Tag: SBTRKT

Live Footage: Little Dragon Performs “Another Lover” on COLORS’ “A COLORS Show”

Despite the fact that they’ve had a long-held reputation for crafting decidedly left of center pop and adhering to doing things in their own way, the Gothenburg, Sweden-based pop act Little Dragon — Yukimi Nagano (vocals), Hakan […]

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Although they’ve proudly boasted of their long-held reputation for crafting left of center pop and adhering to doing things in their own way, the Gothenburg, Sweden-based pop act Little Dragon, comprised of Yukimi Nagano (vocals), Hakan Wirenstarnd (keys), Fredrik Wallin (bass) and Erik Bodin (drums), have managed to achieve an enviable level of mainstream success and recognition: 2014’s full-length effort Nabuma Rubberband received a Grammy nomination and they’ve developed a reputation for being a highly sought-after collaborative unit, as they’ve worked with an impressive array of genre-defying, difficult to pigeon-hole artists and acts including BADBADNOTGOODGorillaz, SBTRKT, Flying Lotus, Kaytranada, Big Boi, De La Soul, DJ Shadow, Tinashe, Mac Miller, Future, Raphael Saadiq, Faith Evans and many more.

The acclaimed Swedish pop act can trace their origins back to when they would meet up after school to jam and play A Tribe Called Quest and Alice Coltrane records and reportedly the band’s forthcoming album New Me, Same Us finds the band going back to the basics and falling back in love with their instruments while crafting some of what may arguably be the most focused material of their growing catalog. Interestingly, the material thematically touches upon transitions, longing and saying goodbye. And as a result, it may also be among the most reflective and thoughtful of their careers. “We are all on our own personal journeys, full of chance, yet still we stand united with stories we believe in, that make us who are we are.”

The album which was entirely self-produced and recorded at the acclaimed Swedish pop act’s home-built Gothenburg-based studio “has been the most collaborative for us yet, which might sound weird considering we’ve been making music together for all these years, but we worked hard at being honest, finding the courage to let go of our egos and be pieces of something bigger,” the members of Little Dragon explain in press notes. Centered around shimming synth arpeggios, a sinuous bass line, propulsive polyrhythm  an infectious two-step inducing hook and Nagano’s soulful crooning, “Hold On,” Same Me, New Us‘ sultry first single manages to recall Fragile-era Cherrelle, with subtle house music flourishes.

The song as the band explains is a centered around a message about breaking away and moving on. It started out as a slick house track but transformed once Fred played the base through it and we all worked it together,” the band explains. “It became something raw and soulful. It’s a simple groove that makes us dance. We can’t wait to play it live because once we play it live it most certainly will change again.”

The acclaimed Swedish pop act will be embarking on a headlining international tour throughout the bulk of the Spring. The tour includes a two-night stand at Brooklyn Steel — April 17, 2020 and April 18, 2020. The April 18 show is already sold out. Check out the tour dates below.

2020 TOUR DATES
Mar 09 Stockholm, Sweden – Berns
Mar 10 Copenhagen, Denmark – VEGA *SOLD OUT
Mar 12 Berlin, Germany – Festsaal Kreuzberg
Mar 13 Warsaw, Poland – Niebo
Mar 15 Prague, Czech Republic – Roxy
Mar 16 Vienna, Austria – Flex
Mar 18 Zurich, Switzerland – Mascotte
Mar 19 Milan, Italy – Santeria Toscana 31
Mar 21 Brussels, Belgium – Botanique
Mar 23 Amsterdam, Netherlands – Melkweg
Mar 25 Paris, France – Gaîté Lyrique
Mar 26 London, UK – 02 Brixton Academy
Apr 15 Washington, DC – 9:30 Club
Apr 17 Brooklyn, NY – Brooklyn Steel
Apr 18 Brooklyn, NY – Brooklyn Steel *SOLD OUT
Apr 20 Philadelphia, PA – Union Transfer
Apr 21 New Haven, CT – College Street Music Hall
Apr 22 Boston, MA – Paradise Rock Club
Apr 24 Montreal, QC – Corona Theatre
Apr 25 Toronto, ON – Danforth Music Hall
Apr 27 Detroit, MI – Majestic Theater
Apr 28 Chicago, IL – The Vic Theatre
Apr 29 Minneapolis, MN – First Avenue
May 01 Denver, CO – Ogden Theatre
May 02 Salt Lake City, UT – The Complex
May 04 Seattle, WA – Showbox *SOLD OUT
May 05 Vancouver, BC – Commodore Ballroom
May 06 Portland, OR – Roseland Theatre
May 08 Oakland, CA – Fox Theater
May 09 Los Angeles, CA – Palladium
May 11 Santa Ana, CA – Observatory OC
May 12 San Diego, CA – House of Blues
May 16 Guadalajara, MX – Corona Capital Guadalajara

New Audio: Sampha Shimmering, Dance Floor Friendly Remix of Legendary Malian Vocalist Oumou Sangare’s “Minata Waraba”

Oumou Sangare is a Bamako, Mail-born and-based, Grammy Award-winning,  singer/songwriter and musician, who comes from a deeply musical family, as her mother, Aminata Diakite was a renowned singer. When Sangare was young, her father had abandoned the family, and she helped her mother feed the family by singing; in fact, by the time she had turned five, Sangare had been well known as a highly gifted singer. After making it to the finals of a nursery school talent show, a very young Sangare performed in front of a crowd of 6,000 at Omnisport Stadium — and by the time she was 16, she had gone on tour with a nationally known percussion act, Djoliba.

Sangare’s 1989 debut effort, Moussoulou (which translates into English as “Women”) was recorded with renowned Malian music master Amadou Ba Guindo, and was a commercial success across Africa, as it sold over 200,000 copies. With the help of the world renowned Malian singer/songwriter and multi-instrumentalist Ali Farka Toure, the father of Vieux Farka Toure, Sangare signed with English record label World Circuit — and by the time she turned 21, she had received an internationally known profile. Interestingly, Sangare is considered both an ambassador of Mali and the Wassoulou region of the country, just south of the Niger River, lovingly referred to as “The Songbird of Wassoulou,” as her music draws from the music and traditional dances of the region while lyrically her work has been full of social criticism, focusing on the low status of women within Malian society and elsewhere, and the desire to have freedom of choice in all matters of one’s life, from who they can marry to being financially independent.

Interestingly, since 1990 Sangare has performed at some of the world’s most important venues and festivals including the Melbourne Opera, Roskilde Festival, Gnaoua World Music Festival, WOMAD, Oslo World Music Festival and the Opera de la Monnaie, while releasing several albums including — 1993’s Ko Sira, 1996’s Worotan and 2004’s 2 CD compilation Oumou. Adding to a growing profile, Sangare has toured with Baaba Mal, Femi Kuti and Boukman Eksperyans, and she has been named a Commander of the Order of Arts and Letters in 1998, won the UNESCO Prize in 2001 and was named an ambassador of the FAO in 2003.

Mogoya which translates into English as “People Today,” was Sangare’s first full-length effort in over 22 years, and it was released to critical praise from the likes of Dazed, The Fader, The Guardian while making the Best of 2017 Lists of Mojo, the BBC, the aforementioned The Guardian as well as Gilles Peterson — and the album found the renowned Malian artist collaboration with the legendary Tony Allen and French production team A.L.B.E.R.T. and pushing her sound in a new, direction; in fact album single “Minata Waraba” features  Sangare’s gorgeous and expressive voice with shimmering African instrumentation paired with a slick and hyper modern production that emphasizes a sinuous, electric bass line and shuffling, complex polyrhythm that reminds me of a 2013 Fela Kuti tribute compilation, Red Hot + Fela, which featured contemporary artists re-imagining some of the Afrobeat creator’s signature tunes.

Sangare will be releasing the Mogoya Remixed album through Nø Førmat Records today, and the album features remixes of the album’s material by contemporary artists and producers, who have been high profile fans of her work; in fact the album’s latest single is from the British-born and based producer and artist Sampha. Sampha has split his time between solo and collaborative work, and has worked with the likes of SBTRKT, FKA Twigs, Jesse Ware, Drake, Beyonce, Kanye West, Solange and Frank Ocean. His full-length debut Process won the Mercury Music Prize last year, and earned him a 2018 BRIT Award nomination for Best British Breakthrough.

Sampha has publicly mentioned his love of Oumou Sangare’s music, explain in press notes, “My dad had a copy of Oumou’s album Worotan and no other album has spoken to me quite like that. Her music has been a huge inspiration ever since and it’s a real honour to have remixed some of her music.” Sampha’s remix retains Sangare’s crystalline vocals but pairs it with a thumping production, featuring tribal house like beats and shimmering arpeggiated synths that while modern, still keeps the song rooted to Africa. Interestingly, Sangare has mentioned being bowled over by Sampha’s remix, saying  “When I first heard Sampha’s remix, I was amazed at the beat. Our rhythmic patterns are not always easy for Western people. But, wow, Sampha’s beat is definitely African, definitely. Listening to it I can tell that Sampha has African blood in his veins. I am really excited by this version, I play it again and again.”

Preview: Full Moon Festival 

Matte Projects is a creative production company that focuses on the conception, production and promotion of music-related events, perhaps more famously known here in New York for creating the Full Moon Festival six years ago, a carefully curated festival and dance party, largely inspired by Thailand’s world-renowned full moon parties. And although it’s been a couple of years since JOVM has covered the Full Moon Festival, its sixth year marks a return to Governor’s Island for two days of partying, art installations, and dancing from early afternoon to late in the night with one of the most enviably gorgeous views of Lower Manhattan and the Statue of Liberty around – and under this month’s blue moon, no less.

Culinary Delights

Although I’m a music blogger and journalist first and foremost, I fucking love food – I mean, who doesn’t right? – and when I covered the festival back in 2014, one of the best food highlights was The Brooklyn Star’s fried chicken waffle cone. Picture a waffle cone stuffed with popcorn fried chicken on top, mashed potatoes and coleslaw and topped with your choice of honey sriracha sauce (which was frankly the best thing I’ve ever had) or a ranch-based sauce.

 

Two years later and I’m still talking about it; that’s how fucking good it was – and I might kill someone to have another one.


(Photo Caption: Brooklyn’s fried chicken waffle cone may be the reason the terrorists hate us. And the person who came up with it is a genius.)

This year will continue the festival’s reputation for culinary delight as Matcha Bar, Mile End, Best Pizza, Pokito, Pig and Khao, Clean Shave Ice and Chalk Point Kitchen will all host pop-up stands throughout the festival. I’m starting to salivate over the possibility of some pork belly Adobo, pastrami sandwiches, pizza – well, all the food, really. And whatever weight you put on, you can sweat it off dancing all night.

Music

Full Moon Festival’s sixth edition may arguably have one of the most musically diverse lineups in its history and some of the must see sets will include the following:

Day 1, August 20, 2016

Led by its creative mastermind, producer and electronic music artist Aaron Jerome, SBTRKT (pronounced as “Subtract”) has developed an internationally renowned reputation for remixing the work of M.I.A., Radiohead, Modeselektor, Basement Jaxx, Mark Ronson and Underworld, and for releasing two critically applauded full-length albums, a few EPs and a number of singles – all of which have either received airplay or have been playlisted by BBC Radio 1 and BBC Radio 6. Interestingly, throughout his recording and performing career Jerome has preferred to be as anonymous as humanly possible and during live shows he’s been known to perform wearing modern interpretations of native and indigenous society ceremonial masks designed by A Hidden Place, as well as performing with frequent collaborator Sampha.

Earlier this year, Jerome announced a new project that he described as a “non album,” a collection of songs specifically designed to be an ongoing listening experience, while bringing new music to fans in a faster fashion than the traditional album cycle.

Born Terrence Thornton, Norfolk, VA-based emcee Pusha T is perhaps best known as one-half of critically applauded and commercially successful hip-hop duo Clipse, with his brother Gene “No Malice” Thornton. And with the help of their friend, Norfolk, VA-born producer, multi-instrumentalist and eventual mega-hit artist Pharrell Williams, the duo quickly exploded into the national scene with the release of their 1997 full-length debut Exclusive Audio Footage. And as a result, Pusha T has made a number of guest spots over the years including on Kelis’ “Good Stuff,” Nivea’s “Run Away (I Wanna Be With You),” all while recording three more albums as a member of Clipse, including the duo’s critically applauded and commercially successful third album Hell Hath No Fury. After the duo’s fourth album, they announced that Clipse would be on hiatus while each individual member would pursue solo projects and other creative endeavors.

In 2010 Pusha T was signed to Kanye West’s GOOD Music and made guest appearances on a number of labelmates’ releases including “Runaway” off West’s My Beautiful Dark Twisted Fantasy and West’s GOOD Fridays singles series and as a solo artist Thornton has collaborated with an increasingly lengthy list of artists and producers including Swizz Beatz’s Monster Mondays series, Lloyd BanksH.F.M. 2 (Hunger For More 2), Future, Tyler the Creator, Jay Z and others. Interestingly, over the last few years Thornton has been incredibly prolific, releasing a handful of mixtapes and his solo debut, My Name Is My Name. Adding to a growing profile, last year Kanye West personally appointed Pusha T to take over the reins at GOOD Music. And we should be expecting a full-length in the near future.

Born Nkosinathi Maphumulo, the internationally acclaimed,  eThekwini, South Africa-born and Johannesburg, South Africa-based producer and DJ Black Coffee can trace the origins of his recording and performing career to when he majored in Jazz Studies at Technikon Natal. While as a student there, he worked as a backup singer for Madale Kunene before forming an Afro-pop act S.H.A.N.A (short for Simply Hot and Naturally African) with classmates Mnqobi Mdabe (Shota) and Thandukwazi Sikhosana (Demor). The somewhat short lived act was signed to Melt 2000; however, his DJ and production career explored when he was selected as one of two South African participants during 2003’s Red Bull Music Academy – and with an increased buzz around him, he released “Happiness,” which was featured on the DJs at Work compilation; in fact, by the release of his sophomore effort, Have Another One, Black Coffee had become a household name in South African electronic circles for a propulsive, forceful tribal sound and for putting on locally-based artists and producers, all of whom have started to receive attention across Africa, Europe and elsewhere.

Adding to a rapidly growing international profile, Black Coffee has played at some of the world’s biggest and most renowned clubs and stages including Southport Weekender, Panorama Bar, Circo Loco and Boiler Room and has made appearnaces at a number of music festivals including SummerStage, ADE and Red Bull Music Academy in his hometown of Johannesburg, Coachella, Ultra Music Fesitval and others. I’ve seen the brother do his thing live and he’s arguably one of the best electronic music arists, producers and DJs in the entire world. And as much as I want to see some of the other acts on the bill – i.e., Marcus Marr, Santigold and others – I think that Black Coffee may well be worth the price of admission.

Day 2, August 21, 2016

Largely influenced by James Brown, Aretha Franklin, Devo, reggae, Fela Kuti and a ton of Nigerian music, Philadelphia, PA-born singer/songwriter and producer Santi White is best known under the monikers Santogold (which she performed under between 2003-2009) and Santigold has throughout the course of three full-length albums Santogold, Master of My Make-Believe and her most recent effort, 99¢ has developed a reputation for a sound that has at times been compared favorably to the likes of M.I.A. as her work sonically manages to blur, mesh and completely destroy genre lines as you’ll hear elements of techno, house music, dub, reggae, alt rock and others while ironically commenting on our sociopolitical zeitgeist. Interesting, as the result of a growing national and international profile, White has collaborated with an equally impressive list of artists and producers including Diplo, Jonnie “Most” Davis, Yeah Yeah YeahsKaren O., Switch, Q-Tip, TV on the Radio’s Dave Sitek, has opened for the likes of Jay Z and Kanye West during their co-headlining tour, Beastie Boys, Red Hot Chili Peppers, the aforementioned M.I.A., Bjork and has a number of singles make prominent appearances in ad campaigns, including a 2013 campaign for Honda Civic among others.

Comprised of Matthew Correia (drums), Spencer Dunham (bass), Miles Michaud (vocals, guitar) and Pedrum Siadatian (guitar), Los Angeles-based indie rock sensations Allah-Las can trace their origins to when three of the four band members worked at renowned record store Amoeba Music. Formed back in 2008, the Southern California-based have received both local and national attention for a sound that draws entirely from the 60s and includes elements of folk rock, psych rock, surfer rock and garage rock – while firmly establishing themselves as part of a burgeoning retro/garage rock scene that includes The Mystery Lights, The Black Angels, Raccoon Fighter and others.

London, UK-based producer, electronic music artist, multi-instrumentalist and DJ Dhas received international attention over the last few years for a number of critically acclaimed singles released through renowned dance pop/electro pop label; in fact, “Brown Sauce” was mentioned in Pitchfork’s Tracks while “The Music,” appeared in the major motion picture Pusher and landed at number 3 on Spin Magazine’s Best Dance singles in 2013. And if you were frequenting this site over the course of 2015 you might recall that Marr collaborated with internationally acclaimed indie pop artist Chet Faker on an EP that featured the slickly produced Daft Punk and Off the Wall-era Michael Jackson leaning track “The Trouble With Us.”

Now if you’ve been frequenting this site over the course of its six-year history, you’d know that the New York-based neo-disco/electronic dance music/funk collective ESCORT have been mainstay artists. And over that same period of time, the collective founded by producers Eugene Cho and Dan Balls featuring frontperson Adeline Michele as members of a core group of five that frequently expands to 17 for live shows has received local and national attention for an incredible live show of funky, danceable tunes, their two full-length albums and for their frontperson’s incredible stage presence, cementing their reputation as a must-see live act.

Tickets are still available — and for a two day festival out on gorgeous Governor’s Island, the tickets are pretty affordable. [Purchase Tickets]

JOVM will be there to cover the festival. Expect some live tweeting, a lot of Instagram and more. And if you weren’t following me, here are the socials:

Twitter: @yankee32879 and @williamhelms3rd

Instagram: @william_ruben_helms