Tag: Pale Honey

Live Footage: Moaning Performs “Artificial” at Tapetown Studios

Over the better part of this year, I’ve written a bit about the Los Angeles, CA-based trio Moaning, and as you may recall, the band which is comprised of Sean Solomon, Pascal Stevenson and Andrew MacKelvie have spent the past few years crafting a moody and angular sound that draws from shoegaze, slacker rock and post-punk — and as a result, the Southern Californian trio has received attention both nationally and internationally from the likes of The Fader, The Guardian, DIY Magazine, Stereogum, and others.

Moaning’s self-titled, full-length debut was released earlier this year through Sub Pop Records, and the album’s fourth single “Artificial” is centered around angular guitar and bass chords, thundering drumming and an anthemic hook — and while recalling Joy Division, Interpol, Preoccupations and others; but just under the surface, the song bristles with a tense an uneasy self-awareness of the narrator’s own artifice, superficiality and ugliness, as well as that of the larger world he lives in. 
Interestingly, if you’ve been frequenting this site over the 18 months or so, you’d also recall that Aarhus, Denmark-based recording studio Tapetown Studios and Sound of Aarhus have been inviting national. regional and even internationally recognized touring bands to come into their studios for a live session, which they film and release through the interwebs. And during that time, they’ve invited British indie rockers Ulrika Spacek, Gothenburg, Sweden-based trio Pale Honey, the Bay Area-based JOVM mainstay Tim Cohen and his primary project The Fresh & Onlys, renowned British psych rockers The Telescopes,  Malmo, Sweden-based punk rock act Sista Bossen, Copenhagen, Denmark-based indie rock quartet ONBC and a growing list of others. The members of Moaning had stopped by Tapetown Studios during their second European Union tour, and performed an urgent rendition of the attention-grabbing “Artificial” as part of the Tapetown Studio sessions. Check it. 

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Live Footage: Denmark’s ONBC Performs the Gorgeous and Ethereal “Copenhagen” at Tapetown Studios

ONBC is a Copenhagen, Denmark-based indie rock quartet, comprised of some of Denmark’s most acclaimed musicians — and the band can trace its origins to the formation and breakup of its earliest iteration Oliver North Boy Choir, an electro pop-leaning act, which featured founding members Camilla Florentz (vocals, bass) and Mikkel Max Jorn (guitar), who were both members of indie band epo-555. After releasing a number of EPs and singles, as well as covers of The Jesus and Mary Chain and The Boo Radleys, the Oliver North Boy Choir split up. In 2014 the members of Oliver North Boy Choir reunited but with the recruitment of Tanja Forsberg Simonsen (vocals, synths), who was a member of influential Danish indie pop act superheroes and Private; Ivan Petersen (drums), the frontman of The Boombox Hearts, and a radical change in sonic direction, the band was renamed ONBC.

In their native Denmark, the quartet has received attention for a cinematic sound and songwriting approach that some have compared to Low, Chris Issak and Julee Cruise — although as soon as I heard the gorgeous, shoegazer-like “Copenhagen,” I immediately thought of Malmo, Sweden’s Fredrik, Coco Beware and Caveman-era Caveman and Beach House as the harmonies of Forsberg Simonsen and Florentz ethereally float over a delicate and sparse arrangement of shimmering guitar chords and dramatic drumming.

Now, if you’ve been frequenting this site over the past 15-18 months or so, you’d recall that Aarhus, Denmark-based recording studio Tapetown Studios and Sound of Aarhus have been inviting national. regional and even internationally recognized touring bands to come into their studios for a live session, which they film and release through the interwebs. During the live session’s run, a number of bands have participated and been featured including British indie rockers Ulrika Spacek, the Gothenburg, Sweden-based trio Pale Honey, the Bay Area-based JOVM mainstay Tim Cohen and his primary project The Fresh & Onlys, the renowned British psych rockers The Telescopes, and a growing list of others.

ONBC’s Tapetown Studio session, much like Sista Bossen’s session is presented by their label, Crunchy Frog Records and was filmed during Aarhus’ popular Danish and Scandinavian indie music festival, Spot Festival — and it may arguably be one of the most stunningly beautiful ones they’ve shot to date.

 

Live Footage: Swedish Punk Rockers Sista Bossen Perform an Explosive Set at Tapetown Studios

With the release of their full-length debut Se Upp För, the Malmo, Sweden-based punk rock act Sista Bossen, comprised of Hampus Sunden, Frans Möller, Fredrik Persson, 
Patrik Schlegel and Kristopher Ståhlgren have developed a reputation across their native Sweden and the rest of Scandinavia for meshing high energy punk rock with psych rock in free flowing, anarchistic and humorous fashion — and unsurprisingly, their sound and songwriting winds up being wild, explosive and unpredictable yet centered by a crooked yet infectious melodic sense. 

The Malmo, Sweden-based punk rock act’s sophomore effort Titta inte på mig (när jag dansar) was released earlier this year by Danish indie label Crunchy Frog Records in collaboration with Kollektivet Records. The up-and-coming Swedish punk rock outfit was recently invited to stop by Aarhus, Denmark-based recording studio  Tapetown Studios — and if you’ve been frequenting this site over the past 15-18 months or so, you’d know that Sound of Aarhus along with the Aarhus-based studio have developed a continuing video series in which they invite national, regional and even internationally recognized touring bands to come into their studios for a live session. A number of bands have played including British indie rockers Ulrika Spacek, the Gothenburg, Sweden-based trio Pale Honey, the Bay Area-based JOVM mainstay Tim Cohen and his primary project The Fresh & Onlys, the renowned British psych rockers The Telescopes, and a growing list of others. 

Sista Bossen’s Tapetown Studio session which was sponsored by Crunch Frog Records, is the first session in its history to be sung completely in Swedish — until now, bands have written and performed material in English. But most important, it’s an incredible display of the mischievousness and explosive quality of their overall sound and live set; if anything, it’s the most energetic set I’ve come across as the band’s lead singer shouts, stomps and rolls around the floor with childlike fury and abandon. Along with that, there’s a playful musical joke in which the leader singer asks the band to play a little softer before the set’s fittingly explosive and quick conclusion. Regardless of the language, these guys kick ass — and have a mosh pit friendly sound. 

Live Footage: Copenhagen’s Baby in Vain Performs “One Feather” at Tapetown Studios

Formed back in 2010, the Copenhagen, Denmark-based indie rock trio Baby in Vain, comprised of Lola Hammerich, Benedicte Pierleoni and Andrea Thuesen have received attention across Scandinavia and elsewhere for a sound that features elements of stoner rock, grunge rock, the blues and noise rock; in fact, the trio have been written about in Mojo, Vice and Intro Magazine — and adding to a growing the profile, the trio has opened for Ty Segall, Thurston Moore’s post Sonic Youth project Chelsea Light Moving and The Kills during their Stateside and European Union tours. Additionally,  they’ve made appearances across the European festival circuit, playing sets at Reading, Leeds, Great Escape and Roskilde among others. 

Now, if you’ve been frequenting this site over the past year or so, you may recall that the Aarhus, Denmark-based recording studio  Tapetown Studios  along with Sound of Aarhus have developed a live video series in which they invite national, regional and internationally recognized touring bands to come into their studio during their free time to record a live session. And over that period of time, Tapetown has invited British indie rockers Ulrika Spacek, the Gothenburg, Sweden-based trio Pale Honey, the Bay Area-based JOVM mainstay Tim Cohen and his primary project The Fresh & Onlys, and the renowned British psych rockers The Telescopes. Recently, Tapetown and Sound of Aarhus invited the Danish indie rock trio to the studio, where they performed a slow-burning dirgey blues number “One Feather.” 

Live Footage: The Telescopes Perform “You Can’t Reach What You Hunger” and “Something In My Brain” at Tapetown Studios

Currently comprised of founding member Stephen Lawrie and featuring members of One Unique Signal as the live performing band, the Burton upon Trent, Staffordshire, UK-based psych rock/noise rock band The Telescopes originally formed back in 1987 and while inspired by the likes of Suicide, The Velvet Underground and 13th Floor Elevators — and over the course of a number of singles and nine full-length albums, including 1989’s Taste, 1992’s self-tiled album, 2002’s Third Wave, 2005’s #4, 2006’s Hungry Audio Tapes, 2008’s Infinite Suns, 2013’s HARM, 2015’s Hidden Fields and this year’s As Light Returns, the British band has developed a reputation for being arguably one of the more influential noise rock/psych rock bands of their era, seemingly influencing the work of the likes of A Place to Bury Strangers with whom they released a split 7 inch released through Fuzz Club Records, Chain of Flowers, Bambara and others. 

Now, if you’ve been frequenting this site over the past few months, you’d recall that the Aarhus, Denmark-based recording studio  Tapetown Studios  along with Sound of Aarhus have developed a live video series in which they invite national, regional and internationally recognized touring bands to come into their studio during their free time to record a live session. Over the past year, Tapetown Studios and Sound of Aarhus have invited British indie rockers Ulrika Spacek, Gothenburg, Sweden-based trio Pale Honey, and the Bay Area-based JOVM mainstay Tim Cohen and his primary project The Fresh & Onlys. Stephen Lawrie and the members of the touring band were invited to Tapetown to record a session that featured the slow-burning, murky, feedback driven dirge “You Can’t Reach What You Hunger” a song that builds upon a tightly restrained tension until its scorching conclusion; and the forceful and stormy “Something In My Brain.” 

Live Footage: The Fresh & Onlys Perform “Wolf Lie Down” at Tapetown Studios

Aarhus, Denmark-based recording studio  Tapetown Studios  and  Sound of Aarhus have developed a live video series in which they invite national, regional and internationally recognized touring bands to come into their studio during their free time to record a session — and along with that, the band would also be provided a unique glimpse of Aarhus beyond the exhausting touring routines of load-ins, soundchecks, live set, chat with strangers and friends, tear downs, pack ups, and van rides and/or flights to the next series of gigs. Now, if you’ve been frequenting recently, you’d know that Tapetown and Sound of Aarhus have invited the British indie rockers Ulrika Spacek and Gothenburg, Sweden-based trio Pale Honey. 

Of course, throughout the past few years, I’ve written quite about  Tim Cohen, woho has written, recorded and toured with a number of different bands and creative outlets, including Magic Trick, The Fresh & Onlys (with whom, he may be the best known) and as a solo artist. Interestingly, over that same period, Cohen has managed to be remarkably prolific and extremely busy: last year alone, the Bay Area-based singer/songwriter split time touring with Magic Trick and The Fresh & Onlys, worked on and recorded Magic Trick’s fourth album Other Man’s Blues, as well as his solo debut Luck Man — and he managed to balance all of that with the responsibilities of being a new father.  

Released earlier this year, Wolf Lie Down is the first Fresh & Onlys effort in over three years, and the album found collaborators and bandmates Cohen and Wymond Miles (guitar, production) stripping the layered sound and feel of their last few albums while keeping the focus on Cohen’s hyper-literate yet accessible lyrics, focusing on metaphysical musings; but in the case of album title track “Wolf Lie Down,” Cohen’s vocals and lyrics are paired with the sort of arrangement that should immediately remind you of  the Ramones. 

Recently, Cohen, Miles and company were touring Europe and were invited to stop by Aarhus’ Tapetown Studios where they played a loose and fast live version of “Wolf Lie Down.” Check it out. 

Live Footage: Up-and-Coming Swedish Band Pale Honey Perform “Heaviest of Storms” at Tapetown Studios

Now, if you’ve been frequenting this site over the past few months, you may know that the Aarhus, Denmark-based recording studio  Tapetown Studios  and  Sound of Aarhus have a long-running series in which they invite both touring bands to come into the studio for a live session; but along with that the band during their limited downtime would get a unique taste of Aarhus beyond the touring routine of load-ins, sound checks, shows, tear downs, pack ups and van rides to the next gig. Recently, Tapetown Studios and Sound of Aarhus invited Gothenburg, Sweden-based trio Pale Honey for a session — and the trio, comprised of Tuva Lodmark, Nelly Daltrey, and Anders Lagerfors performed “Heaviest of Storms (Devotion, Part 1)” a shimmering and moody track that reminded me quite a bit of early PJ Harvey.