Tag: Oddnesse I Used To

Over the past year, I’ve written quite a bit about the Los Angeles, CA-based indie pop project (and latest personal obsession of mine) Oddnesse, and as you may recall, the project comprised of singer/songwriter Rebeca Arango and producer Grey Goon can trace its origins to when both members individually relocated from the East Coast to Los Angeles after being in several failed bands. As the story goes, Arango and Goon bonded over a shared vision of beautiful and infectious music with a dark, heavy groove, and initially the project began as two friends jamming and experimenting with ideas before they began to take it as a serious endeavor.

Last month, I wrote about “I Used To,” an atmospheric and meditative track that centered around an ethereal arrangement of twangy guitar, gently droning synths and Arango’s ethereal crooning and while clearly nodding at 80s New Wave with Concrete Blonde and Siouxsie and the Banshees immediately coming to my mind, there was a subtly alt-country vibe that adds to cinematic proceedings. “Trust” the duo’s latest single, much like its predecessors is centered around a tight, hypnotic groove, featuring one of the best bass lines I’ve heard in a rock song to date, atmospheric synths, a sinuous guitar line played through washes of reverb and delay pedal paired with Arango’s come hither vocals and a razor sharp hook. And while continuing a run of subtly ambitious and well-crafted material, the song may be among their most straightforward and infectious pop songs to date that focuses on the swooning and wildly uncertain pangs of love — with the tacit understanding that love can make us all do some strange and unpredictable things.

 

 

 

 

 

New Video: JOVM Mainstays Oddnesse Release 1980s MTV-Inspired Visuals for Slow-Burning, Torch Song “I Used To”

Over the past year or so, I’ve written a bit about the Los Angeles, CA-based indie pop project Oddnesse, and as you may recall, the project comprised of singer/songwriter Rebeca Arango and producer Grey Goon can trace its origins to when both members individually relocated from the East Coast to Los Angeles after being in several failed bands. As the story goes, Arango and Goon bonded over a shared vision of beautiful and infectious music with a dark, heavy groove, and initially the project began as two friends jamming and experimenting with ideas before they began to take it as a serious endeavor. 
Last year, I wrote about “Are You Down,” a sultry Mazzy Star -like single that paired Arango’s sultry, self-assured yet laid back crooning with a moody and sleek production featuring shimmering guitar chords, a sinuous and propulsive groove and a soaring hook — and a come hither vibe. The duo’s latest single “I Used To” is an atmospheric and meditative track featuring an ethereal arrangement consisting of twangy, guitar chords, gently droning synths with Arango’s crooning vocals ethereally gliding over the the surface and while nodding at 80s New Wave and pop, there’s a subtle alt-country leaning to a song that has a rather cinematic vibe. As the duo’s Rebeca Arango explains in press notes, the song comes from a rather personal experience: “I had driven alone from LA to Utah and back twice. I absolutely loved it, in the way I’ve always loved the independence of no one needing me, no one expecting me, no one to confer with about where I might stop, when I might leave, if I might come back. I was grateful on those trips (as one usually is) for the dissolution of a relationship I had been overly attached to.  I was grateful that my mind was clear and that I had the experience to myself. I was happy. I didn’t need to know what was next.” And as a result, the song buzzes with an anticipation over a new, unseen future.

Directed by Casey Feldman, the recently released video was shot in a furious three day period along with the video for “I Used To” that included one crew member and two different directors — but interestingly enough, while the new video is decidedly inspired by 1980s MTV, it subtly emphasizes the song’s emotional complexity in which loss can be equally punctuated with pride, acceptance and hope. 

Oddnesse is a Los Angeles, CA-based collaboration between musician and singer/songwriter Rebeca Arango and producer Grey Goon, and if you’ve been frequenting this website over the past few months, you may recall that the project can trace its origins to a number of simultaneous coincidences — both members relocating from the East Coast to Los Angeles, haunted by the ghosts of expensive degrees in music seemingly being wasted and unused, failed bands and collaborations and countless gigs at Cake Shop and other venues, as well as a mutually shared vision of infectious, beautiful music with a dark, heavy groove. Interestingly, the project began much like how countless projects begin with Goon and Arago occasionally stopping by the studio to jam together but after some time, the duo realized that had something and began to take it much more seriously.

Earlier this year, I wrote about “Are You Down,”Mazzy Star and early 90s Brit Pop-like single that paired Arango’s sultry, self-assured yet laid back crooning with a moody and sleek production featuring shimmering guitar chords, a sinuous and propulsive groove and a soaring hook — with a come hither vibe. As the duo’s Rebeca Arango explained in press notes, “Are You Down,” is her “Pina Colada” song, as “it’s a very confident and laid-back anticipation of my next lover, where I’m getting specific about calling in someone, who can match my energy and approach to life. The question of going ‘slow’ isn’t about romantic pacing per-se (though that is important), it’s more about generally moving slow, never rushing to pack in too much all at once or getting anxious about ‘missing out,’ and preferring to to sink in and explore the depths of all things.”

The duo’s latest single “I Used To” is an atmospheric and meditative track featuring an ethereal arrangement consisting of twangy, guitar chords, gently droning synths with Arango’s crooning vocals ethereally gliding over the the surface and while nodding at 80s New Wave and pop, there’s a subtle alt-country leaning to a song that has a rather cinematic vibe. As the duo’s Rebeca Arango explains in press notes, the song comes from a rather personal experience: “I had driven alone from LA to Utah and back twice. I absolutely loved it, in the way I’ve always loved the independence of no one needing me, no one expecting me, no one to confer with about where I might stop, when I might leave, if I might come back. I was grateful on those trips (as one usually is) for the dissolution of a relationship I had been overly attached to.  I was grateful that my mind was clear and that I had the experience to myself. I was happy. I didn’t need to know what was next.” And as a result, the song buzzes with an anticipation over a new, unseen future.