Known for playing bass in Red Thread Theory, San Francisco-based musician, composer and producer Michael Mosley is also the creative mastermind behind the emerging recording project rhythmspltter. With rhythmspitter, Mosley explores instrumental indie rock and lo-fi beat-driven material that’s influenced from an eclectic array of sources, including Bill Laswell’s Material and Jah Wobble‘s Invaders of the Heart. 

Each rhythmspitter composition sees Mosley weaving together a rich tapestry of instruments and rhythms from across the world. Each composition is meticulously crafted to resonate with listeners while providing a chill and captivating vibe that’s entrancing. With rhythmspitter, Mosley seeks to break down barriers and introduce audiences to a world of sonic exploration that they may not have encountered before — but he also hopes to open minds to the beauty of different styles and instruments.

So far I’ve managed to write about two of Syncretism: Book of Transition‘s previously released singles:

• “First Movement” is minimalist composition built around glistening and looping guitars, atmospheric synths and a sinuous bass line paired with a motorik-like groove that reminded me of Minimal Compact — but much more laid back.
• “Juxtaposition,” a mind-bending synthesis of lo-fi hip-hop beats, Bhangra, Indian classical music that sounds perfect for the lounge — and for the dance floor.

Syncretism: Book of Transition‘s third and latest single “Assassin Knowledge of Arcane Rhythm” is a effortless mash-up of Bhangra, funk, breakbeats, and Middle Eastern music that’s mind-bending — and reminds me quite a bit of the sounds of hookah joints in Astoria, Queens and elsewhere.