Tag: PIAS Records

Comprised of its Manchester, UK-born and Paris-based David Shaw and Paris-born and based Dombrance, the Paris-based electronic music and production duo DBFC emerged onto the French electronic music scene with the release of several singles throughout 2015 and 2016 through renowned indie label Her Majesty’s Ship Records — including “Automatic,” a track which remained me of Kraftwerk’s “Trans Europe Express” and Primal Scream‘s “Autobahn 66” — but with a subtle cosmic glow around its edges.

The duo’s highly-anticipated full-length debut Jenks is slated for a June 2, 2017 release through Different Recordings/[PIAS] Records and the album’s first single “Sinner” will partially further their reputation for pairing slick electronic production with organic instrumentation but while a single like  the aforementioned “Automatic” struck me as owing a debut to Kraftwerk and Primal Scream, the new single still nods at those influences while subtly nodding at The Chemical Brothers‘ Come With Us as the song possesses a free-flowing improvisation paired with a similarly trippy and cosmic glow.

 

Comprised of Sebastian Dutilih and Belle Doron, Amsterdam, The Netherlands-based electro pop duo CUT_  quickly became international sensations across Europe with the release of their rework of Stromae‘s “Papaoutai.” And adding to a growing international profile, the “Papaoutai” rework went viral on Spotify and received quite a bit of airplay across Europe — and as a result of the growing attention the Dutch electro pop duo were receiving, they caught the attention of the renowned indie label [PIAS] Records, who recently signed Dutilih and Doron to an international deal.

After signing to [PIAS] Records, the duo retreated to the French Alps to work on new material and the first single from those sessions is the Leo Abrams co-produced single “Tune In Tune Out,” a single consisting of a propulsive yet shuffling production featuring handclap led percussion, stuttering boom-bap-like drum programming,  cascading layers of synths with Doron’s sultry, jazz-like vocal stylings and an infectious hook in a song that feels mischievously, coquettish and bold while possessing a radio-friendly feel — but just under the surface is a subtly dark undertone. As the duo explains in press notes “we want to belong to both worlds; the dark alternative electronica that excites us, as well as forward-thinking pop that sticks our heads . . . we’re always trying to combine our love for the two.”

 

New Audio: Lucius’ New Single Subtly Expands Their Gorgeous Sound

Over the past couple of years, Brooklyn-based quartet Lucius has received critical praise and attention from the blogosphere (including this site) and major media outlets such as  Rolling Stone who had once named them a “Band to Watch.” and Time who […]