Tag: Secret Colours Save Me

If you follow me through my various social media accounts, you’d know that I’m now in Chicago on a business trip — and for some live music and hanging out with a few people I know in the area. So far, the trip has gone off on a fantastic start; but as you can imagine, I’ll be posting but somewhat sporadically as I’m running around town on various adventures, and will have work functions and so on. But let’s get to some business first . .

I’ve written quite a bit about the Chicago, IL-based psych rock band Secret Colours on this site, and as you may recall that throughout the band’s history they’ve gone through several lineup changes that have left founding member Tommy Evans as the sole original member. And with the band’s newest lineup which features Evans (guitar, vocals), Max Brink (bass) and Matt Yeates (drums), the band sound has been pushed in a slightly different direction as their latest album Dream Dream draws more from Brit Pop, guitar pop and garage rock — while at points, retaining elements of the 60s psych rock sound that first captured the attention of this site and elsewhere. Last year, I wrote about the XTC “Mayor of Simpleton”-like “Changes in Nature” and the 70s AM rock-like “Save Me;” however, the album’s latest single, album title track “Dream Dream” is more of a return to form, with the song being heavily indebted to both 60s psych pop and Brit Pop.

Directed and produced by Katey Meyer and featuring animation by  Becca Christman, the recently released video features the members of the band, playing on a brightly colored set, wearing retro glasses and sunglasses and of course, some prerequisite psychedelic imagery. It’s trippy yet mischievously so.

 

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https://bandcamp.com/EmbeddedPlayer/album=210272287/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=1819739007/transparent=true/

If you’ve been frequenting this site over the past three or four years of its seven year history, you would have come across a handful of posts on  the Chicago, IL-based psych rock band Secret Colours. Interestingly, the band recorded and released their self-titled debut and their sophomore effort, Peach, the band’s initial lineup featured six members; however, by the time they went into the studio to record Positive Distractions 1 and Positive Distractions 2, the band went through a massive lineup change that left Tommy Evans (vocals, guitar) and Justin Frederick (drums) as the only members remaining from the original sextet. And with the recruitment of long-time Chicago music scene friends Eric Hehr and Mike Novak, the band went through a decided change in sonic direction — partially influenced by necessity and as a result of being artists, who recognize that life pushes them forward and towards new influences and techniques.

Up until recently, some time had passed since I had last written about them and in that period of the past few years, the band went through yet another lineup change in which its founding member Tommy Evans, along with Mike Novak remain; but with its newest lineup featuring Max Brink (bass) and Matt Yeates (drums), the band find themselves pushing their sound in completely new and different directions on their latest full-length effort Dream Dream; in fact, the album’s material finds the band drawing more from guitar pop and garage rock, while retaining elements of the 60s psych rock sound that first captured the attention of the blogosphere. And as you may recall, album single “Changes in Nature” was a swooning and sweetly urgent love song reminiscent of XTC’s “Mayor of Simpleton” but with a subtly lysergic vibe. Interestingly enough, “Save Me,” Dream Dream‘s latest single manages to mesh contemporary jangling guitar pop with psych rock in a way that feels anachronistic — could the song have been released during the 60s? Or AM rock’s heyday? Or in 2017? If it weren’t for the slick production, you wouldn’t be able to tell; but perhaps more important, the single reminds listeners that the band can craft incredibly infectious, hook-driven rock with dexterous guitar work.