Tag: Single Review: Jennie Vee Hospital Bed

Throughout the course of 2015, I had written quite a bit of about the currently Los Angeles-based, Sudbury, Ontario-born multi-instrumentalist, and singer/songwriter Jennie Vee. Growing up in a small, rural Ontario town, the young Jennie Vee was the rare “goth” girl, who loved New Wave, post-punk and goth, which began when a friend introduced her to the Manchester sound. Vee relocated to England, where she began writing songs and later spent stints in Nashville and New York, where she settled down to write and record her debut LP, as well as played her first solo gigs. And while in NYC, she met a number of creators and influential folks including visual artist Katrin Albert, who produced a series of videos to accompany Jennie Vee’s music; Grammy Award-winning producer Chris Lord-Alge, who later remixed a song from her debut LP; and Courtney Love, with whom she toured with in her backing band, and who quickly became a very dear friend.

Following up on the buzz around her full-length debut, Vee wrote, recorded and released the exceptional Spying EP, which featured a gorgeous and sensual cover of Echo and the Bunnymen‘s “Lips Like Sugar,” and further established her a solo artist, who specialized in a hook-driven shoegaze and New Wave-like guitar pop paired with lyrics that frankly focus on themes of heartbreak, loss, loneliness and death.

Suffer EP is the follow-up to Spying and the EP, which is slated for a September 22, 2017 release through WaxRomantix Records was written and recorded after she spent the spring of 2015 playing bass with Courtney Love, during Love’s Endless Summer Tour, which featured Lana del Rey. And since then Vee has opened for the likes of Echo and the Bunnymen, Manic Street Preachers and The Darkness, and recently joined Eagles of Death Metal. “Hospital Bed,” Suffer‘s latest single is reportedly a deeply personal song that explores the mixed feelings of guilt, anger, and the difficult and painful decisions one faces while watching a loved one struggle with addiction — while sonically, the song will further cement her reputation for hook-laden and swooningly earnest guitar pop with some gorgeous guitar work.

 

 

 

 

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