Tag: Public Image Ltd.

Video by William Ruben Helms

New Video: Los Angeles-based Duo Peel Releases a Brooding Visual for Hypontic “Rom-Com”

Los Angeles-based duo Peel is a new collaboration between multi-instrumentalist and visual artist Sean Cimino and multi-instrumentalist and producer Isom Innis. Interestingly, the project can trace its origins back to a month-long recording session the duo held at Innis’ concrete loft above The Orpheum Theatre. The cavernous space, which once held fleets of sewing machines thrumming and humming served as the perfect setting for musical experimentation through drums, amps and modular synthesizers.

Interestingly, the duo’s debut single “Rom-Com” was the first song the duo wrote together, and the track is centered around shimmering synth arpeggios, a woozy guitar solo and hypnotic, motorik groove that brings Gary Numan and Antics-era Interpol to mind. “We are obsessed with records like Second Edition (Public Image Ltd.) and The Pleasure Principle (Gary Numan); records where spirit and improvisation guide expression,” Peel’s Isom Innis explains in press notes. “The lyrics, deriving from a stream-of consciousness, are from the perspective of trying to find your existential footing in the cyclical information spiral.”

Directed by Taylor Giali, Robbie Jeffers and the members of Peel, the recently released video for “Rom-Com,” is a live recording shot in a stark, industrial-like black and white while capturing the duo through different arrays of photographs and hazy analog, security cam-like video — but with an interactive twist in which the viewer can scroll through a split screen of the band performing.

Peel’s self-titled effort is slated for an October 16, 2020 release though Innovative Leisure. Be on the lookout

Single Review by William Ruben Helms

Over the past couple of months, I’ve written about the Los Angeles, CA-based quartet Sextile. And interestingly enough, the band which is comprised of Melissa Scaduto, Eddie Wuebben, Sammy Warren and Brady Keen derives their name from the classic, astrological definition of sextile, an astrological aspect that’s made when two planets or other astrological bodies are 60º apart in the night sky.

Now, as you may recall, “One Of These,” off the band’s forthcoming sophomore effort, Albeit Living, managed to sound as though it were influenced by The Jesus and Mary Chain, A Place to Bury Strangers, Wire, Public Image, Ltd., early Ministry and early Nine Inch Nails as it featured the band pairing a propulsive stomp with scorching feedback, chilly synths, a dance floor-worthy hook with a feral intensity.  The album’s subsequent signal “Who Killed Six” featured angular guitar chords, punchily delivered lyrics and industrial clang and clatter to create a song that sounded as though it were influenced by   Pink Flag-era Wire and Joy Division; but with a scuzzier and grittier feel.

Albeit Living‘s latest single “Situation” finds the band pairing a propulsive and throbbing synths with whirring and grinding electronics, persistent beats and laconically delivered vocals in a song that sounds like a dryly ironic cover of Elastica‘s “Connection.” And although the song manages to draw from some of the same influences and time period, the new single reveals a band playfully and restlessly experimenting with their sound to the point of being musical chameleons while retaining elements of the sound and aesthetic that captured the blogosphere’s attention — namely an ability to craft a rousing hook.

 

Single Review by William Ruben Helms

Last month, I wrote about the Los Angeles, CA-based quartet Sextile. Comprised of Melissa Scaduto, Eddie Wuebben, Sammy Warren and Brady Keen, the band, whose sound draws from 70s punk, 80s New Wave, synthwave and early, industrial electronica, derives their name from the classic, astrological meaning of sextile, an astrological aspect that is made when two planets or other celestial bodies are 60 degrees apart in the sky.

Now, as you may recall, “One Of These,” off the band’s forthcoming sophomore effort, Albeit Living, managed to sound as though it were influenced by The Jesus and Mary Chain, A Place to Bury Strangers, Wire, Public Image, Ltd., early Ministry and early Nine Inch Nails as it featured the band pairing a propulsive stomp with scorching feedback, chilly synths, a dance floor-worthy hook with a feral intensity. However, the album’s latest single “Who Killed Six” features angular guitar chords, punchily delivered lyrics and industrial clang and clatter in what arguably may be the most punk rock and New Wave-inspired song they’ve released to date; in fact, the song reminds me of Pink Flag-era Wire and Joy Division, complete with a scuzzy and gritty feel.

 

 

 

 

Single Review by William Ruben Helms

Deriving their name from the classic astrological meaning of sextile, an astrological aspect that is made when two planets or other celestial bodies are 60 degrees apart in the sky, the Los Angeles, CA-based quartet Sextile (comprised of Melissa Scaduto, Eddie Wuebben, Sammy Warren and Brady Keehn) specializes in a sound that draws from 70s punk, 80s New Wave, and synthwave and early industrial electronica. In fact, “One of These,” the latest single from the Los Angeles-based quartet’s forthcoming sophomore album Albeit Living manages to sound as though the band were drawing influence from The Jesus and Mary Chain, A Place to Bury Strangers, Wire, Public Image, Ltd., early Ministry and early Nine Inch Nails as the band pairs a propulsive stomp with scorching feedback, chilly synths and an anthemic, fairly dance floor-friendly hook with an explosively feral intensity.

 

 

 

 

 

 

Single Review by William Ruben Helms

Now, if you’ve been frequenting JOVM over the past 6-8 weeks, you may have come across a post or two about the Austin, TX-based quartet VIDEO. The band which features members Bad Sports, Wiccans, Radioactivity and The Wax Museums have developed a local and national reputation for being pioneers of a genre that they’ve dubbed “Hate Wave,” which possesses elements of punk rock, hard rock and melodic dissonance. In other words, their sound is loud and absolutely furious.

The band’s latest full-length effort, The Entertainers is slated for an October 30 release through Jack White‘s Third Man Records, and the album’s first single “New Immortals,” was a scorching thrash punk song with a sneering, in-your-face because we don’t give a fuck about anything vibe. The album’s latest single “Shackles” sounds as though its drawing from The Sex Pistols “Pretty Vacant” and Public Image, Ltd. as the song consist of slashing, angular guitar chords, propulsive drumming and shouted call and response vocals paired with the same we don’t give a fuck about anything vibe of the album’s first single, complete with a bitter, snarling irony. And if it doesn’t inspire a sweaty mosh pit in a dark club, there’s something deeply wrong with the world we live in.