Tag: Sam Petts-Davies

Video by William Ruben Helms

New Video: Puma Blue Shares Surrealistic, Dream-like Visual for “Croak Dream”

London-based producer, singer/songwriter and Puma Blue creative mastermind Jacob Allen will be releasing his sixth studio album, Croak Dreams through Play It Again Sam on February 6, 2026.

Recorded straight to tape at Peter Gabriel‘s Real World Studios, Croak Dream reportedly sees Allen and co-producer and mixer Sam Petts-Davies expanding the project’s sonic world, channeling the project’s sultry, emotional and conceptual complexity with an instinct-led take on experimenting with Allen’s art to find its most evocative form.

Additionally, longtime collaborator Harvey Grant contributed to the textual quality and identity of the album. “Later at Real World Studios, the band and I recorded tape loops over a small fragment of the demo, none of them heard the finished song, and when Sam and I came back to London we cut those improvisations into this Frankenstein’s monster type collage,” Allen says. “We were really leaning into a mutual love for CAN, Aphex Twin and Queens of the Stone Age.”

Croak Dream‘s latest single, album title track “Croak Dream” is a broodingly cinematic and uneasy track that features Allen’s remarkably Thom Yorke-like falsetto croon singing over a hypnotic arrangement of angular, whirring instrumentation paired with industrial-meets-dub-like beats. Seemingly drawing from Bristol-era trip hop — i.e., Portishead, Massive Attack, etc. — and dub with an alt-pop sensibility, “Croak Dream” thematically focuses on an age-old philosophical question: “If you knew how and when you were going to die, how would it change how you decided to live?”

“A Croak Dream is a prophetic dream where you see a vision of how you die. Half the songs on this record allude to how you might decide to live, act, if you somehow knew your awaiting fate. Being daring, romantic… saying what you really mean.” Allen explains. 

“‘Croak Dream’ is about someone I have dreamt of for years. Nightmares really, I just have not been able to shake them yet,” he continues. “I thought maybe what I needed was a sort of exorcism, so I wrote this song unpacking this strange bond that has haunted me, and then put it to bed, or death, at the end. It is a laying of a ghost to rest, I hope.” 

Directed and edited by Allen and featuring animation by Quill, the accompanying video for “Croak Dream” further emphasizes the song’s surrealistic, dream-like logic, featuring Allen and his live bandmates in a PlayStation-inspired video game universe, traversing their individual subconscious in eerie, dream-meets-video game-like adventures.

“I wanted the video to evoke boyhood and be in conversation with the lyrics. The basic idea was to create a PlayStation style game paying homage to RHCP’s ‘Californication’ video, but in a way that carried deep meaning for the band,” Allen says of the video. “I searched high and low for the right person who could capture the nostalgia of games like Silent Hill, Tomb Raider and Pro Skater until I found Quill (@grabmypepsi). I wrote him a script, and he animated it all from scratch. Then it got run through VHS right at the end so that it felt truly like it would if you were playing it in the late 90’s. It felt like a way to honor these friends and, in a strange way, the children we were back then.”

Single Review by William Ruben Helms

New Audio: The Smile Shares Eerily Sparse “Bodies Laughing”

Last year, The Smile —  Radiohead‘s Thom Yorke and Jonny Greenwood, and Sons of Kemet‘s Tom Skinner — released their critically acclaimed Nigel Godrich-produced full-length debut A Light For Attracting Attention. The album saw the acclaimed outfit collaborating with London Contemporary Orchestra and a full brass section of contemporary British jazz musicians that include Bryon Wallen, Theon Cross and Nathaniel Cross, Chelsea Carmichael, Robert Stillman, and Jason Yarde. 

The acclaimed trio started this year with the release of their Sam Petts-Davies-produced sophomore album Wall of Eyes. The album, which featured “Friend of a Friend” and album title track “Wall of Eyes” was recorded in Oxford and Abbey Road Studios saw the trio continuing their ongoing collaboration with London Contemporary Orchestra. The album, which charted at #3 on the UK album charts has also received “Best Album of Year So Far” nods from Pitchfork, The Needle Drop, Consequence, BrooklynVegan, Treblezine and Spin. 

Their third album — and second of this year! — the 10-song Sam Petts-Davies-produced Cutouts was recorded in Oxford and Abbey Road Studios during the same period of Wall of Eyes. The new album is slated for an Friday release through XL Recordings. 

Adding to a busy and wildly creative year, Thom Yorke shared the original score for Daniele Luchetti’s film Confidenza and announced solo tour dates in New Zealand, Australia, Singapore and Japan. (Tour dates can be found here: https://www.wasteheadquarters.com/schedule/thom-yorke) Johnny Greenwood debuted a new work X Years of Reverb at Norwich, UK’s 268 year-old Octagon Chapel — and is writing the score for Paul Thomas Anderson’s upcoming film, The Battle of Baktan Cross. Tom Skinner released Voices of Bishara Live at “mu” and is touring the summer jazz festival circuit with his own solo material. 

Earlier this year, the trio shared two tracks from the soon-to-be released third album:

  • “Foreign Spies,” a slow-burning and minimalist track featuring woozy synth arpeggios and Yorke’s imitably yearning delivery. Sounding a bit like a mix of Kid A and Amnesiac-era Radiohead, Beach House and Kraftwerk‘s “Hall of Mirrors,” “Foreign Spies” captures a sense of awe, nostalgia and despair. 

  • “Zero Sum,” a funky bit of post punk and math rock featuring a looping and arpeggiated guitar line, relentless four-on-the-floor punctuated with off-kilter percussion, bursts of swaggering horn and Yorke’s punchy vocal turn. Sounding a bit like wild mix of Talking Heads“I Zimbra” and “15 Step,” “Zero Sum” may arguably be the most hook-driven song written and recorded by the acclaimed trio. 

Cutouts‘ latest single “Laughing Bodies” is a brooding and atmospheric track featuring strummed acoustic guitar, eerily atmospheric synths, skittering and propulsive drumming paired with Yorke’s imitably yearning vocal. Sonically, “Laughing Bodies” brings later Radiohead to mind — particularly In Rainbows and The King of Limbs but somehow eerier and more unsettling.

Single Review by William Ruben Helms

The Smile is an acclaimed outfit that features some of the world’s most accomplished musicians — and a couple of household names: Radiohead‘s Thom Yorke and Jonny Greenwood, and Sons of Kemet‘s Tom Skinner. 

Last year, the trio released their critically applauded Nigel Godrich-produced full-length debut A Light For Attracting Attention. The album saw the acclaimed outfit collaborating with London Contemporary Orchestra and a full brass section of contemporary British jazz musicians that include Bryon Wallen, Theon Cross and Nathaniel Cross, Chelsea Carmichael, Robert Stillman, and Jason Yarde. 

The Smile’s sophomore album, the Sam Petts-Davies Wall of Eyes is slated for a January 26, 2024 through XL Recordings. The album, which was recorded in Oxford and legendary Abbey Road Studios features string arrangements from London Contemporary Orchestra. 

Late last year, I wrote about Wall of Eyes‘ first single, album title track, “Wall of Eyes,” an eerily haunting and meditative song that sees the trio pair Yorke’s imitably yearning delivery with a glitchy arrangement featuring strummed guitar melody, glittering strings and gently padded drums. The song evokes — at least to me — a slow-burning sense of dread and unease.

Wall of Eyes‘ latest single “Friend Of A Friend” continues a remarkable run of broodingly cinematic and meditative material that sees the trio pairing twinkling keys, gently swinging jazz-inflected percussion, mournful saxophone from Robert Stillman and soaring strings with Yorke’s achingly yearning delivery. “Friend of a Friend” manages to be a subtle synthesis of Amnesiac-era Radiohead, 70s AM rock and art film scores.

Along with the new single, which was originally showcased during the band’s 2022-2023 tour, the bands announce new European headlining dates in June and August, in addition to their near sold-out run of shows in March. All tour dates, including the new ones are listed below. But tickets for June and August run go on sale Friday, January 12, 2024. Check out: https://www.thesmiletheband.com/live for details.

James Holden will open for The Smile at all of their headline shows this year.

The video for “Friend Of A Friend,” by motion picture director Paul Thomas Anderson, will be premiered alongside a surround sound album playback of Wall Of Eyes at a series of one-off events hosted at independent cinemas between January 18-25th.

The events, titled Wall Of Eyes, On Film will celebrate the new album and the band’s collaboration with Paul Thomas Anderson. It will take place at 12 cinemas from Sydney to Mexico City, and includes a New York City event at The Village East. The events comprise:

  • Wall Of Eyes album playback in its entirety, for the first and only time with surround sound and accompanying never-before-seen footage of the album’s recording sessions.
  • The world film premiere of Friend Of A Friend and a presentation of Wall Of Eyes, both directed by Paul Thomas Anderson and shot on 35mm film*
  • A programme looking back over Paul Thomas Anderson’s previous directorial collaborations with both Thom Yorke and Radiohead to include ANIMA (short film) and Radiohead’s Daydreaming (35mm), Present Tense & The Numbers.

Further information on these events and how to obtain tickets can be found here HERE. 

Tickets will be on sale from 10am GMT on Thursday, January 11th.

Screening events:

Jan 18th  – The Prince Charles Cinema, Leicester Square, London, UK*

Jan 18th  – The Village East, Manhattan, New York, US*

Jan 19th  – Brain Dead Studios, Los Angeles, US*

Jan 20th  – SangSang Madang Cinema, Seoul, SK (x2 showings)

Jan 20th  – Cinema Godard – Fondazione Prada, Milan, IT*

Jan 20th  – Cine Tonalá, CDMX, MX

Jan 22nd  – 190 Cinemas Premium Shinjuku, Tokyo, JP*

Jan 22nd  – MK2 Quai de Loire, Paris, FR*

Jan 23rd  – Golden Age Cinema, Sydney, AUS (x2 showings)

Jan 23rd  – Eye Filmuseum, Amsterdam, NL*

Jan 23rd  – Glasgow Film Theatre, Glasgow, UK*

Jan 25th  – 190 Cinemas Premium Shinjuku, Tokyo, JP*

Jan 25th  – Kino Intimes, Berlin, DE

*35mm presentations available in select participating cinemas

March 2024 UK and European Tour Dates

Wed 13th March: Copenhagen – K.B. Hallen
Fri 15th March: Brussels – Forest National
Sat 16th March: Amsterdam – AFAS Live
Mon 18th March: Brighton – Brighton Centre
Tue 19th March: Manchester – O2 Apollo
Wed 20th March: Glasgow – SEC Armadillo
Fri 22nd March: Birmingham – O2 Academy
Sat 23rd March: London – Alexandra Palace

June and August 2024 European dates:

June 8th – Hamburg, Stadtpark Open Air, Germany

June 9th – Cologne Palladium, Germany

June 11th  – Berlin, Verti Music Hall, Germany

June 12th  – Prague, Forum Karlin, Czechia

June 14th  – Belgrade, Hangar, Serbia

June 15th  – Pula Arena, Pula, Croatia

June 17th  – Bucharest, Arenele Romane, Romania

June 18th  – Sofia, Arena Sofia, Bulgaria

June 23rd – Rome, Cavea Auditorium, Roma Summer Fest, Italy

August 13th  – Sigulda Castle, Sigulda, Latvia

August 14th  – Warsaw, Progresja, Summer Stage, Poland

August 20th  – Frankfurt, Jahrunderthalle, Germany

August 21st  – Munich, Zenith, Germany

August 22nd  – Vienna Open Air Arena, Austria

August 26th  – Bordeaux, Krakatoa, France

August 28th  – Valencia, Jardins De Viveros, Spain

Video by William Ruben Helms

New Video: The Smile Shares Eerie and Haunting “Wall of Eyes”

The Smile is an acclaimed outfit that features some of the world’s most accomplished musicians — and a couple of household names: Radiohead‘s Thom Yorke and Jonny Greenwood, and Sons of Kemet‘s Tom Skinner. 

Last year, the trio released their critically applauded Nigel Godrich-produced full-length debut A Light For Attracting Attention. The album saw the acclaimed outfit collaborating with London Contemporary Orchestra and a full brass section of contemporary British jazz musicians that include Bryon Wallen, Theon Cross and Nathaniel Cross, Chelsea Carmichael, Robert Stillman, and Jason Yarde. 

The Smile’s sophomore album, the Sam Petts-Davies Wall of Eyes is slated for a January 26, 2024 through XL Recordings. The album, which was recorded in Oxford and legendary Abbey Road Studios features string arrangements from London Contemporary Orchestra.

Wall of Eye‘s first single, album title track “Wall of Eyes” continues a run of haunting and eerily meditative material with the song seeing the trio pair Yorke’s imitable and yearning delivery with a glitchy arrangement of strummed guitar melody, glistening strings and gently padded drums that evokes — at least to me — a slow burning sense of dread and unease.

Directed by Paul Thomas Anderson, the accompanying video for “Wall of Eyes” begins with the band’s Thom Yorke sitting in a front of a mirror in a meditative pose, and then follows him walking through a busy city and sitting in a crowded pub by himself. The world rushes by him with furious intensity before a surreal, Being John Malkovich-like ending.