Tag: RCA Records

New Video: Visuals for Wolf Alice’s “Heavenward” Capture Life on the Road

Currently comprised of founding members Ellie Roswell (vocals, guitar) and Jeff Oddie (guitar, vocals), along with Theo Ellis (bass) and Joel Amey (drums, vocals), the London-based indie rock quartet Wolf Alice derive their name from an Angela Carter short story, and can trace their origins to when its founding members Roswell and Oddie began the act in 2010 as an acoustic act. Eventually, Roswell and Oddie decided to add more electric elements to their sound and they recruited Roswell’s childhood friend Sadie Cleary (bass) and Oddie’s friend George Barlett (drums) to join the band. And with the original lineup, the quartet released a self-titled EP, which featured “Every Cloud,” “Wednesday,” and “Destroy Me,” with the band releasing a video for “Wednesday.”

When Barlett broke his wrist in 2012, Joel Amey joined on as a temporary replacement but later became a permanent member. Also in that year, Cleary left to focus on her studies, and Theo Ellis was recruited to join in. Despite the lineup changes, the band released “Leaving You,” on Soundcloud as a free download, and it received airplay on BBC Radio 1 was featured in NME‘s Radar section. Building upon the buzz they received nationally, the quartet toured with Peace, and they began the following year with a session for Huw Stephens’ BBC Radio 1 show.

Since then the quartet have released two EP’s 2013’s Blush and 2014’s Creature Song and a full-length album — 2015’s critically applauded and commercially successful My Love Is Cool, which featured the Grammy Nominated-single “Moaning Lisa Smile,” a track that peaks at #9 on Billboard‘s Alternative Songs Chart. The British indie rock quartet’s soon-to-be released sophomore effort Visions of a Life is slated for a September 29, 2017 release through Dirty Hit/RCA Records, and the album’s aptly soaring, latest single “Heavenward” reminds me quite a bit of A Storm in Heaven-era The Verve, as lush layers of shimmering guitar chords, four-on-the-floor drumming and Roswell’s yearning vocals are paired with an arena rock-like power chord-based hook. And while revealing some impressive guitar work, the song manages a rare feat — to be intimate,  immediate and bombastic yet yearning as the band arches heavenward, even if just for a few moments.

Directed by Andy DeLuca, the recently released visuals for “Heavenward” aptly capture a vision of a life — a life on the road, as the video follows the band on tour, rushing from place to place, goofing off to kill time between shows, playing sets in front of enthusiastic crowds in sweaty clubs, the rare moments between the members of a band before they hit the stage; but adding to the psychedelic vibe of the song are kaleidoscopic colors that includes members of the band playing superimposed over various imagery throughout. 

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New Audio: Wolf Alice Releases a Gorgeous Shoegazer-like New Single

Currently comprised of founding members Ellie Roswell (vocals, guitar) and Jeff Oddie (guitar, vocals), along with Theo Ellis (bass) and Joel Amey (drums, vocals), the London-based indie rock quartet Wolf Alice derive their name from an Angela Carter short story, and can trace their origins to when its founding members Roswell and Oddie began the act in 2010 as an acoustic act. Eventually, Roswell and Oddie decided to add more electric elements to their sound and they recruited Roswell’s childhood friend Sadie Cleary (bass) and Oddie’s friend George Barlett (drums) to join the band. And with the original lineup, the quartet released a self-titled EP, which featured “Every Cloud,” “Wednesday,” and “Destroy Me,” with the band releasing a video for “Wednesday.”

When Barlett broke his wrist in 2012, Joel Amey joined on as a temporary replacement but later became a permanent member. Also in that year, Cleary left to focus on her studies, and Theo Ellis was recruited to join in. Despite the lineup changes, the band released “Leaving You,” on Soundcloud as a free download, and it received airplay on BBC Radio 1 was featured in NME’s Radar section. Building upon the buzz they received nationally, the quartet toured with Peace, and they began the following year with a session for Huw Stephens’ BBC Radio 1 show.

Since then the quartet have released two EP’s 2013’s Blush and 2014’s Creature Song and a full-length album — 2015’s critically applauded and commercially successful My Love Is Cool, which featured the Grammy Nominated-single “Moaning Lisa Smile,” a track that peaks at #9 on Billboard’s Alternative Songs Chart. The British indie rock quartet’s soon-to-be released sophomore effort Visions of a Life is slated for a September 29, 2017 release through Dirty Hit/RCA Records, and the album’s aptly soaring, latest single “Heavenward” reminds me quite a bit of A Storm in Heaven-era The Verve, as lush layers of shimmering guitar chords, four-on-the-floor drumming and Roswell’s yearning vocals are paired with an arena rock-like power chord-based hook. And while revealing some impressive guitar work, the song manages a rare feat — to be intimate and immediate and bombastic yet yearning as the band arches heavenward, even if just for a few moments.

New Audio: Nature Sounds Re-Issues a Late and Under-Appreciated Soul Classic

The Exciters were a Queens, NY-based R&B and soul quartet that could actually trace their origins to when its founding members Brenda Reid (lead vocals), Carolyn “Carol” Johnson (vocals), Lillian Walker (vocals) and Sylvia Wilbur (voclas) formed an all-girl vocal act, The Masterettes as a sister group to another local act The Masters in 1961. As The Masterettes, Reid, Johnson, Walker and Wilbur released their first single “Follow the Leader” in early 1962; however, Wilbur left shortly after the single’s release and was replaced with Penny Carter. And with their new member The Masterettes auditioned for renowned songwriting and production duo Jerry Leiber and Mike Stoller, eventually winning a recording contract. Shortly after the contract was signed Carter left and was replaced by The Masters’ Herb Rooney, who later married Reid, and of course with the addition of Rooney, the quartet officially changed their name to The Exciters.

As The Exciters, the Queens-based R&B/soul quartet rose to national prominence with their 1962 smash hit “Tell Him,” which landed at number 4 on the US pop charts. The act continued to release well-regarded music for several years, including 1969’s Caviar and Chitlins through RCA Records, during what may be one of the most important, influential and commercially successful periods of the genre’s history. Coincidentally, some years later The Exciters’ Rooney would go on to write and produce Melvin Bliss’ Synthetic Substitution, which is arguably one of the more sampled albums in hip-hop.

Despite The Exciters’ relative success, Caviar and Chitlins had been out of print for several decades, until Brooklyn-based label Nature Sounds, a label that has released works from J. Dilla, Doom, Camp Lo and Masta Killa, recently released a vinyl re-issue, as well as the first digital release of the material ever. The re-issue’s first single is the sensual “Fight That Feelin,'” a song in which its narrator expresses that her desire for her lover has become insatiable, that her lover is much like a drug she can’t quit. And my goodness, this track should remind you of your parents soul collection and old episodes of Soul Train.

New Audio: Amber Run’s Brooding and Anthemic Single

Initially comprised of founding members Joe Keogh, Tom Sperring and Will Jones, along with Felix Archer, and Henry Wyatt, the Nottingham, UK-based indie rock band Amber Run can trace its origins to when its founding trio of Keogh, Sperring and Jones, who had been friends since attending Dr. Challoner’s Grammar School in Buckinghamshire started an alt rock band together. Keogh, Sperring and Jones met Archer and Wyatt while they were all studying Humanities and Law at the University of Nottingham. Keogh had started a solo recording project that started to receive some attention; but as the as the story goes, the members of the then-quintet started to jam together one day and recognized that they had an undeniable simpatico — and the members of the band decided to quit school in their sophomore year, to fully focus on music.

Within their first few shows, they captured the attention of BBC’s Dean Jackson, who featured the band on the BBC Introducing Stage at 2013’s Reading Festival, which eventually resulted in the band signing to RCA Records, who released the band’s first three EPs, Noah, Spark and Pilot and their full-length debut, 5am; however, by the following year, the members of the band had been dropped by their label. Instead of giving up in frustration, the members of the band had come to the same conclusion: the songs they had been working on were worth pursuing and that they needed to write and record an album, despite not having a label and being in the midst of severe of financial troubles. And naturally, that meant the band taking matters into their own hands. But by February 2016, the band found themselves at one of their lowest points as a band — they were in a creative rut, Archer had left the band and the band was close to closing up shop.

Produced by Ben Allen, who has worked with Bombay Bicycle Club, Deerhunter, Washed Out and CeeLo Green, Amber Run’s follow-up For A Moment, I Was Lost is slated for release on Friday through renowned indie label Dine Alone Records and the album is influenced by the band’s own torment, fear, anger, betrayal and learning how to progress past ill-feelings to personal and artistic growth — while trying to write and record the best and most authentic material possible. And as you’ll hear on the album’s second and latest single “Perfect,” the band’s sound manages to be their most brooding — and while nodding at The Stills, Foals, Brit Pop and New Wave, the newly-consittued British quartet pairs that brooding air with a soaring, anthemic hook. What the song reveals is that they can pair real life emotions with a cathartic, adrenaline rush of arena rock.