s work meshes elements of punk rock, post-punk, noise rock and shoegaze.

Goodbye, Fribourg’s latest Numb.er album was released earlier this year through renowned post punk label Felte Records, and the album’s first single “Numerical Depression” featured elements of 77-era punk, post-punk and noise punk in a way that sonically brought the likes of Wire, Nirvana, The Clash, Bauhaus, without resorting to mimicry and cliches. Interestingly, Goodbye’s latest single finds Fribourg seamlessly meshing 60s psych pop with synth-led New Wave and four-on-the-four drumming in a way that brings British psych rockers TOY to mind, but murkier and more foreboding while retaining Fribourg’s uncanny ability to craft an infectious hook. 

Directed by Matt Creed and edited by Chris Rice, the recently released video for “A Memory Stained” employs the use of creepy yet trippy found footage that emphasizes the lysergic quality of the song and its foreboding vibes.

 

Numb.er is the brainchild of its Los Angeles, CA-based mastermind and primary songwriter, photographer and visual artist Jeff Fribourg, who’s probably best known as a founding member of psych rock/kraut rock band Froth. Thanks to a background in graphic design and visual art, Fribourg has developed a reputation for his work being imbued with a sense of architectural composition with angular guitar riffs and analog synths being layered over throbbing drums and propulsive bass lines. And although Fribourg can trace the origins of his love of synthesizers to when he was in Froth, Numb.er finds the Los Angeles-based songwriter, photographer and visual artist fully exploring his eclectic influences and inclinations with the project meshing elements of punk rock, shoegaze, post-punk and noise rock — without committing to a singular worldview and without sounding overly ironic or forced.

Goodbye, Numb.er’s latest effort is slated for release at the end of the week through Felte Records, and the album’s latest single “Numerical Depression” will further cement Fribourg’s reputation for  genre-defying sound as you’ll hear elements of classic ’77-era punk, post-punk and noise punk as the song is centered around a propulsive bass line, power chord-based guitar lines played through copious guitar effect pedals and rolling drums — and while sonically the song brings to mind Wire, Nirvana, The Clash, Bauhaus, and others, complete with a similar urgency, and yet the song doesn’t find the band resorting to clueless, self-obsessed mimicry and cliches.