Tag: Power Trip Executioner’s Tax (Swing of the Axe)

New Video: The Headbangers Ball-Inspired Sounds and Visuals of Power Trip’s “Executioner’s Tax (Swing of the Axe)”

Comprised of Riley Gale, Blake Ibanez, Chris Ulsh, Nick Stewart and Chris Whetzel, the Dallas, TX-based metal quintet Power Trip have developed a reputation for a bruising sound that draws heavily from 80s and 90s heavy metal; in fact, “Firing Squad,” off their recently released Nightmare Logic is reminiscent of Slayer, Metallica Iron Maiden and even Motorhead; but with a subtly modern production sheen. And the album’s latest single, “Executioner’s Tax (Swing of the Axe)” continues on a similar, punishing vein as blistering cascades of power chords, propulsive and thundering drumming, howled lyrics and an emphasis on rousingly anthemic, mosh pit-friendly hooks.

Directed by Andy Capper, the recently released music video for the bruising “Executioner’s Tax (Swing of the Axe)” uses footage from a rowdy hometown show and cuts clips of warfare — including soldiers firing machine guns, bombs blowing up tanks, cars and other things, nuclear bomb tests and the stupid, orange-skinned face of blind, swaggering, Mussolini-like, new fascism. Reportedly, the visuals emphasize Gale’s furious lyrics, which focus on devaluation of human life by those who’ve gained immense power through money and politics, and while visually being reminiscent of the sorts of videos you’d see on Headbanger’s Ball.

New Audio: Dallas, TX’s Power Trip Returns with More Blistering, Hook-Laden Metal

Now, if you had stumbled on to this site towards the end of last year, you may recall that I wrote about Dallas, TX-based metal quintet Power Trip. Comprised of Riley Gale, Blake Ibanez, Chris Ulsh, Nick Stewart and Chris Whetzel, the Dallas-based quintet have developed a reputation for a sound that draws heavily from 80s metal, complete with similiar guitar pyrotechnics and thundering drumming. “Firing Squad,” off the quintet’s forthcoming album Nightmare Logic was a mosh pit worthy song that’s reminiscent of Slayer, Metallica and Iron Maiden; but with a modern production sheen. The album’s latest single “Executioner’s Tax (Swing of the Axe)” continues on a similar vein as blistering cascades of power chords, propulsive and thundering drumming and howled lyrics while possessing a subtly modern production sheen –with what sounds like a bit of twinkling piano, just under the surface; but perhaps more important, both singles off the band’s forthcoming album reveal an emphasis on crafting incredibly tight and anthemic hooks while expressing a contemporary sense of complete hopelessness in everything. After all, things do seem increasingly bleak.