Tag: Pittsburgh PA

New Video: Malibu Ken (Aesop Rock and TOBACCO) Releases a Nightmarish and Holiday-Themed Visual for “Tuesday”

Born Ian Matthais Bavitz in Syosset, NY, the Portland, OR-based emcee and producer Aesop Rock is best known for being at the forefront of a collection of underground and alternative hip-hop acts that emerged during the late 1990s and early 2000s. The bulk of his most boundary pushing work was released through El-P’s Definitive Jux Records. Additionally, the Syosset-born, Portland-based emcee has developed a reputation for being a highly-sought after collaborator, working in a number of projects including The Weathermen, Hail Mary Mallon with Rob Sonic and DJ Big Wiz, The Uncluded with Kimya Dawson and Two of Every Animal with Cage. Importantly, whether as as solo artist or part of a collaborative group, Aesop Rock is considered one of the genre’s more verbose emcees, known for a flow that feature dense and abstract wordplay and complex inner and out rhyme schemes. 

Over the past decade, the Pittsburgh-born and based producer, multi-instrumentalist and singer/songwriter Thomas Fec, best known as TOBACCO has employed the use of analog synthesizers and tape machines to create material — as a solo artist and as the frontman and creative mastermind of Black Moth Super Rainbow — that rapidly alternates between absurdly bright beauty and the murderously sinister, while evoking a woozy and uneasy intertwining of tension, anxiety, bemusement and pleasure. 

Malibu Ken, the duo’s collaboration together can trace its origins back to when TOBACCO and Aesop Rock toured together over a decade ago. “I find his production to be something special, and always wanted to see what I could bring to it,” Aesop Rock says in press notes. ” We recently found time to record some songs, and Malibu Ken was born. I brought a few stories to the table, but also did my best to let the production dictate the subject matter throughout. We hope you like the soup.” Now, as you may recall, Rhymesayers Entertainment released the duo’s self-titled full-length debut earlier this year, and with album single “Acid King,” the duo quickly established themselves for crafting some of the most forward-thinking, strangest and boundary pushing hip hop I’ve heard in some time.  

Aptly released today, “Tuesday,” Malibu Ken’s latest single continues on a similar vein as its immediate predecessor as it’s centered around Aesop Rock’s dense and mind-bending bars full of absurdist imagery, pop culture references and ridiculous word play and TOBACCO’s woozy retro-futuristic production consisting of tweeter and woofer rocking beats, chopped up and vocodered vocals and distorted whirring synth arpeggios.  

Directed by longtime Aesop Rock collaborator Rob Shaw, the recently released video for “Tuesday” is centered around familiar holiday-related themes — food, family, obligation and duty but with a nightmarish, fever dream-like logic. 

New Video: Aesop Rock and TOBACCO Collaboration Malibu Ken Releases Trippy and Menacing “Acid King”

Born Ian Matthais Bavitz in Syosset, NY, the Portland, OR-based emcee and producer Aesop Rock was at the forefront of a collection of underground and alt hip-hop acts that emerged during the late 1990s and early 2000s with his most boundary pushing work being released through El-P’s Definitive Jux Records. Aesop Rock has also developed a reputation for being a go-to collaborator, as he is the member of a number of different musical projects including The Weathermen, Hail Mary Mallon with Rob Sonic and DJ Big Wiz, The Uncluded with Kimya Dawson and Two of Every Animal with Cage. Throughout his career, the Syosset-born, Portland-based emcee and producer has been largely considered one of the more verbose emcees, known for flow that’s centered by dense and abstract wordplay and rhyme schemes. 

Over the past decade, the Pittsburgh-born and based producer, multi-instrumentalist and singer/songwriter TOBACCO (born Thomas Fec) as a solo artist and as the frontman and primary songwriter of Black Moth Super Rainbow has used analog synths and tape machines to record material that rapidly alternates between absurdly bright beauty and the murderous sinister in a way that evokes a woozy and uneasy intertwining of tension, anxiety, bemusement and pleasure. 

The duo’s collaboration Malibu Ken can trace its origins back to when TOBACCO and Aesop Rock toured together over a decade ago. “I find his production to be something special, and always wanted to see what I could bring to it,” Aesop Rock says in press notes. ” We recently found time to record some songs, and Malibu Ken was born. I brought a few stories to the table, but also did my best to let the production dictate the subject matter throughout. We hope you like the soup.” Rhymesayers Entertainment will be releasing the duo’s self-titled, full-length debut on January 18, 2019, and the album’s first single “Acid King” may arguably be one of the most forward-thinking, strangest and boundary pushing hip-hop tracks I’ve heard in some time. Sonically, Aesop Rock spits a series of dense, heady bars full of absurd and gory imagery over an woozy, eerie and menacing retro-futuristic production centered around shimmering and arpeggiated synths. 

Directed by long-time Aesop Rock collaborator Rob Shaw, the recently released animated music video is a fittingly fucked up, psychedelic nightmare centered around the decay and melting of its protagonist’s face — in real time. 

Live Footage: JOVM Mainstays NØMADS Returns with a Tense and Paranoid New Single

Comprised of Nathan Lithow  (vocals, synths, bass) and Garth Macaleavey (drums), the JOVM mainstay act NØMADS have a rather accomplished history both separately and together, and with the release of 2014’s full-length debut, the duo received attention across the blogosphere for a sound that drew and/or nodded at Nirvana, Fugazi and Girls Against Boys while also nodding at Zack de la Rocha’s post-Rage Against the Machine project, One Day As A Lion  and Japandroids.

After a year-long hiatus from touring and writing, the Brooklyn-based duo spent 2016 writing and recording the material that would eventually comprise their sophomore album PHØBIAC, a concept album in which each song focuses on a different phobia, approached in an abstract, almost clinical fashion. The result is that the material captures the innermost thoughts and anxieties of someone in the grips of crippling fear; but at its core, is a cautionary message for our heightened and uncertain times — that whenever we succumb to the irrationality of our fears, chaos and self-destruction will be the result.  And throughout the course of the year, the duo have released material off PHØBIAC every month but recently, the duo have announced that they’ll be splitting the album into two separate albums — the organic instrumentation-driven PHØBIAC Part 1 and the synth-driven PHØBIAC part 2. 

This month’s latest single “Phasmophøbia” focuses on the fear of the paranormal and of ghosts — both literal and figurative. Recorded live in Pittsburgh in the murky shadows of an abandoned Catholic school’s furnace room in one full take with no edits, “Phasmophøbia”  consists of a fast and loose, improvised jam-like arrangement featuring swirling and twisting synth chords paired with boom-bap hip-hop-inspired drumming which evoke a sweaty, nauseating paranoia, which shouldn’t be surprising as the song focuses on an ex-lover, who perpetually haunts the street of the paranoid narrator’s daily world; and in fact, the song’s narrator recognizes that his past is sickeningly inescapable. 

New Audio: maticulous Teams Up With Pittsburgh-based emcee Beedie On the Haunting New Single, “The Journey.”

maticulous is a Pittsburgh-born, Brooklyn-based producer, who has worked with the likes of Doom, RA the Rugged Man, Ruste Juxx, and is one half of emcee/production duo Audimatic, with Audible Doctor of the renowned hip-hop collective, Brown Bag AllStars.  As a producer, […]