Tag: Paste Magazine

Currently comprised of Kyle Morton (vocals, piano, guitar), Tony Tanabe (bass, vocals), Dave Hall (guitar, vocals), Shannon Steele (violin, vocals), Jef Hufnagel (violin, vocals), Pieter Hilton (drums, vocals), Alex Fitch (drums, vocals), Tyler Ferrin (horns, guitar, piano, vocals), Ryan McAlpin (trumpet, vocals), Eric Stipe (trumpet, vocals) and Devin Gallagher (percussion, ukelele, vocals), the 11 member Portland, OR-based indie act Typhoon has received attention for a sound that meshes elements of indie rock, baroque pop  and orchestral pop as their material is rooted around complex arrangements and lush orchestration, as well as a penchant for restless experimentation with various styles including classic sea shanties, Country and Western, Eastern European folk and others. And unsurprisingly, they’ve drawn comparisons to Frightened Rabbit, Bright Eyes, Beirut and Arcade Fire among others. Along with that, they’ve received attention for live sets that routinely feature 12 (or more) musicians performing on stage. However, with the release of Hunger & Thirst and A New Kind of House EP the collective’s material revealed an increasingly consistent sound paired with a greater attention on crafting a thematic through-line — with much of their material based around a preoccupation with mortality, based primarily around (and making references to) Morton’s childhood struggles with Lyme Disease.

Adding to a rapidly growing local and national profile, they’ve had their music appear on SyFy’s Being Human, NBC’s Chuck and the major motion picture Veronica Mars, and they’ve opened for the likes of The Thermals, Quasi, Yann Tiersen, Explosions in the Sky, The Decemberists, Belle and Sebastian and The Shins and have toured with Lady Lamb the Bee Keeper, Portugal, the Man and Grouplove. Thanks in part to the success of album single “The Honest Truth,” which was ranked #3 in Paste Magazine‘s Top 50 Songs of 2011 List, and 2013’s White Lighter, which reached #105 on the Billboard 200, #2 on the Heatseekers and was 37 on Paste’s Best Albums list, the members of the collective played sets at 2014’s Lollapalooza and Outside Lands.

After the release of 2015’s live album, Live at Crystal Ballroom, which features the band playing material from off Hunger & Thirst and White Lighter, Morton released his solo debut What Will Destroy You — and during that time, the members of the collective spent time working on the material, which would comprise their soon-to-be released fourth album Offerings. Thematically, the album is centered on a fictional man, who is losing his memory — and in turn, his sense of self.  “I’ve always been preoccupied with memory, losing memory, and trying to recapture memory. I wanted to explore the questions: What does a person become if they don’t know where they came from? What is the essential quality of the person if you strip away all memory?” explains singer/songwriter Kyle Morton in pres note

As the story goes, motivated by his own preoccupation with “losing it,” Morton was inspired by the films of David Lynch, Christopher Nolan’s Memento and Fellini’s 8 1/2, as well as several different books on his nightstand, including Samuel Beckett’s famed Three Novels — in particular, Malloy. “It made it a much darker album for sure,” Morton says in press notes.  Structurally, the album is divided into four different movements — Floodplains, Flood, Reckoning and Afterparty — meant to represent each of the four mental phases the main character goes through when he first realizes that something is wrong, then struggles through the chaos of his situation, and finally moves into acceptance before succumbing to a terrible and unimaginable fate.

Musically, the band evokes an impending doom and chaos that’s supposed to mirror the main character’s sense of fear and anxiety. And to set the set the tone, Morton and company decided to write the material with much more guitar than horns and string arrangements.  “I wanted it to be a darker, more intense rock record, so it’s very guitar-based. It’s going back to my rock roots before Typhoon,” says Morton. But along with that, the material parallels the contemporary world. “I was also reading historian Timothy Snyder and was inspired by his take on how America is at risk of losing their sense of history. If we haven’t learned the lessons of our past, historically, we can’t recognize when elements come back to haunt us, which is what’s happening right now,” Morton adds.

Interestingly, Offering‘s latest single “Darker” is from the album’s third movement, and as Morton explains, the song details some of the final stages of the album’s main character’s memory crisis in which he loses the critical distinctions separating self from other. And naturally all kinds of chaos and confusion ensue. And while the arrangement balances a hook laden arena rock friendliness with a sweeping, cinematic quality, it possesses a tense and creeping anxiousness of someone, who’s fully aware of something horrifying happening to them and that they’re utterly powerless to stop it — but along with that, there’s the strange recognition that whatever it was that it was happening to them is something they’d have a difficult time explaining to someone else. Personally, what makes the song interesting is that Morton as a songwriter has revealed himself to have a novelist’s attention to psychological detail, capturing the fractured thoughts and uncertain emotions of someone slowly losing it all.

 

The band will begin 2018 with a lengthy US and European tour, and it includes a January 27, 2018 stop at The Music Hall of Williamsburg. Check out the tour dates below.

 

 

TOUR DATES:
01.10 – URBAN LOUNGE – SALT LAKE CITY, UT (TICKETS)
01.12 – GOTHIC THEATRE – ENGLEWOOD, CO (TICKETS)
01.14 – THE WAITING ROOM – OMAHA, NE (TICKETS)
01.17 – TURF CLUB – SAINT PAUL, MN (TICKETS)
01.18 – MAJESTIC THEATER – MADISON, WI (TICKETS)
01.19 – THE METRO – CHICAGO, IL (TICKETS)
01.20 – EL CLUB – DETROIT, MI (TICKETS)
01.23 – LEE’S PALACE – TORONTO, ON (TICKETS)
01.25 – PARADISE ROCK CLUB – BOSTON, MA (TICKETS)
01.26 – UNION TRANSFER – PHILADELPHIA, PA (TICKETS)
01.27 – MUSIC HALL OF WILLIAMSBURG – BROOKLYN, NY (TICKETS)
01.31 – 9:30 CLUB – WASHINGTON, DC (TICKETS)
02.01 – CAT’S CRADLE – CARRBORO, NC (TICKETS)
02.02 – TERMINAL WEST – ATLANTA, GA (TICKETS)
02.03 – EXIT IN – NASHVILLE, TN (TICKETS)
02.06 – THE MOHAWK – AUSTIN, TX (TICKETS)
02.08 – THE CRESCENT BALLROOM – PHOENIX, AZ (TICKETS)
02.10 – MUSIC BOX – SAN DIEGO, CA (TICKETS)
02.11 – TERAGRAM BALLROOM – LOS ANGELES, CA (TICKETS)
02.13 – THE INDEPENDENT – SAN FRANCISCO, CA (TICKETS)
02.16 – THE CROCODILE – SEATTLE, WA (TICKETS)
02.23 – CRYSTAL BALLROOM – PORTLAND, OR (TICKETS)
02.24 – RICKSHAW THEATRE – VANCOUVER, BC (TICKETS)
02.28 – THE DEAF INSTITUTE – MANCHESTER, UK (TICKETS)
03.01 – BROADCAST – GLASGOW, UK (TICKETS)
03.02 – THE LEXINGTON – LONDON, UK (TICKETS)
03.07 – LE PETIT BAIN – PARIS, FRANCE (TICKETS)
03.08 – BOTANIQUE – BRUSSELS, BELGIUM (TICKETS)
03.09 – PARADISO – AMSTERDAM, NETHERLANDS (TICKETS)
03.10 – KNUST – HAMBURG, GERMANY (TICKETS)
03.13 – VEGA – COPENHAGEN, DENMARK (TICKETS)
03.14 – MUSIK & FRIEDEN – BERLIN, GERMANY (TICKETS)
03.15 – FLUC – VIENNA, AUSTRIA (TICKETS)
03.16 – GARE DE LION – WIL, SWITZERLAND (TICKETS)
03.18 – ROYAL – BADEN, SWITZERLAND (TICKETS)
03.20 – ARTHEATER – COLOGNE, GERMANY (TICKETS)

With the release of their debut full-length effort, Teeth, Brooklyn-based indie rock quartet The Loom — comprised of John Fanning (guitar, vocals), Lis Rubard (French horn, trumpet, keys, vocals), John Mosloskie (bass, vocals) and Mike Rasimas (drums) — saw a rapidly growing national and international profile as the album was critically praised by the likes of The New York Times, who called the band the “Next Big Thing,” Paste, who named the band “Best of What’s Next,” WXPN, who named them a “World Cafe Next” band, as well as breathless praise from Daytrotter and New Yorker. And as a result, the Brooklyn-based quartet toured extensively across North America — in particular across the US and Canada — and they’ve made tour stops as far away as Poland.

Produced by Kevin McMahon, best known for his work with Titus Andronicus and Real Estate and recorded at Marcata Recording, the Brooklyn-based quartet’s long-awaited sophomore release Here In The Deadlights is slated for release next month and thematically speaking revolve around deeply personal experience — Fanning’s world up-ending split from his longtime partner and best friend of 14 years, followed by the difficult period of rebuilding one’s own life. And reportedly, the forthcoming effort is a radical sonic departure as the material has the band taking on a much more krautrock and psych rock-leaning sound, complete with layers of organs, feedback heavy guitars and ethereal horns all run through delay and other effects pedals as you’ll hear on the moody and buzzing “Fire Makes,” a song that sonically reminds me a little bit of My Jerusalem‘s Preachers — but with a tense sense of menace.

The Brooklyn-based quartet will be on tour throughout April, and it starts with a record release show on April 22, 2016 at Union Pool. Check out tour dates below.

Tour Dates
 
4/22 – Brooklyn, NY – Union Pool
4/23 – Beacon, NY – The Howland Cultural Center
4/24 – Albany, NY – The Low Beat
4/25 – Boston, MA – Out of the Blue Too Gallery
4/26 – Philadelphia, PA – Kung Fu Necktie
4/27 – Washington, DC – Velvet Lounge
4/28 – Louisville, KY – TBD
4/29 – Indianapolis, IN – The Melody Inn
4/30 – Chicago, IL – Schubas (w/ Cross Record)