Tag: Octo Octa

New Audio: JOVM Mainstay LutchamaK releases a Mesmerizing Take on Deep House

Throughout the past year, I’ve spilled copious amounts of virtual ink covering French electronic music artist and producer LutchamaK. The French JOVM mainstay’s work is deeply influenced by — and generally draws rom — techno but while reflecting a lifelong devotion to and love of eclecticism, with his work often possessing elements of deep house and EDM among other electronic music genres, styles and subgenres.

During that same period, LutchamaK has been frenetically prolific, releasing new material through an increasing number of EPs, standalone singles and albums, including his latest EP, the six track effort Omen. Omen EP finds the French producer and JOVM mainstay crafting material that’s decidedly deep house. Centered around stuttering hi-hats and wobbling synth arpeggios, “Hope/Peace” is mesmerizing yet meant to be soothing — all while bringing Octo Octa’s Between Two Selves to mind.

New Audio: Generik Teams Up with Forcès on a Euphoric Club Banger

Tyson O’Brien is a rising Aussie electronic music producer and DJ, best known in electronic circles as Generik. Since relocating to Los Angeles, O’Brien has been rather prolific: 2018 saw him craft a piano house driven remix of Halsey’s “Bad at Love,” and a vibey remix of Dillion Francis’ “Hello There.” O’Brien has also landed a couple of ARIA Club Chart #1’s with “The Weekend” feat. Nicky Van She, “Late at Night,” “So High,” and “Be There” feat. A*M*E. Each of those singles have done well on the Shazam, Spotify Australia and Spotify US viral charts.

Last year, the Aussie producer released the “You Do You” series, which further showcased his classic house inspired sound and approach. And keeping with a busy schedule and growing profile, Generik had ongoing residencies at Ibiza’s Pacha, Las Vegas’ Omnia Nightlcub and Bali’s Omnia Dayclub and others.

“Need U,” Generik’s latest single finds him teaming up with British upstart Fourcès on a sun-kissed and euphoric bit of classic house centered around twinkling piano arpeggios, thumping beats, a soulful vocal sample and an enormous hook. Sonically, the track reminds me of Octo Octa’s Between Both Sides, as it possesses a sinuous and sultry quality — while being incredibly crowd pleasing.

Slow Magic · Closer 2 U (feat. Manila Killa)

Slow Magic is a mysterious and masked electronic producer and electronics music artist, whose work, which includes 2012’s Triangle, 2014’s How to Run Away and 2017’s Float has amassed over 200 million streams globally. Adding to a rapidly rising profile, the mysterious producer and electronic music artist has toured with the likes of ODESZA, Giraffage and XXYYXX — and has released critically applauded remixes of the work of ODESZA, Gold Panda and Delorean. 2018 saw Slow Magic play a set at Coachella, which he followed up with a North American tour with shallou and a headlining European tour.

The masked electronic music artist and producer’s latest effort Closer 2 U EP, which features the critically applauded single “Somewhere,” a collaboration with shallou and Woven in Hiatus is slated for release later this month. The EP’s latest single, EP title track “Closer 2 U” is a euphoric collaboration with Manilla Killa that’s centered around shimmering synth arpeggios, stuttering tweeter and woofer rocking beats, twinkling keys and chopped up yet otherworldly vocals. Sonically bearing a resemblance to Octo Octa‘s Between Two Selves, “Closer 2 U” is a slick and seamless synthesis of each producer’s sound that manages to evoke a familiar aching yearning for connection that we all have felt during COVID-19 pandemic-related quarantines and lockdowns.

“’Closer 2 U’ represents the difficulties of distance and the importance of connection,” Slow Magic explains in press notes. “I want this EP to encourage and inspire people to reach out to the ones they care about in a time where we are all feeling distant.”

“I have been following and admiring Manila Killa’s music for a long time,” the masked producer and electronic producer continues. “Last year, we met up in LA and clicked collaboratively. I think it is always great to be in the same room and bounce ideas off of each other when collaborating but ‘Closer 2 U’ ended up being the opposite of that. We just sent versions back and forth on email and made it happen. More than ever, it’s important to remember the power of connecting that we have at our fingertips online.”

Mariatti · Patches

 

Andrea Mariatti is a 26 year old,Turin, Italy-born and-based electronic music producer, electronic music artist and DJ, who can trace the origins of his music career to when he turned 12. Around that time, he had started creating and making music from his laptop. Mariatti’s music career started in earnest when he was 15: he started releasing albums under the name Andrea Dub. Some of the young producer and DJ’s work was played by a number of DJs across the European Union.

After completing high school, Mariatti studied at SAE Institute, Milan, eventually earning a degree in Audio Production and Creative Music Industry, which helped him pushed the boundaries of his sound and technical limits. Over the past few yers, Mariatti has been rather busy: three years ago, he returned to his hometown, where he built a studio, so he could work on music every day.

Two years ago, the up-and-coming Italian produced signed with NBM Music Agency, who helped him sign with Deadmau5′s mau5trap Records, who released music from his latest musical projects Thin King and his latest solo project Mariatti. Additionally, he founded Recall, a live events brand whose mission is to create and foster a community of passionate people about electronic music with his friend and colleague HolyU.

Now, as you may recall, Mariatti has also released a batch of new material that included the trance house meets New Jack Swing-like “Other Vibes” and the lush, Between Two Selves-era Octo Octa-like “Variable Speed of Life.” Mariatti’s latest single “Patches” is a lushly melodic yet brash banger centered around layers of shimmering and wobbling synth arpeggios, stuttering beats placed with an expansive, seemingly free-flowing song structure. Subtly recalling Tour de France-era Kraftwerk, Factory Floor and others, the track may arguably be the most mesmerizing of the Italian producer’s growing catalog.

“‘Patches’ is the most melodic and evolving arrangement I went through,” Mariatti says. “The process of this song came from only one synthesizer: Korg MS-20; every single sound you hear is made by that astonishing machine.” 

 

Mariatti · Other Vibes

Mariatti · Variable Speed Of Life

Andrea Mariatti is a young, emerging Italian electronic music producer, electronic music artist and DJ, who can trace the origins of his music career back to when he was 12. He started creating and making music from his laptop. By the time Mariatti turned 15, he was releasing albums under the name Andrea Dub — and building upon a growing profile, some of his work was played by a number of DJs across the European Union.

After high school, the young Italian producer studied at SAE Institute, Milan, eventually earning a degree in Audio Production and Creative Music Industry, which helped him pushed the boundaries of his technical limits. The last couple of years have been pretty busy for Mariatti: three years ago, he returned to his hometown, where he built a studio, so he could work on music every day.

Two years ago, the up-and-coming Italian produced signed with NBM Music Agency, who helped him sign with Deadmau5′s mau5trap Records, who released music from his latest musical projects Thin King and his latest solo project Mariatti. Additionally, he founded Recall, a live events brand whose mission is to create and foster a community of passionate people about electronic music with his friend and colleague HolyU. Mariatti has also been busy working on new material, including his two latest singles — “Other Vibes” and “Variable Speed of Life.”

“Other Vibes” is slickly produced bit of trance-inducing house, centered around wobbling and arpeggiated synths, skittering beats, vocoder’ed and distorted vocals and an infectious hook — and while being a forward-looking yet crafted bit of electronic music that subtly nods at New Jack Swing, the track as the Italian producer explains in press notes is dedicated to Recall’s motto, with a focus “on the continuous research of inspiration from the sounds and the people, who enjoy the craft.” “Variable Speed of Life” is a straightforward yet brash club banger centered around a lush production featuring layers of shimmering synth arpeggios, thumping beats, twinkling and atmospheric electronics. Sonically, the track reminds me of Octo Octa and 100% Silk Records.

”Variable Speed Of Life’ is my second independent release and its title came from the quarantine experience: for the first time in our lives we got more aware about the flow of time and it’s importance,” Mariatti says.

Born in Central Asia, the rising Berlin-based singer/songwriter, multi-hnstrumetnnalist, composer and producer Liam Mour can trace the origins of his music career to when he learned to play the piano at six — and at an early age, he began to record and produce music on mixers and tape machines. Because of his background, Mour was gradually drawn to enhancing his technical skills in music production.

After relocating to Berlin, Mour set up his own studio at Funkhaus Berlin, where he has pursued a number of musical projects, which have allowed him to play with Nils Frahm, tour with Gold Panda and to open for Four Tet and Max Cooper.

Mour’s latest single “Douro” is a slick synthesis of ambient electronics and techno thump that’s centered around layers of chiming percussion, shimmering synth arpeggios, a mournful horn sample and skittering beats. Sonically, the hook-driven track may remind listeners of Bonobo and Octo Octa — but with a subtle darkness just under the shimmering surface.

 

 

 

 

Hologramme · Préface (Printemps) – Hologramme

Clément Leduc is a Montreal-based multi-instrumentalist, composer, producer, songwriter and electronic music artist, who initially made a name for himself by collaborating with fellow Canadian artists Geoffroy, La Bronze and Dead Obies.  Leduc stepped out from behind the dials and knobs and into the spotlight as a solo artist with his solo recording project Hologramme. Leduc’s self-produced, 2015 Hologramme debut was released to critical applause, eventually landing on ICI Musique‘s Best Albums list an being named GAMIQ’s Best Electronic Album of the Year.

Leduc spent  2018 in Berlin, where he soaked up new influences and new sounds that wound up deeply influencing his critically applauded,  sophomore album last year’s Felicity, an effort that saw him collaborating with Les praises’ and Hubert Lenoir‘s Felix Petit, Gustafson’s Adrien Bletton, Senegalese guitarist Assane Seck, and Laurence-Anne‘s Laurent Saint Pierre to create a dream-like and sensual soundscape that drew from the  music of South Africa and South America.

The Montreal-based multi-instrumentalist, composer, producer and songwriter has had an enormous year so far: he released a five song remix EP Felicity tracks with remixes by Fakear, Robert Robert, Ouri and others, earlier this month — and he released his first bit of new material since the release of Felicity with “Alaska,” a slow-burning and atmospheric track centered around shimmering synth arpeggios, bubbling electronics, shuffling and clattering beats and sultry vocal samples that’s both dance floor friendly and cinematic.

“Préface (Printemps),” the rising French Canadian producer’s second and latest single of 2020 continues a run of cinematic material with elements of deep house and techno  — but while being a less polished and urgent track centered around shimmering synth arpeggios, tweeter and woofer rocking beats, sultry vocal samples within an expansive song structure featuring atmospheric and dreamy sections. Much like its predecessor, the track will bring comparisons to Bonobo and Octo Octa — but while balancing earnestness with ambition.

 

 

New Audio: Hungarian JOVM Mainstays Belau Team Up with Sophie Barker on a Sultry and Brooding New Single

Over the past two years or so, I’ve written quite a bit about the the Budapest, Hungary-based electronic music production and artist duo Belau — Peter Kedves and Buzas Krisztian — and as you may recall, with the release of their debut single “Island of Promise,” the Hungarian duo quickly exploded into the national scene for a buoyant, summery and dance floor friendly sound meant to evoke “cheerful places, filled with sunshine, where one can relax, unwind and find peace and harmony,” as the duo explain in press notes. “Island of Promise” eventually landed #1 on Deezer Hungary, one of the country’s biggest streaming services, and since its release, the track has amassed over 500,000 streams, and was featured in HBO Hungary series Aranyélet, as well as in an international Pepsi ad campaign shown in 33 countries.

The Budapest-based duo’s 2016 full-length debut The Odyssey won a Hungarian Grammy for Best Electronic Music Album — and they supported the album with an intense period of touring that saw them playing 120 shows in 19 countries with stops across the international festival circuit. including Eurosonic, Sziget, Reeperbahn, Untold, and SXSW. Since the release of The Odyssey, the JOVM mainstays released a series of remixes of The Odyssey tracks, and a handful of singles that included “Breath,” a sultry, dance floor friendly collaboration with Sophie Lindinger centered around glitchy beats and a sinuous yet anthemic hook and the Massive Attack-like “Natural Pool.” 

The duo’s highly-anticipated sophomore album Colourwave was released late last month and the album finds the duo furthering and expanding upon the sound that has won them attention internationally: downtempo electronica with moody atmospheric, shimmering synths and thumping 808s.  Last month, I wrote about “Rapture,” a collaboration with Blue Foundation‘s Kirstine Stubbe Teglbjærg centered around a trip hop-inspired production featuring shimming synth arpeggios, wobbling low end and Stubbe Teglbjærg’s sultry vocals. The album’s second single “Essence” continues the duo’s collaboration with female vocalists — this time, Sophie Barker. Much like its immediate predecessor, Barker’s sultry vocals glide over a shimmering production centered around a looped and reverb-drenched guitar, shimmering synths, skittering beats and an enormous hook. Sonically, the song brings Third-era Portishead and Octo Octa to mind  –but a with a brooding and seductive air. 

Clément Leduc is a Montreal-based multi-instrumentalist, composer, producer, songwriter and electronic music artist, who initially made a name for himself by collaborating with fellow Canadian artists Geoffroy, La Bronze and Dead Obies. Stepping out from behind the dials and into the spotlight as a solo artist, Leduc is also the creative mastermind behind the solo recording project Hologramme. In 2015, Leduc’s self-produced, Hologramme debut was released to critical applause, including landing on ICI Musique‘s Best Albums list that year and being named GAMIQ’s Best Electronic Album of the Year.

Leduc spent the bulk of 2018 living in Berlin, where he soaked up new influences and new sounds that wound up deeply influencing his sophomore album 2019’s Felicity, an effort that saw him collaborating with Les praises’ and Hubert Lenoir‘s Felix Petit, Gustafson’s Adrien Bletton, Senegalese guitarist Assane Seck, and Laurence-Anne‘s Laurent Saint Pierre to create a dream-like and sensual soundscape that draws from the  music of South Africa and South America — while continued an ongoing run of critically applauded releases.

Building upon a growing profile, the Montreal-based multi-instrumentalist, composer, producer and songwriter has started off 2020 with a bang: he announced the release of a 5 song remix EP of Felicity tracks that will feature remixes by Fakear, Robert Robert, Ouri and others, which is slated for a June 5, 2020 release — and the first bit of new material since the release of Felicity, his latest single “Alaska.”

“Alaska” can trace its origins back some time ago — to sometime before the release of Felicity as a rough sketch of sorts. He took that track with him to Paris and Berlin, where he tried to finish it without much success. Forgotten for over a year, Leduc stumbled upon the then-unfinished track on an hard drive, seemingly asking to be completed. And with the assistance of Laurent Saint Pierre, he completed the song. The end result is a slow burning and atmospheric  track, centered around shimmering synth arpeggios, bubbling electronics, shuffling and clattering beats, and sultry vocal samples that reminds me quite a bit of Octo Octa‘s sensuous and dream-like Between Two Selves and Bonobo — but while possessing a cinematic quality.

 

 

 

Late last year, I wrote about the somewhat mysterious yet emerging French electronic music artist and producer LutchamaK. Like countless others, the emerging French artist grew up as an avid and passionate music fan, who listened to — and loved — an eclectic array of music, including hip-hop, dub, classical, rock, techno and others. Interestingly enough, the mysterious French artist’s work is deeply influenced by techno — but while nodding at other styles and genres: his first two EPs featured, which he managed to create during such breaks at his day job, featured material that effortlessly meshed techno, house and EDM.

9th Forest” off the Goth in the Shell EP was a slickly produced, propulsive house-leaning techno track centered around tweeter and woofer rocking beats and arpeggiated synths that recalled JOVM mainstay Boys Noize and Octo Octa, but with a self-assured swagger. LutchamaK begins 2020 continuing a run of slickly produced, swaggering, club friendly house music with his latest single “Later On.” Much like its predecessor, the track is centered around tweeter and woofer rocking beats, shimmering synth arpeggios and a sample of a seductive female vocal — but “Later On” features a decidedly minimalist production reminiscent of Kraftwerk‘s Tour de France.

“I guess the purpose for me is always the same, to make the best song I can,” the emerging French producer and electronic music artist wrote to me in an email. “It  has to move me somehow, to please me so much that I want to share with everybody else. [I’m] hoping this track would get big smiles and make heads and feet move. :)”