DeLaurentis is a French-born and-based singer/songwriter, multi-instrumentalist, composer and interpreter, who can trace some of the origins of her own music career to watching her father play music. She quickly understood that music notes would spring up and fly away from her arms, hands and fingers — that music was essentially a part of her.

After spending several years studying in the conservatory, DeLaurentis returned back home, where she began working on material with keyboards, sequencers, computers and other electronics. Inspired by Ryuichi Sakamoto, Max Richter, Brian Eno, Oneothrix Point Never, and Laurie Anderson, DeLaurentis eventually developed and honed a lush and cinematic sound centered around modern and vintage analog synthesizers, piano, loop machines and arpeggiators paired around her ethereal vocals.

The French electronic music artist and producer relocated to Paris, where she released her first two EPs, which featured some attention-grabbing videos. Several tracks wound up being placed in commercials and American TV shows. Building upon a growing profile, the French electronic music artist and producer began working on what would be her full-length debut Unica in a spacious and luminous Paris studio intensifying her relationship between her instruments and technology over a two year period.

Unica is a synth pop concept album that tells the tale of the fusion between woman and machine. Interestingly, the album features a track recorded with artificial intelligence, supervised by Benoit Carré, a pioneer in A.I. Additionally, the album finds DeLaurentis collaborating with Dan Black, Yaron Herman, Daymark and Fabien Waltmann.

“Life,” Unica’s cinematic first single is centered around shimmering, Giorgio Moroder-like synth arpeggios, soaring strings, skittering, tweeter and woofer rocking trap beats and DeLaurentis’ ethereal and plaintive vocals singing lyrics that draws from one of the more famous lines in Shakespeare’s Macbeth, “It is a tale/Told but an idiot, full of sound and fury,/Signifying nothing.” Thematically seeming as though it were influenced by Spike Jonze’s Her or Steven Spielberg’s AI, “Life” tells the tale of Unica coming alive and bursting out from the screen that contained her. The song goes on to have the fictional DeLaurentis and Unica meeting each other and observing each other with curiosity — and a bit of fear of what may be next for both.

Directed by the directorial collective ACCIDENT and production company Noside, the recently video is inspired by the collaborators fascination for sci-fi androids in films like Blade Runner and Ex-Machina and others. Visually, it’s a brooding and symbolic fever dream seemingly set in a dystopian world that’s not too far from our own.

As the collaborators explain the concept behind the video was to introduce the main concepts and themes behind the Unica with the video serving as a visual origin story into DeLaurentis’ Unica. “We wanted to develop this idea of birth and this coming alive process by infusing it with graphic and metaphysical references,” the collaborators explain. “The idea is to minimize the robotic aspect and to focus on the ambiguity of its double. In order to make the final revelation even more powerful: this entity that we thought was human is in fact driven by artificial intelligence. The choice of focusing on the hand is not trivial, it is in our opinion the strongest symbolism of humanity and the most powerful member on a visual and emotional level.”

The music video uses hybrid techniques combining real shots and 3D computer graphics to give life to a robotic hand, supervised by Laurent Hamery and Raphael G. while the Parisian teams of the ACCIDENT collective developed the environments and mood maps.