Tag: Rounder Records

New Audio: George Thorogood and The Destroyers Share Rare and Previously Unreleased Live Recording of “Who Do You Love”

Delaware-based George Thorogood and the Destroyers — currently founding duo George Thorgood (vocals, guitar) and Jeff Simon (drums) along with Bill Blough (bass), Jim Suhler (rhythm guitar) and Buddy Leach (saxophone) — formed way back in 1973. And since their formation, the band has played more than 8,000 live shows, developing a reputation for being one of the most consistent — and consistently passionate — progenitors of blues-based rock.

The band initially honed their sound on stages across the Northeast, building a devoted, word-of-mouth following through high-energy performances, blistering grooves and of course, one of the baddest motherfuckers out there, George Thorogood.

Things began to blow up in the late 1970s, after the band relocated to Boston and signed with Rounder Records. Their self-titled 1977 full-length debut channeled the power and energy of their live shows. They followed up with their breakthrough effort, 1978’s Move It On Over. The band’s profile nationally and elsewhere continued to rise with a string of popular releases 1980’s More George Thorogood and the Destroyers, 1982’s Bad to the Bone and 1985’s Maverick. And yet, their true passion always remained playing live.

“George’s connection to unvarnished, primal rock and roll made the music relevant in a way that no one could have predicted,” writes Scott Billington, who spent over 40 years as Rounder Records’ Vice President of A&R. “And even though he went on to make many wonderful records…he’s the first to say that he’d rather be on stage than in a recording studio.”

With the band now in their fifth decade, Craft Recordings shines a spotlight on their high-octane concerts with The Baddest Show on Earth: Greatest Hits Live. Spanning 1978-2024, this new collection showcases some of the band’s most electrifying live performances — many making their debut on record, including their enduring crowd favorites “Who Do You Love,” “One Bourbon, One Scotch, One Beer,” “Bad to the Bone,” and “Move It On Over.”

Slated for a June 12, 2026 release, The Baddest Show on Earth will be available on vinyl LP featuring four previously unreleased tracks, while the expanded CD and standard/hi-res digital editions include eight previously unreleased performances. Both physical formats will feature new liner nots from Grammy Award-winning producer and blues musician Scott Billington.

There will be three vinyl variants for fans — Black, Translucent Yellow, which will be available exclusively at Barnes and Noble, and Blazing Red Smoke, which will be available exclusively through GeorgeThorogood.com and on tour. You can pre-order the album here, but in the meantime, Craft Recordings and the band shared a previously unreleased performance of “Who Do You Love,” which was recorded in Atlanta in 1980.

Speaking about The Baddest Show on Earth, Thorogood says, “When the lights go down, the downbeat hits and the audience erupts; all bets are off. The Destroyers are at their best when we play for the people, and these are some of our favorite—and rarest—performances from the past five decades. You wanted the baddest, you got it.”

Thorogood and the Destroyers’ rendition of Bo Diddley‘s “Who Do You Love” is one of my favorite versions of the song, and the live version captures the swaggering, badass swagger and sweaty voodoo-like rhythms of their recorded version — and just important how under appreciated Thorogood is as a guitar player.

New Video: The Mischievous Silent Film-Inspired Visuals for Barrence Whitfield and The Savages’ “Let’s Go to Mars”

Formed by founding members Barrance Whitfield, Peter Greenberg, who has also played with Lyres and DMZ and Phil Lenker in the mid 80s, the Boston-based blues and soul act Barrence Whitfield and The Savages quickly developed a reputation for crafting primal and soulful blues, centered around Whitfield’s full-throttle soul screaming (in the spirit of Little Richard, Solomon Burke, and others), and for sweaty, dance party-like live shows. With their original lineup, the band released several attention grabbing records through Rounder Records, and as a result they toured with Bo Diddley, Tina Turner and George Thorogood, were a favorite of BBC DJ Andy Kershaw and won seven Boston Music Awards. The band reunited in 2011 with a new lineup that features Whitfield, along with Andy Jody (drums) and Tom Quartulli (sax), which has released three albums Savage Kings, Dig Thy Savage Soul and Under the Savage Sky and building upon their long held reputation, the band has toured with The Sonics, played at SXSW and have played on the BBC’s Later . . . with Jools Holland. 

Released earlier this year, Soul Flowers of Titan is Barrence Whitfield and The Savages fourth full-length album since reforming after a 25 year hiatus, and the album, which derives its name from the largest moon of Saturn, a planet which astrologically symbolizes pain and struggle was recorded in Ultrasuede Studio in Cincinnati, a town that was home to a number of classic and somewhat unknown independent labels, including King Records and Federal Records that were best known for a fostering a frayed and raucous sound during the 50s and 60s. Of course, knowing that history, the band couldn’t resist the urge to celebrate and expand on that legacy — with the album finding the band sonically meshing blues, punk, rock, garage rock and soul while thematically, the album’s material focuses on people shooting guns, separating, coming home (someday), falling in love, running around, leaving earth in search of someplace better, going crazy, drinking way too much coffee and thinking about the legendary Sun Ra. As a result, the material features a much heavier sound, B3 and Rheem organ playing from the band’s newest member Brian Olive and a live-in-the-studio urgency. 

Soul Flowers of Titan’s latest single “Let’s Go To Mars” is centered around a boozy, and shuffling power chord riff that brings Howlin’ Wolf and George Thorogood to mind but paired with lyrics inspired by an early 70s documentary on Sun Ra that its songwriters Peter Greenberg and Phil Lenker saw multiple times, and as a result there’s a mischievous yet plaintive ache to go off someplace that may be better than Earth — or least someplace, where you can live freely and not be bothered by the cruelty and viciousness of humanity. Directed by Eric Baconstrip, the recently released, animated video further emphasizes the song’s mischievous vibes while nodding at classic, silent films.