Tag: Okkervil River

New Video: Heartless Bastards Release a Surreal and Gorgeous Visual for Cinematic “You Never Know”

Deriving their name from a hilariously incorrect answer on a multiple-choice trivia game (the question was: “What is the name of Tom Petty‘s backing band?”), the acclaimed indie rock act Heartless Bastards  was founded in by Dayton, OH-born singer/songwriter, guitarist and founding member Erika Wennerstrom in Cincinnati back in 2003. Initially started as a solo recording project, Heartless Bastards quickly evolved into a live band featuring a rotating cast of musicians and collaborators that regularly played throughout the Midwest.

The Black Keys‘ Patrick Carney caught the band and was so impressed by what he had heard, that he passed along a copy of their demo to Fat Possum Records, who signed the band and then released their first there albums — 2005’s Stairs and Elevators, 2006’s All This Time and 2009’s The Mountain. Between the writing and recording of All This Time and The Mountain, Wennerstrom relocated to Austin. And around that time, the band’s touring lineup featured David Colvin (drums) and Jesse Ebaugh (bass), who both played on the Heartless Bastard demos recorded six years prior. The band expanded into a quartet with the 2009 addition of Mark Nathan (guitar).

The band signed to Partisan Records, who released the band’s last two critically applauded albums — 2012’s Arrow and 2015’s Restless Ones. Wennerstrom stepped out from behind a band and released her solo debut, 2018’s Sweet Unknown to critical applause. “It was a deeply personal album and it just felt fitting to use my name,” Wennerstrom says of her solo debut. “It kind of forced me to allow myself to be a little more exposed, and stand on my own two feet. I feel like I’ve grown so much creatively and personally through this process.”

Since release of Sweet Unknown and a tour to support it, Wennerstrom, along with a powerhouse backing band featuring Okkervil River’s Lauren Gurgolo (guitar), White Denim’s Greggory Clifford, Mercury Rev’s and Midlake’s multi-instrumentalist Jesse Chandler, My Morning Jacket’s Bo Koster (keys), Patty Griffin’s David Pulkingham (guitar) and longtime Heartless Bastards bandmate Jesse Ebaugh (bass) went into the studio to write and recorded their Kevin Ratterman co-produced sixth album A Beautiful Life, the band’s first full-length album of original material in over five years.

Although Wennerstom first considered releasing A Beautiful Life under her own name as the follow up to her solo debut, she ultimately came to view the album’s material as the continuation of the journey begun on the band’s 2005 full-length debut. Sonically, the album’s material reportedly is a coalescence of a number of eclectic influences and references including French pop, Celtic folk, space rock. Disney film scores and post punk. And as a result, A Beautiful Life may arguably be their most expansive and elaborate batch of material in their catalog to date while still being centered around Wennerstrom’s lyrics, which inspire contemplation, joyful defiance, catharsis, and empathy. “For me music is a gift,” Wennsterstrom says in press notes. “I do it because I love it, and because it helps me feel more connected to the world. I think we all long for a deep connection, and I hope this record adds to the conversation on how we as a species can stop seeing ourselves as separate. I hope it helps everyone to think about how we can look out for each other, take care of each other, and lift each other up.”

Slated for a September 10, 2021 release through Sweet Unknown Records/Thirty Tigers, A Beautiful Life will feature “Revolution,” an incisive and urgent song featuring an expansive song structure that meshes elements of psych rock and blues, that that calls upon the listener to get their shit straight and make the world a better place before it’s too late.

The album’s latest single “You Never Know” may be the most cinematic songs of their entire catalog. Featuring a soaring string arrangement, flamenco-like guitar playing paired with Wennerstrom’s plaintive wailing, the song is a sweet reminder that life is short and sometimes in love and in countless other things, we should take a chance. You’ll never know what will happen, until it actually happens.

“When I wrote “You Never Know,” I imagined it being in Moonrise Kingdom, the Wes Anderson film, even though the movie has already been made. There’s a sense of adventure and innocence that youth embodies whether it’s with love or goals and dreams. This song is a reminder to stay open. Life is short. Take chances.”

Directed, shot and edited by Vanessa Pie, the recently released video stars Kaylyn Mae McClellan and Tiel Ann Larson in a surreal and cinematically shot fever dream with a sailboat to nowhere, a zebra, some expressive face paint, a doorway to another dimension. But at its core is a sweet and tender love story of two people who will be companions through some zany adventures — perhaps because they both took a chance and were open.

Currently comprised of founding members  and primary songwriters Chuck Cleaver (vocals, guitar), known for being a member of Ass Ponys  and Lisa Walker (vocals, guitar), along with Mark Messerly (bass, keys), John Erhardt (pedal steel, guitar), and Joe Klug (drums), the Cincinnati, OH-based shoegaze quintet Wussy can trace their origins back to 2001 when its founding duo began playing together as a dare during a brief run of solo Cleaver shows. The first show they played together while being largely unplanned went without incident, so they agreed that they should continue as a fully fleshed band. Cleaver and Walker recruited Dawn Burman (drums) and Messerly in 2002 And as a quartet, Wussy released three full-length albums and a critically applauded EP that received praise from a number of major media outlets including Rolling StoneSPINVillage VoiceNPRThe Washington PostUncut and the legendary Robert Christgau, who placed the Cincinnati act’s first two efforts Funeral Dress and Left for Dead on his best of the decade list, and their third, self-titled release on his best of 2009 list.

After receiving critical success, the band went through a series of lineup changes, as Burman left the band and was replaced with Cincinnati music scene vet Joe Klug, who joined the band for Attica! and Forever Sounds. The band’s newest member John Erhardt has helped evolve the band’s sound, adding a twangy psychedelic vibe as they’ve expanded their profile with recorded sessions for BBC 6 Music and KEXP, appearances at SXSW and CMJ, touring with the likes of The Afghan Whigs, and have shared stages with Yo La TengoThe BreedersBest CoastMudhoneyOkkervil RiverThe MekonsCOMEWreckless Eric and Jeffrey Lewis.

The Cincinnati-based indie rock act’s seventh studio album What Heaven Is Like is slated for release later this month through Damnably Records in Europe and Shake It! Records in the States, and as you may recall, earlier this year, I wrote about “Gloria,” a song that was reportedly inspired by the protagonist of Fargo‘s Season 3, Gloria Burgle, played by Carrie Coon — but in a much larger sense, the song is meant to paint a portrait of an inscrutable everywoman, who dares to stand up to an omnipresent, almost supernatural, villain. The album’s latest single “Cake,” while continuing in a similar, cinematic yet 90s inspired vein of its predecessor is arguably one of the album’s bleaker songs, evoking the sort of existential dread and anxiety that feels inescapable and pervasive. Shit has gone bad and quickly, and it’s time to start hunkering down because it’s about to get much worse.

 

 

Currently comprised of founding members  and primary songwriters Chuck Cleaver (vocals, guitar), known for being a member of Ass Ponys  and Lisa Walker (vocals, guitar), along with Mark Messerly (bass, keys), John Erhardt (pedal steel, guitar), and Joe Klug (drums), the Cincinnati, OH-based shoegaze quintet Wussy can trace their origins back to 2001 when its founding duo began playing together as a dare during a brief run of solo Cleaver shows. The first show they played together while being largely unplanned went without incident, so they agreed that they should continue as a fully fleshed band. Cleaver and Walker recruited Dawn Burman (drums) and Messerly in 2002 And as a quartet, Wussy released three full-length albums and a critically applauded EP that received praise from a number of major media outlets including Rolling StoneSPINVillage Voice, NPRThe Washington PostUncut and the legendary Robert Christgau, who placed the Cincinnati act’s first two efforts Funeral Dress and Left for Dead on his best of the decade list and their third, self-titled release on his best of 2009 list.

After receiving critical success, the band went through a series of lineup changes, as Burman left the band and was replaced with Cincinnati music scene Joe Klug joined the band for Attica! and Forever Sounds. The band’s newest member John Erhardt has helped evolve the band’s sound, adding a twangy psychedelic vibe as they’ve expanded their profile with recorded sessions for BBC 6 Music and KEXP, appearances at SXSW and CMJ, touring with the likes of The Afghan Whigs, and have shared stages with Yo La Tengo, The Breeders, Best Coast, Mudhoney, Okkervil River, The Mekons, COME, Wreckless Eric and Jeffrey Lewis.

Wussy’s forthcoming seventh studio What Heaven Is Like is slated for  May 18, 2018 release through Damnably Records in Europe and Shake It! Records in the States, and the album’s latest single “Gloria” is reportedly inspired by the protagonist of Fargo‘s Season 3, Gloria Burgle, played by Carrie Coon — but in a much larger sense, the song is meant to paint a portrait of an inscrutable everywoman, who dares to stand up to an omnipresent, almost supernatural, villain. As the band’s Lisa Walker explains in press notes, “This season of Fargo was so bleak and unrelenting. The V.M. Varga character seemed like an undefeatable entity, something between a robber baron and whoever’s secretly watching you from the other side of your screen in real-time. Gloria’s purity of heart made her this bright shining light.. the only person actually impervious to the enemy. But even beyond that, I was very inspired this year by several women who dared to put everything on the line, even their own lives, to stand up for what is right. I tried to show my respect for this great courage in the re-telling of Gloria’s story.” Interestingly, the band pairs this narrative story within a song that manages to be cinematic yet intimate while nodding at Americana and early 90s Pearl Jam — i.e., “Tremor Christ,” off Vitalogy and so on.

 

http://www.baeblemusic.com/player.swf Performing under the moniker of CALLmeKAT, Katrine Ottosen, is a renowned keyboardist, composer and singer/songwriter in her native Denmark. Through old-fashioned word-of-mouth, Ottosen has impressed audiences in Germany, Austria, France and Switzerland, all before an […]

Performing under the moniker of CALLmeKAT, Katrine Ottosen, is a renowned keyboardist, composer and singer/songwriter in her native Denmark. Through old-fashioned word-of-mouth, Ottosen has impressed audiences in Germany, Austria, France and Switzerland, all before an official […]

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