Tag: OWLS Bury Me

New Video: OWLS Returns with a Furious Howl of Protest

Emy Collum is a Longford, Ireland-based producer, musician and creative mastermind behind the rising electronic music project OWLS. Starting his career in earnest playing drums for a number of local indie bands, Collum stepped out into the spotlight as a solo artist and began crafting darkbrooding songs paring driving rhythms and grooves, dynamic vocals and abrasive textures.

Sonically, his material draws largely from post-punk, techno and synth pop — or as he describes them “songs for the night, for the moon and its shadows” and “dark tunes you can dance to.” Thematically, his work focuses on the uneasy balance between love and brutality. 

The Irish producer released his debut single 2021’s “They Kill.” 2022 saw the release of his acclaimed debut EP End Me. Last year was a busy year for the acclaimed and rising Longford, Ireland-based artist: He made the rounds of the national, summer festival circuit. He played headlining shows in Dublin — and he played at a slew of underground events throughout the country. He closed out a busy year with two more singles “Swallow My Love” and “Bury Me,” a brooding and uneasy mix of industrial and post punk built around relentless, twitter and woofer rattling, skittering beats and whirring and wobbling synths and bursts of angular guitar paired with the Irish producer’s furious howls. 

Lyrically and thematically, “Bury Me” saw its narrator on a tumultuous dance between life and death, hope and despair with an uneasy, unvarnished honesty. 

The acclaimed and rising Irish producer “Body Bags” is an aggressively furious, in-your-face goth meets techno howl of protest featuring skittering tweeter and woofer rattling thump and scorching synth arpeggios with eerily processed and distorted yet strangely beautiful howls attempting to burst out from the chaotic, messy and punishing soundscape.

According to Collum, the song and its accompanying video has been largely informed by the current and unfolding events in Gaza. “‘Body Bags’ looks at humanity turning it on itself,” Collum says. “For all the beauty and harmony in the world, we are chaotic by nature — violent and cruel to our own. It explores the human condition and our ability to inflict pain and suffering upon the most vulnerable.” Throughout the video, violence and cruelty are treated with the mundanity of daily errands.

The events in Gaza has forced the rising and acclaimed Irish artist to look outward instead of inward, as he has previously done. “All of my songwriting up until now has been dealing with internal conflicts and self assessment. It feels selfish looking inwards when being faced with bloodied images daily. I teach history. I had a Palestinian student join one of my classes recently. They presented a project on the ancient buildings of Gaza City only to highlight the fact that they’re no longer there. That hit hard.”

New Video: OWLS Shares Abrasive and Uneasy “Bury Me”

OWLS is a rising Longford, Ireland-based producer, who crafts dark and brooding songs paring driving rhythms and grooves, dynamic vocals and abrasive textures. Sonically, his material draws largely from post-punk, techno and synth pop — or as he describes them “songs for the night, for the moon and its shadows” and “dark tunes you can dance to.” Thematically, his work focuses on the uneasy balance between love and brutality.

2023 has been a busy year for the Irish producer: He has made the rounds of the national, summer festival circuit. He has played headlining shows in Dublin — and he has performed at a slew of underground events throughout the country. He closes out the year with “Bury Me” a broody and uneasy mix of industrial and post punk built around relentless, twitter and woofer rattling, skittering beats and whirring and wobbling synths and bursts of angular guitar paired with the Irish producer’s furious howls.

Lyrically and thematically, the song sees its narrator on a tumultuous dance between life and death, hope and despair with an uneasy, unvarnished honesty.

Directed and shot by Nathan Sheridan in Longford, Ireland, the video features the Irish producer in a dilapidated and abandoned school building, a brown Ford Cortina, a woman clad in leather burying an eggplant in the woods and more.