Tag: Root Records

Single Review by William Ruben Helms

New Audio: Blue Earth Sound Shares Meditative and Hypnotic “Chartreuse”

Blue Earth County, Minnesota-born, Chicago-based multi-instrumentalist and composer James Weir is the creative mastermind behind the instrumental project Blue Earth Sound. Named after his birthplace, Blue Earth Sound sees Weir blending cinematic jazz, soul and psychedelic textures into rich, atmospheric soundscapes that reflect a sense of place and his collaborative approach to creating music.

Weir’s Blue Earth Sound debut, last year’s Cicero Nights was released by Root Records to praise from Clash Magazine and airplay from BBC Radio 3, BBC 6 Music and KEXP. The album consisted of eight, immersive compositions inspired by late-night city wanderings, and recorded with a cast of Chicago-based players including International Anthem engineer Dave Vettraino and Resavoir‘s Will Miller (trumpet).

Weir’s forthcoming The St. Louis Sessions EP will feature a collection of recordings documenting a spontaneous creative moment shared between friends and collaborators in the newly built, St. Louis-based home studio of drummer and long-time collaborator Austin LeMoine.

Weir brought a handful of demos to LeMoine’s home studio to experiment and workshop. “Austin was hip to the some local brass players, Jawaad Spaan and Josiah Burton, from the St. Louis scene that we invited over for experimental session tracked in his living room. After bonding over shared taste [sic] and drinks, we recorded the horn takes live together over my demos,” the Chicago-based composer and multi-instrumentalist explains.

As it turns out, the relaxed but inspired sessions unfolded with the recordings capturing the warmth and spontaneity of musicians sharing a room, following their instincts and balancing hypnotic grooves, dusty Wurlitzer tones and soul-tinged arrangements with moments of late-night reflection. And as a result, the EP is a more intimate snapshot of the project in motion, with material moving fluidity between improvisation and carefully curated post-production.

The St. Louis Sessions EP‘s lead single “Chartreuse,” is a meditative tune, anchored around a hazy, trance-inducing groove, some soulful and expressive brass that seemingly channels Kind of Blue-era Miles Davis and Giant Steps-era Coltrane but with a subtly modern sensibility. Interestingly, the composition emerged as the group of musicians were learning the ins-and-outs of the new studio set up and captures the uncanny simpatico of musicians in a room jamming together and creating something new.

Single Review by William Ruben Helms

London-based multi-instrumentalist, composer and producer Oscar “Sholto” Robertson grew up with a deep and abiding love of jazz, soul, krautrock and 60s and 70s soundtracks. Initially known as being one-half of indie outfit Sunglasses for Jaws, Robertson honed his production skills under the guidance and tutelage of Allah-Las‘ Nick Waterhouse and Inflo.

Four years ago, Robertson stepped out into the spotlight as a solo artist with his latest project SHOLTO, which sees him crafting a unique take on instrumental, psychedelic soul. Last year was a big year for the rising London-based multi-instrumentalist, composer and producer: He signed to Deep Matter imprint Root Records, who released his SHOTOL debut, The Changing Tides of Dreams EP. 

The rising British artist’s work has received airplay from Jazz FM‘s Tony Minvielle and BBC Radio 6‘s Huey Morgan, Deb Grant and Gilles Peterson. Building upon a rapidly growing national profile, Robertson’s latest track “Ligurian Storm” continues a run of gorgeous and mischievously anachronistic material that seemingly channels The Ironsides, Mildlife, Adrian Younge/The Midnight Hour, David Axelrod and Quincy Jones — but with a cinematic quality.

Conceived on a stormy train ride from Milan to Liguria, the compositions blend of swelling and building harp, strings, vibraphone and synths evoke the build up on a growing storm swallowing and overwhelming a beautiful landscape.

Single Review by William Ruben Helms

New Audio: SHOLTO Returns with Breathtakingly Gorgeous “The Pearl That Glitters”

London-based multi-instrumentalist, composer and producer Oscar “Sholto” Robertson grew up with a deep and abiding love of jazz, soul, krautrock and 60s and 70s soundtracks. Roberton may be best known for being one-half of indie outfit Sunglasses for Jaws. He honed his production skills under the guidance of Allah-Las‘ Nick Waterhouse and Inflo.

Three years ago, Robertson stepped out into the spotlight as a solo artist with his latest project SHOLTO, which sees him crafting a unique take on cinematic, instrumental soul. 2023 looks to be a big year for the rising London-based multi-instrumentalist, composer and producer: He signed to Deep Matter imprint Root Records, who will be releasing Robertson’s SHOLTO debut, The Changing Tides of Dreams EP. 

Earlier this year, I wrote about “Vampire,” an expansive and cinematic arrangement that featured twinkling percussion, swirling Wurlitzer organ, cascading harp, lush strings, bursts of fluttering flute, a supple and propulsive bass line, a soulful horn solo and skittering boom bap drumming paired with a strutting groove. The result is a song that reminds me a bit of the gorgeous, widescreen instrumental soul of The Ironsides with the trippy grooves of L’Eclair and Mildlife.

The Changing Tides of Dreams EP‘s latest single, the breathtakingly gorgeous “Pearl That Glitters” is built around a lush string and cascading harp arrangement with bursts of twinkling keys and reverb-drenched bursts of guitar. Inspired by soundtrack composers like Piero Umiliani and David Axelrod, the composition is fairly literal in its meaning, with the music being written to evoke the reflection of sunlight shimmering and reflecting off the iridescent insides of a pearl.

Single Review by William Ruben Helms

London-based multi-instrumentalist, composer and producer Oscar “Sholto” Robertson grew up with a deep and abiding love of jazz, soul, krautrock and 60s and 70s soundtracks. Roberton may be best known for being one-half of indie outfit Sunglasses for Jaws. He honed his production skills under the guidance of Allah-Las‘ Nick Waterhouse and Inflo.

Three years ago, Robertson stepped out into the spotlight as a solo artist with his latest project SHOLTO, which sees him crafting a unique take on cinematic, instrumental soul. 2023 looks to be a big year for the rising London-based multi-instrumentalist, composer and producer: He signed to Deep Matter imprint Root Records, who will be releasing Robertson’s SHOLTO debut, The Changing Tides of Dreams EP.

The Changing Tides of Dreams EP‘s first single “Vampire” is built around an expansive and cinematic arrangement featuring twinkling percussion, swirling Wurlitzer organ, cascading harp, lush strings, burst of fluttering flute, a supple and propulsive bass line, a soulful horn solo and skittering boom bap drumming paired with a strutting and infectious groove. The result is a song that reminds me a bit of the gorgeous, widescreen instrumental soul of The Ironsides with the trippy grooves of L’Eclair and Mildlife.