Tag: Parasite

Live Footage: METZ Perform “Parasite” at The Opera House Toronto

Throughout the course of this site’s 10-plus year history, I’ve spilled a lot of virtual ink covering the Toronto-based punk trio and JOVM mainstays METZ. And as you may recall,. the act’s fourth album, Atlas Vending was released last week through their longtime label home Sub Pop Records.

Their previously released material found the band thriving on an abrasive relentlessness but before they set to work on Atlas Vending, the Canadian punk trio set a goal for themselves and for the album — that they were going to make a much more patient and honest album, an album that invited repeated listens rather than a few exhilarating mosh-pit friendly bludgeonings. Co-produced by Uniform’s Ben Greenberg and mastered by Seth Manchester at Pawtucket’s Machines with Magnets, the album finds the band crafting music for the long haul, with the hopes that their work could serve as a constant as they (and the listener) navigated life’s trials and tribulations.

The end result is an album’s worth of material that retains the massive sound that has won them attention and hearts across the world — but while arguably being their most articulate, earnest and dynamic of their growing catalog. Thematically, the album covers disparate yet very adult themes: paternity, crushing social anxiety, addiction, isolation, media-induced paranoia and the restless urge to just say “Fuck this!” and leave it all behind. Much like its immediate predecessor, Altas Vending offers a snapshot of the the modern condition as they see it; however, each of the album’s ten songs were written to form a musical and narrative whole — with the album’s song sequencing following a cradle-to-grave trajectory.

Naturally, the album’s material runs through the gamut of emotions — from the most rudimentary and simplistic sensations of childhood to the increasingly nuanced and turbulent peaks and valleys of adulthood. And in some way, the album finds the band tackling the inevitable — getting older, especially in an industry seemingly suspended in perpetual youth. “Change is inevitable if you’re lucky,” METZ’s Alex Eadkins says of the band’s fourth album Atlas Vending. “Our goal is to remain in flux, to grow in a natural and gradual way. We’ve always been wary to not overthink or intellectualize the music we love but also not satisfied until we’ve accomplished something that pushes us forward.”

I’ve written about three of the album’s singles so far: the album’s first single, album closing track “A Boat to Drown In,” one of the most expansive and oceanic tracks of their catalog; “Hail Taxi,” an explosive and deceptively prototypical METZ track that’s centered around a deeply adult sense of regret, as the song features a narrator, who desperately attempts to reconcile who they once were with what they’ve become; and “Blind Industrial Park,” a rapturous and euphoric METZ-styled ripper that’s actually an ode to the naivete of youth and the blissful freedom of being unbranded by the world surrounding you.

To celebrate the release of Atlas Vending METZ played a special livestream at The Opera House in Toronto. Last night’s set found them playing Atlas Vending in its entirely with an encore that featured fan favorites ‘Negative Space” and “Wet Blanket” off their self-titled, full=length debut.. The band released a frenetically shot live footage of pummeling new ripper “Parasite.”

You can still get tickets for the live stream of night 2 at The Opera House, which will air at 3PM ET, Noon PT, 8PM BST, 9PM CEST, 8PM AEST. Tickets available here: tickets.

New Video: JOVM Mainstays Russian Baths Return with a Disturbing Visual for “Parasite”

Over the past 18 months or so, I’ve written quite a bit about the the Brooklyn-based JOVM mainstays, Russian Baths. And as you may recall, with the release of their debut single “Ambulance,” the act comprised of Luke Koz, Jess Ress, Evan Gill Smith and Jeff Widner quickly received attention locally and elsewhere for a sound that the band has described by some as nodding at Big Black, 70s space rock, Big Muff and British post punk among others. The Brooklyn-based JOVM mainstays released their debut EP Penance last year through Good Eye Records and from EP singles “What’s In Your Basement,” “Slenderman” and “Poolhouse,” the band established a sound that recalled brooding, 120 Minutes-era alt rock. 

Russian Baths’ full-length debut is slated for release later this year, and the album’s first, official single”Parasite” may arguably be the one of the most muscular and grunge-like songs of the band’s growing catalog, as the song is centered around distortion pedal-drenched power chords, thundering drumming, a mosh pit friendly hook and male-female harmonizing within a tried-and-true, alt rock, alternating quiet, loud, quiet song structure. And while bringing Nirvana, The Breeders and others mind, the song has a deeply unsettling and violent air, capturing someone on the verge of destroying themselves.

Interestingly, the recently released video for “Parasite” follows an incredibly dysfunctional and parasitical relationship between two women, one who has just left a hospital for some unknown treatment or procedure.  Throughout their day together, the healthier woman takes her friend’s medication, frequently teasing and mocking her friend, who by the end of the video collapses. “Have you ever had an insect burrow into your brain and force you to drown yourself? Cured a headache with a hand grenade?” Koz says in press notes about the single and the accompanying video. “This song is about these legitimate questions.”

Over the past 15-16 months or so, I’ve written about the Brooklyn-based JOVM mainstays, Russian Baths. And with the release of their debut single “Ambulance,” the act comprised of Luke Koz, Jess Ress, Evan Gill Smith and Jeff Widner quickly received attention locally and elsewhere for a sound that the band has described as nodding at Big Black, 70s space rock, Big Muff and British post punk among others. The band released their debut EP Penance last year through Good Eye Records and from EP singles “What’s In Your Basement,” “Slenderman” and “Poolhouse,” the Brooklyn-based JOVM mainstays established themselves for brooding 90s alt rock 120 Minutes-era MTV-like sound.

Building upon a growing profile, the band will be releasing their full-length debut later this year, and the album’s first, official single “Parasite” may arguably be the one of the most muscular and grunge-like songs of their growing catalog, as the song is centered around distortion pedal-drenched power chords, thundering drumming, a mosh pit friendly hook and male-female harmonizing within a tried-and-true, alt rock, alternating quiet, loud, quiet song structure. And while bringing Nirvana and others to mind, the song has a deeply unsettling and violent air, capturing someone on the verge of destroying themselves.

“Have you ever had an insect burrow into your brain and force you to drown yourself? Cured a headache with a hand grenade?” queries Koz, aptly reconstructing the same violent energy converted to guitar-driven noise rock on the single. “This song is about these legitimate questions.”