Tag: Quiet Panic

New Video: Antwerp’s Newmoon Shares Shimmering And Atmospheric “Fading Phase”

With the release of 2014’s Invitation to Hold EP, 2016’s Space and 2019’s Nothing Hurts Forever, Antwerp-based shoegazer outfit Newmoon have established a sound and approach that meshes elements of shoegaze, post-punk and alternative rock with dreamy melodies and atmospheric soundscapes paired with emotive lyrics.

The Belgian shoegazer outfit’s third album Temporary Light is slated for a March 22, 2024 release through PIAS Recordings across the European Union and Manifesto Entertainment, a new imprint of Quiet Panic, across the US. Temporary Light reportedly marks the next step in the band’s musical evolution, showcasing their growth as a band and musicians — and their dedication to creating transformative music. Sonically speaking, the album sees the Belgian outfit returning to their roots to embrace an abrasive yet ethereal sound — but with a fresh approach. The band’s new drummer Conor Dawson enriches the band’s signature penchant for grand yet delicate melodies with rhythmic finesse, adding a layer of depth and musicality to the album’s material.

“Thick layers of guitars always felt natural to us, and are kind of our main thing. We wanted to explore some ideas that have been in the back of our mind ever since we started this band,” Newmoon’s Bert Cannaerts explains. “As soon as we let go of trying to write a specific type of album, the songs grew organically and everything just clicked.”

Temporary Light‘s first single is the slow-burning and brooding “Fading Phase.” Built around thunderous drumming and swirling layers of shimmering and painterly guitar textures around the verses, a stormy and towering feedback and reverb-drenched solo paired with dreamily plaintive vocals, “Fading Phase” channels Souvlaki-era Slowdive and A Storm in Heaven-era The Verve and feels as comforting as pulling a warm blanket over you on a chilly night.

“While writing this album Bert got a new guitar. It was an older Rickebacker from the 90’s with loads of wear and tear on it already,” the band says of the new single. “Definitely a guitar that had been loved by an older guitar player before he got it. The main riff of “Fading Phase” was the first thing he wrote on that guitar and after that the whole song just kind of wrote itself. Definitely one of those moments where everything just falls into place.”

The accompanying video follows the members of the Belgian shoegazer outfit getting together for a night out in Antwerp, bar and club hopping, then stop at a house party before heading home, bleary eyed.

New Video: Belgian Shoegazers Slow Crush Return with a Dreamy Visual for Brooding and Lush “Lull”

Belgian shoegazer outfit Slow Crush — currently Isa Holliday (vocals, bass), Jelle Harde Ronsmans (guitar), Jeroen Jullet (guitar) and Frederik Meeuwis (drums) — exploded into the international shoegaze scene with the release their full-length debut, 2018’s Aurora. Between 2018 and 2020, Slow Crush supported the album with nonstop, relentless touring across the world with acts like PelicanTorcheSoft Kill, and Gouge Away — and with festival stops at RoadburnArcTanGent2000Trees and Groezrock.

As a result of the COVID-19 pandemic, the members of the Belgian shoegazer outfit was forced to cancel plans for two European tours and a Stateside tour at the last minute. But interestingly enough for the band, the pandemic was a bit of a blessing and a bit of a curse: The time off from touring allowed the band to re-think and re-group. Aurora‘s unexpected success and the demands of heavy touring had taken a toll on everyone’s personal lives. This was intensified with a massive lineup change, which saw two members leave. Eventually Holliday and Ronsmans recruited the band’s newest members Julioet and Meuwis to complete the band’s newest lineup. And adding to a stormy period of change and uncertainty, the band’s label Holy Roar Records collapsed, leaving the band without a home. 

Slow Crush’s highly anticipated sophomore album is slated for a Friday release through Quiet Panic. Written in between tours and the unexpected downtime during pandemic-related restrictions and lockdowns, the album’s material is heavily influenced by turbulent times — both personal and global. While further cementing their sound, featuring abrasive and whirling layers of guitars and thunderous drumming paired with Holliday’s ethereal vocals, Hush reportedly finds the band growing as musicians and songwriters. Although the album was informed by and inspired by the dark and heavy times, the material isn’t all bleak; in fact, it’s filled with the hope for a bright, new day. 

In the lead up to the album’s release, I’ve written about two of Hush‘s released singles:

  • Brooding album title track “Hush,” which was centered around an expansive song structure with towering layers of feedback and fuzz pedaled guitars, thunderous drumming and Holiday’s sensual yet ethereal cooing. And at its core, the song expresses an aching and unreciprocated longing.
  • Swoon,” a breakneck ripper with mosh pit friendly hooks that brought Finelines era My Vitriol and Lightfoils to mind but paired with introspective and impressionistic lyrics. The song can be read in a number of different ways: it could be read as touching upon the loneliness, uncertainty and longing that comes about as a result of a seemingly bitter breakup. But it can also be read as a desire to escape a bleak world through connecting with someone equally as lonely as you are. 

“Lull,” Hush‘s latest single continues a run of brooding and lush painterly textured shoegaze that may remind some listeners of a slick synthesis of A Storm in Heaven, Slowdive and My Bloody Valentine. And much like its predecessors, the song features impressionistic lyrics that express a profound and bitter ache.

The recently released video for “Lull” by Bobby Pook at SumoCrucial is a hazy yet cinematic fever dream that follows a man riding around a very European town on a bicycle when he sees a woman walking into the sea, The man gets off his bicycle and runs towards the woman — but is she a mirage? Is she some lingering ghost that has haunted him? That is up to you.