Tag: Silber Records

New Video: Acclaimed Instrumental Canadian Act Shooting Guns Release Gorgeous Visuals for Atmospheric Album Single “Vampires of Industry”

With the release of their six full-length albums, the Saskatoon, Saskatchewan, Canada-based instrumental psych rock/heavy psych/heavy metal act Shooting Guns have developed a reputation as a critically applauded, multi-award nominated act, known for work that’s largely inspired by Black Sabbath, Spacemen 3, Pink Floyd and others — and for touring over 60,000 miles across their native Canada without international touring.

While their previously released material was the sort of heavy and saturated sounds that was well-suited for horror-comedy files, Flavour Country, the Saskatoon-based instrumental act’s sixth and latest album  which was produced and recorded but the members of the band at their own Pre-Rock Studios features arguably some of the band’s fastest, heaviest and most visceral material they’ve written, recorded and released, as well as some of their most atmospheric; in fact, the album’s latest single “Vampires of Industry” consists of a slow-burning and moody drone paired with twangy and shimmering guitar chords that immediately bring to mind Black Sabbath’s “Planet Caravan,” Directions to See a Ghost-era The Black Angels, and the Silber Records catalog — but with a cinematic, sweep.

Directed by Parker Thiessen, the recently released video for “Vampires of Industry” features a flowing and shimmering, metallic piece of cloth, overtaking  the surrounding forest in a way that evokes the creeping of industrialization over nature in a way that’s gorgeous, surreal and unsettling.

New Video: The Stark and Beautiful Post-Apocalyptic Visuals for Magnetic Ghost’s “Landfill”

Earlier this year, I wrote about Minneapolis, MN-based multi-instrumetnlist and vocalist Andy Larson and his solo recording project Magnetic Ghost — and interestingly enough because the Magnetic Ghost project’s sound possesses elements of shoegaze, drone, krautrock, freak folk and post-punk, Larson’s work has been compared favorably Low, Sonic Youth, Popul Vuh, Talk Talk, Women, Flying Saucer Attack, and others, and as a result, Larson has opened for a diverse array of artists including Low’s Alan Sparhawk, Will Oldham, Bitchin Bajas, The Telescopes, Flavor Crystals and others. Further cementing a growing regional and national profile, Larson released his latest Magnetic Ghost album Loss Molecules last month, an effort that was recorded with renowned indie rock producer Neil Weir at Blue Bell Knoll and by Larson at Magnetic Manson.

The album’s first single “Vanish/Vanishing” featured Larson’s plaintive and ethereal vocals paired with layers of droning and shimmering guitars, a propulsive bass line and stuttering drumming in a moody bit of shoegaze that sounded as though it could have been released by Silber Records. Loss Molecules’ latest single “Landfill” manages to evoke a malevolent storm of privation, desperation, brutality and the end of things we were all familiar with and loved are on the horizon. And that shouldn’t be surprising as Larson explained to me via email, “Landfill” is “”a song truly about the lead up to this particular point in American politics we find ourselves in — the horrible mash up of celeb culture, consumerism, and politics amidst decay.”

Produced by Chase Butler, the recently released music video for “Landfill” captures both greed and decay with a stark and haunting beauty that suggests that the end result of our ambitions, of our constantly exploited and desperate need for stuff and of our dreams is decay.

New Video: The Psychedelic Video and Sounds of Zenith Myth’s “Temple Dome”

Zenith Myth is the solo recording project of Los Angeles-based producer, electronic music artist and multi-instrumentalist, Mike Edwards. And Edwards’ sophomore effort with the Zenith Myth project, Eclipsed V is reportedly a shift towards a more experimental, ambient and drone-like […]